| A | B | C | D | E | F | G | H | I | J | K | L | M |
| N | O | P | Q | R | S | T | U | V | W | X | Y | Z |
| Acmeism | ||
|---|---|---|
| Pis'ma A.A. Axmatovoj k N.I. Xardzhievu, Henryk Baran | 7/8 (1974) p. 5 | |
| Vosstanovlennyj Mandel'shtam, N.I. Xardzhiev | 7/8 (1974) p. 19 | |
| Zametki ob akmeizme, R.D. Timenchik | 7/8 (1974) p. 23 | |
| Russkaja semanticheskaja poètika kak potencial'naja kul'turnaja paradigma, Ju.I. Levin, D.M. Segal, R.D. Timenchik, V.N. Toporov, T.V. Civ'jan | 7/8 (1974) p. 47 | |
| Kod Axmatovoj, Jerzy Faryno | 7/8 (1974) p. 83 | |
| Antichnye geroini – zerkala Axmatovoj, T.V. Civ'jan | 7/8 (1974) p. 103 | |
| Pamjat' zrenija i pamjat' smysla, D.M. Segal | 7/8 (1974) p. 121 | |
| The Jewish Theme in the Poetry of Osip Mandel'shtam, Kirill F. Taranovskij | 7/8 (1974) p. 133 | |
| Osip Mandel'shtam: ''Na rozval'njax, ulozhennyx solomoj'', Kirill F. Taranovskij | 7/8 (1974) p. 159 | |
| Mandel'shtam's Poem ''Voz'mi na radost''', Nils Ake Nilsson | 7/8 (1974) p. 165 | |
| Mandel'shtam's Poem ''V Peterburge my sojdemsja snova'', Jeanne van der Eng-Liedmeier | 7/8 (1974) p. 181 | |
| Review: Kees Verheul, The Theme of Time in the Poetry of Anna Axmatova. Mouton, The Hague-Paris, 1971, M.B. Mejlax | 7/8 (1974) p. 203 | |
| Zametki ob akmeizme, R.D. Timenchik | V-3 (1977) p. 281 | |
| Po povodu Antologii peterburgskoj poèzii èpoxi akmeizma, R.D. Timenchik | V-4 (1977) p. 315 | |
| Dve glavy iz istorii poèzii nachala veka: I. V.A. Komarovskij – II. V.K. Shilejko (k sootnosheniju poètiki simvolizma i akmeizma), V.N. Toporov | VII-III (1979) p. 249 | |
| Zametki ob akmeizme III, R.D. Timenchik | IX-II (1981) p. 175 | |
| Poèzija Mixaila Lozinskogo: Simvolizm i Akmeizm, D.M. Segal | XIII-IV (1983) p. 333 | |
| O nervalianskom podtekste v russkom akmeizme, T.V. Civ'jan, V.N. Toporov | XV-I (1984) p. 29 | |
| Ob istorizme Axmatovoj, V.N. Toporov | XXVIII-III (1990) p. 247 | |
| Anna Axmatova i russkaja kul'tura nachala XX veka: Tezisy konferencii, S.G. Shindin | XXX-III (1991) p. 273 | |
| Chudo smerti i chudo muzyki (O vozmozhnyx istokax i paralleljax nekotoryx motivov poèzii Axmatovoj), A.E. Anikin | XXX-III (1991) p. 285 | |
| 'Severnye èlegii' Anny Axmatovoj (Opyt interpretacii celogo), Irina Kravcova | XXX-III (1991) p. 303 | |
| Zametki o stixotvorenii Anny Axmatovoj 'Majakovskij v 1913 godu', Leonid Kacis | XXX-III (1991) p. 317 | |
| Fuga temporum, Marija Suxanova | XXX-III (1991) p. 337 | |
| Smert' vlastelina na oxote ('Oxota' N. Gumileva i 'Seroglazyj korol'' Axmatovoj), T.M. Nikolaeva | XXX-III (1991) p. 343 | |
| Axmatova i Mandel'shtam, V.V. Musatov | XXX-III (1991) p. 357 | |
| Anna Axmatova i Arsenij Tarkovskij (K istorii vzaimootnoshenij dvux poètov), E.M. Ol'shanskaja | XXX-III (1991) p. 373 | |
| Kategorija prostranstva v èkspozicionnom reshenii muzeja Anny Axmatovoj v Fontannom Dome, Irina Popova | XXX-III (1991) p. 385 | |
| Metamorfozy liricheskogo ''ja'' v poèzii Anny Axmatovoj, Ol'ga Ja. Obuxova | XXX-III (1991) p. 391 | |
| An Acmeist in the Theater: Gumilev's Tragedy The Poisoned Tunic, Elaine Rusinko | XXXI-III (1992) p. 393 | |
| Iosif Brodskij i akmeizm, Nirman Moranjak-Bamburac | XL-I (1996) p. 57 | |
| Rannee tvorchestvo Nikolaja Gumileva v svete poètiki akmeizma: zametki k teme, Ol'ga Ja. Obuxova | XLI-IV (1997) p. 495 | |
| Akmeisticheskij fragment xudozhestvennogo mira Mandel'shtama: metatekstual'nyj aspekt, S.G. Shindin | XLII-II (1997) p. 211 | |
| Vjacheslav Ivanov and Acmeism: Literary Polemics of 1912-1914, Valery Blinov | XLIV-III (1998) p. 331 | |
| Surpassing Acmeism? – The Lost Key to Cvetaeva's 'Poem of the Air', Alexandra Smith | XLV-II (1999) p. 209 | |
| Extra-Stanzaic Elements in the Lyric Poetry of Marina Cvetaeva, R.D.B. Thomson | XLV-II (1999) p. 223 | |
| ''Fear and the Muse'': An Analysis and Contextual Interpretation of Anna Axmatova's 'Voronezh', Michael Basker | XLV-III (1999) p. 245 | |
| ''Loneliness Together'': Anna Axmatova and Nikolaj Punin, Sonia I. Ketchian | XLIX-I (2001) p. 87 | |
| Ageev, M. | ||
|---|---|---|
| Vadim Maslennikov's Stroll Through Ageev's Novel with Cocaine: A Search for Bridges and Swings, Lito Edward Porto | XLVII-II (2000) p. 221 | |
| Ajtmatov, Ch. | ||
|---|---|---|
| The Polyphony of Narrative Voices in Plaxa, Nina Kolesnikoff | XXVIII-I (1990) p. 33 | |
| Alpers, S. | ||
|---|---|---|
| The Dutch Connection in Russian Literature: Notes on Some Implications of Svetlana Alpers' The Art of Describing, James M. Curtis | XXXVIII-I (1995) p. 25 | |
| Amal'rik, A.A. | ||
|---|---|---|
| Sense in a Fairy Tale about Non-Sense: 'Skazka pro belogo bychka' by A.A. Amal'rik, Jenny Stelleman | XXXVII-IV (1995) p. 603 | |
| Andersen, H.C. | ||
|---|---|---|
| Infinite Reflections in Nabokov's Pale Fire: The Danish Connection (Hans Andersen and Isak Dinesen), Priscilla Meyer, Jeff Hoffman | XLI-II (1997) p. 197 | |
| Andreev, L.N. | ||
|---|---|---|
| Nabljudenija nad prozoj Leonida Andreeva, James B. Woodward | 1 (1971) p. 49 | |
| Leonid Andreev i Èdvard Munk, L. Iezuitova | XXII-I (1987) p. 63 | |
| Povest' L. Andreeva 'Moi zapiski' kak javlenie modernizma (predavangarda), L. Iezuitova | XXXVI-I (1994) p. 29 | |
| Andric, I. | ||
|---|---|---|
| L'esthétique d'Ivo Andric, Midhat Begic | XXX-I (1991) p. 1 | |
| Andric's Berlin Writings: 'Between the Two Sirens', Zelimir Juricic | XXX-I (1991) p. 29 | |
| Salko Corkan the One-Eyed and Andric's Views on Love, Zelimir Juricic | XXX-I (1991) p. 45 | |
| Annenskij, I.F. | ||
|---|---|---|
| 'Famira-kifared' I. Annenskogo: ''Problema'' Famiry (v svjazi s pozdnejshimi implikacijami), A.E. Anikin | XXXIV-IV (1993) p. 425 | |
| Innokentij Annenskijs 'Iz Bal'monta': Anmerkungen zu einem parodistischen Text des russischen Symbolismus, Witold Kosny | XXXVII-IV (1995) p. 505 | |
| Annenskij i Pushkin. Stixotvorenie 'Chernoe more', Nils Ake Nilsson | XXXVII-IV (1995) p. 579 | |
| Arbuzov, N.A. | ||
|---|---|---|
| Smert' Gogolja – obshchestvennaja utrata (poèt N.A. Arbuzov o N.V. Gogole), A.N. Shustov | XXVIII-II (1990) p. 235 | |
| N.A. Arbuzov: ego zhizn' i sochinenija, A.N. Shustov | XXXVI-II (1994) p. 131 | |
| Izbrannye stixotvorenija, N.A. Arbuzov | XXXVI-II (1994) p. 163 | |
| Aristotle | ||
|---|---|---|
| Filosofskij kontekst romana A. Platonova Schastlivaja Moskva (Platon, Aristotel', O. Shpengler), M. Dmitrovskaja | XLVI-II (1999) p. 139 | |
| Armalinskij, M. | ||
|---|---|---|
| Tajnyj dnevnik Aleksandra Pushkina, Irena Luksic | XLIX-II (2001) p. 183 | |
| Aseev, N. | ||
|---|---|---|
| Tvorcheskaja istorija ob"edinenija 'Centrifuga' (zametki o rannix poèticheskix vzaimosvjazjax B. Pasternaka, N. Aseeva i S. Bobrova), Svetlana Ja. Kazakova | XXVII-IV (1990) p. 459 | |
| Avvakum | ||
|---|---|---|
| Jumor protopopa Avvakuma, D.S. Lixachev | V-4 (1977) p. 373 | |
| Axmadulina, B. | ||
|---|---|---|
| O poèticheskom jazyke Belly Axmadulinoj, Sofija Lubenskaja | XVII-II (1985) p. 157 | |
| Axmatova, A.A. | ||
|---|---|---|
| Public Themes in the Poetry of Anna Axmatova, Kees Verheul | 1 (1971) p. 73 | |
| Pis'ma A.A. Axmatovoj k N.I. Xardzhievu, Henryk Baran | 7/8 (1974) p. 5 | |
| Russkaja semanticheskaja poètika kak potencial'naja kul'turnaja paradigma, Ju.I. Levin, D.M. Segal, R.D. Timenchik, V.N. Toporov, T.V. Civ'jan | 7/8 (1974) p. 47 | |
| Kod Axmatovoj, Jerzy Faryno | 7/8 (1974) p. 83 | |
| Antichnye geroini – zerkala Axmatovoj, T.V. Civ'jan | 7/8 (1974) p. 103 | |
| Review: Kees Verheul, The Theme of Time in the Poetry of Anna Axmatova. Mouton, The Hague-Paris, 1971, M.B. Mejlax | 7/8 (1974) p. 203 | |
| Ob imenax Axmatovoj. I. Anna, M.B. Mejlax | 10/11 (1975) p. 33 | |
| Axmatova i muzyka, T.V. Civ'jan | 10/11 (1975) p. 173 | |
| Avtometaopisanie u Axmatovoj, R.D. Timenchik | 10/11 (1975) p. 213 | |
| Measure and Complementarity in Axmatova, Lawrence E. Feinberg | V-4 (1977) p. 303 | |
| Axmatova i Kuzmin, R.D. Timenchik, V.N. Toporov, T.V. Civ'jan | VI-3 (1978) p. 213 | |
| Iz nabljudenij nad poèticheskim mirom Axmatovoj (''Serdce b'etsja rovno, merno...''), Ju.K. Shcheglov | XI-I (1982) p. 49 | |
| O nervalianskom podtekste v russkom akmeizme, T.V. Civ'jan, V.N. Toporov | XV-I (1984) p. 29 | |
| The Mandel'shtam Presence in the Dedications of Poèma bez geroja, Rory Childers, Anna Lisa Crone | XV-I (1984) p. 51 | |
| Reception as a Theme in Axmatova's Later Poetry, Jeanne van der Eng-Liedmeier | XV-I (1984) p. 83 | |
| The Genre of Podrazhanie and Anna Axmatova, Sonia I. Ketchian | XV-I (1984) p. 151 | |
| K razboru ''chuzhix golosov'' v Rekvieme Axmatovoj, Milivoje Jovanovic | XV-I (1984) p. 169 | |
| The Symbolic Function of Concrete Objects in the Poetry of Anna Axmatova (1910-1925) and Maria Pawlikowska-Jasnorzewska (1922-1937), Joanna Piotrowiak | XVIII-IV (1985) p. 299 | |
| Ob istorizme Axmatovoj, V.N. Toporov | XXVIII-III (1990) p. 247 | |
| Anna Axmatova i russkaja kul'tura nachala XX veka: Tezisy konferencii, S.G. Shindin | XXX-III (1991) p. 273 | |
| Chudo smerti i chudo muzyki (O vozmozhnyx istokax i paralleljax nekotoryx motivov poèzii Axmatovoj), A.E. Anikin | XXX-III (1991) p. 285 | |
| 'Severnye èlegii' Anny Axmatovoj (Opyt interpretacii celogo), Irina Kravcova | XXX-III (1991) p. 303 | |
| Zametki o stixotvorenii Anny Axmatovoj 'Majakovskij v 1913 godu', Leonid Kacis | XXX-III (1991) p. 317 | |
| Fuga temporum, Marija Suxanova | XXX-III (1991) p. 337 | |
| Smert' vlastelina na oxote ('Oxota' N. Gumileva i 'Seroglazyj korol'' Axmatovoj), T.M. Nikolaeva | XXX-III (1991) p. 343 | |
| Axmatova i Mandel'shtam, V.V. Musatov | XXX-III (1991) p. 357 | |
| Anna Axmatova i Arsenij Tarkovskij (K istorii vzaimootnoshenij dvux poètov), E.M. Ol'shanskaja | XXX-III (1991) p. 373 | |
| Kategorija prostranstva v èkspozicionnom reshenii muzeja Anny Axmatovoj v Fontannom Dome, Irina Popova | XXX-III (1991) p. 385 | |
| Metamorfozy liricheskogo ''ja'' v poèzii Anny Axmatovoj, Ol'ga Ja. Obuxova | XXX-III (1991) p. 391 | |
| Anna Axmatova's Rendition of Universality and Unity as Intensifying Devices in Maro Markarian, Sonia I. Ketchian | XXXVIII-I (1995) p. 83 | |
| Anna Axmatova: tradicija i novoe myshlenie, I. Gurvich | XLI-II (1997) p. 121 | |
| Maska v literature i zhivopisi nachala XX veka (A. Axmatova, K. Somov), V. Silant'eva, O. Konopel'ko | XLV-I (1999) p. 107 | |
| ''Fear and the Muse'': An Analysis and Contextual Interpretation of Anna Axmatova's 'Voronezh', Michael Basker | XLV-III (1999) p. 245 | |
| ''Loneliness Together'': Anna Axmatova and Nikolaj Punin, Sonia I. Ketchian | XLIX-I (2001) p. 87 | |
| A | B | C | D | E | F | G | H | I | J | K | L | M |
| N | O | P | Q | R | S | T | U | V | W | X | Y | Z |
| Babel', I. | ||
|---|---|---|
| Isaak Babel' and the Jewish Tradition: The Childhood Stories, Carol A. Luplow | XV-III (1984) p. 255 | |
| The Rhetoric of Revolution in Babel's Konarmija, Gareth Williams | XV-III (1984) p. 279 | |
| Babel's Two Ivans, Patricia Carden | XV-III (1984) p. 299 | |
| Story and Cycle: Babel's 'Poceluj' and Konarmija, J.J. van Baak | XV-III (1984) p. 321 | |
| Synaesthetic Metaphor in the Work of Isaak Babel', Danuta Mendelson | XV-III (1984) p. 347 | |
| Montage as a Constructing Principle in Cinematic and Narrative Art: Èjzenshtejn and Babel', Marc Schreurs | XIX-II (1986) p. 193 | |
| Prostranstvo v proze avangarda: Konarmija I. Babelja, J.J. van Baak | XX-I (1986) p. 1 | |
| Two Forms of Montage in Babel's Konarmija, Marc Schreurs | XXI-III (1987) p. 243 | |
| Babel' i pol'skoe sakral'noe iskusstvo, Aleksandar Flaker | XXII-I (1987) p. 29 | |
| Isaak Babel' and his Film-Work, Jerry Heil | XXVII-III (1990) p. 289 | |
| Red Cavalry: A Novel of Stories, Jan van der Eng | XXXIII-II/III (1993) p. 249 | |
| Èticheskoe i èsteticheskoe v rasskaze Isaaka Babelja 'Pan Apolek', Ivan Esaulov | XXXVII-I (1995) p. 39 | |
| Babel's Face, Anne Nesbet | XLII-I (1997) p. 65 | |
| Isaak Babel's Konarmija: Ljutov's Stylistic Battles, Hana Pichova | XLIV-II (1998) p. 197 | |
| Ideja v obrazax, abstraktnoe v vizual'nom. Figury-obrazy Isaaka Babelja, Zsuzsa Hetényi | XLV-I (1999) p. 75 | |
| Sredinnyj sterzhen' v Konarmii Babelja. 'Kladbishche v Kozine' i 'Prishchepa', Maria Langleben | XLVII-II (2000) p. 159 | |
| Balashovskaja-Peti, S.G. | ||
|---|---|---|
| Neopublikovannye pis'ma Zinaidy Nikolaevny Gippius k Sof'e Grigor'evne Balashovskoj-Peti, Rosina Neginsky | XXXVII-I (1995) p. 49 | |
| Pis'ma k Sof'e Grigor'evne Balashovskoj-Peti (Kommentarii i podgotovka k publikacii Rosina Neginsky), Zinaida Gippius | XXXVII-I (1995) p. 59 | |
| Bal'mont, K.D. | ||
|---|---|---|
| Bal'mont and Xlebnikov (A Study of Euphonic Devices), Willem G. Weststeijn | VIII-III (1980) p. 255 | |
| Balzac, H. de | ||
|---|---|---|
| Turgenev's A Month in the Country and Balzac's La Maratre. The Originality of Turgenev's Play, Carmen Culianu-Georgescu | XVI-IV (1984) p. 385 | |
| Baranczak, S. | ||
|---|---|---|
| Die Sprache als dargestellte Welt – Zur Lyrik von Stanislaw Baranczak, Wlodzimierz Bolecki | XVI-II (1984) p. 127 | |
| Baratynskij, E.A. | ||
|---|---|---|
| Stixotvorenie Boratynskogo ''Blagosloven svjatoe vozvestivshij!..'', Dora Burton | XVII-II (1985) p. 183 | |
| Baratynskij's Tales in Verse: The Social Implications of Poetic Genre, Luc Jean Beaudoin | XXXVIII-II (1995) p. 113 | |
| 'Bal': dvizhenie ot poèzii k proze, Il'ja Pomerancev | XLIV-II (1998) p. 209 | |
| Baudouin de Courtenay, J. | ||
|---|---|---|
| Baudouin de Courtenay Versus Kruchenyx, Gerald Janecek | X-I (1981) p. 17 | |
| Baxtin, M.M. | ||
|---|---|---|
| Baxtin and Soviet Semiotics (A Case Study: Boris Uspenskij's Poètika kompozicii), I.R. Titunik | X-I (1981) p. 1 | |
| Karnaval'noe soznanie, karnavalizacija, Léna Szilárd | XVIII-II (1985) p. 151 | |
| Baxtin et le problème fondamental de la sémiotique, Stefan Zólkiewski | XX-II (1986) p. 97 | |
| Dialogic Perspectives: The East European View (Baxtin, Mukarovský, Lotman), David K. Danow | XX-II (1986) p. 119 | |
| Criticism as a Dialogic Practice, Don Bialostosky | XXVI-II (1989) p. 105 | |
| Problema avtorstva u Baxtina i russkaja filosofskaja tradicija, B. Grojs | XXVI-II (1989) p. 113 | |
| The Problem of Value and Evaluation in Baxtin's Writing, Rainer Grübel | XXVI-II (1989) p. 131 | |
| M. Baxtin's Notions of Time and Textanalysis, Maria Langleben | XXVI-II (1989) p. 167 | |
| Antichnye istochniki kategorii ''dialoga'' v filosofii i èstetike M. Baxtina, Jean-Claude Lanne | XXVI-II (1989) p. 191 | |
| Vklad Baxtina/Voloshinova v teoriju tekstovoj interferencii, Wolf Schmid | XXVI-II (1989) p. 219 | |
| Baxtin's Dialogical Poetics, Clive Thomson | XXVI-II (1989) p. 237 | |
| Dialogization and Laughter in the Dark, or How Gogol's Nose Was Made: Parody and Literary Evolution in Baxtin's Theory of the Novel, Efraim Sicher | XXVIII-II (1990) p. 211 | |
| Tolstoj Speaks for Baxtin, Jill F. Durey | XXXII-IV (1992) p. 357 | |
| Philosophy of Language and Semiotics in Mixail Baxtin, Augusto Ponzio | XXXII-IV (1992) p. 393 | |
| Literature and History: Riddles in Space and Time, D.M. Segal | XXXII-IV (1992) p. 417 | |
| Baxtin, Diderot, and the Simultaneity of Meaning, Anthony Wall | XXXII-IV (1992) p. 439 | |
| The Author and the ''I'' in Baxtin's Conception of the Literary Text, Willem G. Weststeijn | XXXII-IV (1992) p. 459 | |
| Ja i drugoj. Kritika romanticheskogo soznanija u Baxtina i K'erkegora, Aleksej Frishman | XXXVIII-III (1995) p. 273 | |
| Typology of Culture and Carnival: Note on the Models of Baxtin and Lotman, Massimo Bonafin | XLI-III (1997) p. 255 | |
| Baxtin and his Circle, Nicoletta Marcialis | XLI-III (1997) p. 269 | |
| Dialectic and Popular Culture: On Mixail Baxtin's ''Model of Culture'', Nicolò Pasero | XLI-III (1997) p. 291 | |
| The Relation of Alterity in Baxtin, Blanchot, Lévinas, Augusto Ponzio | XLI-III (1997) p. 315 | |
| Semiotics Between Peirce and Baxtin, Augusto Ponzio | XLI-III (1997) p. 333 | |
| Dialogue, the Frontier and the Chronotope in Mixail Baxtin's Thought, Simonetta Salvestroni | XLI-III (1997) p. 353 | |
| Intertextuality and Interglossia in the Novel and in Poetry, Cesare Segre | XLI-III (1997) p. 371 | |
| What Baxtin Did Not Say: The Medieval Origins of the Novel, Cesare Segre | XLI-III (1997) p. 385 | |
| Dialogue with Baxtin, Vittorio Strada | XLI-III (1997) p. 411 | |
| Ovneshnenie cheloveka pri totalitarizme i religioznoe soznanie, Ivan Esaulov | XLIII-II (1998) p. 137 | |
| M.M. Baxtin i G.O. Vinokur: dva podxoda k nauchnoj poètike, Mark Sokoljanskij | XLIV-II (1998) p. 227 | |
| Contextualising Baxtin: Two Poems by Mandel'shtam, Galin Tihanov | L-II (2001) p. 165 | |
| Belinskij, V.G. | ||
|---|---|---|
| Two Views of Gogol' and the Critical Synthesis Belinskij, Rozanov and Dostoevskij – An Essay in Literary-Historical Criticism, Robert Louis Jackson | XV-II (1984) p. 223 | |
| Belyj, A. | ||
|---|---|---|
| Die Bedeutung des Stils bei Andrej Belyj, Johannes Holthusen | 5 (1973) p. 65 | |
| Erzähler und Raum des Erzählers in Belyjs Serebrjanyj golub', Johannes Holthusen | IV-4 (1976) p. 325 | |
| Recollection as Metaphor in Kotik Letaev, Carol Anschuetz | IV-4 (1976) p. 345 | |
| The Spiral as Image and Structural Principle in Andrej Belyj's Kotik Letaev, Gerald Janecek | IV-4 (1976) p. 357 | |
| The Silver Dove: An Analysis, J.D. Elsworth | IV-4 (1976) p. 365 | |
| Music as Model and Ideal in Andrej Belyj's Poetic Theory and Practice, Boris Christa | IV-4 (1976) p. 395 | |
| Andrej Belyj's Peterburg: The City and the Family, Stephen S. Lottridge | VI-2 (1978) p. 175 | |
| The Visible and the Invisible Petersburg, Lubomír Dolezel | VII-V (1979) p. 465 | |
| Belyj and Nabokov: A Comparative Overview, D. Barton Johnson | IX-IV (1981) p. 379 | |
| Andrej Belyj's The Christened Chinaman – Resolution of the Conflict of Filial Guilt, Thomas R. Beyer Jr. | X-IV (1981) p. 369 | |
| Toward the History of Peterburg, John E. Malmstad | XVIII-I (1985) p. 1 | |
| Imja personazha u A. Belogo, Visnja Rister | XXI-I (1987) p. 99 | |
| The Humorous Profanation of the Sacred in Belyj's ''Moscow'' Novels, Olga Muller Cooke | XXI-III (1987) p. 217 | |
| Non-Authoritarian Discourse in Peterburg, Cynthia Simmons | XXVII-IV (1990) p. 483 | |
| O. Mandel'shtam i A. Belyj: polemika i preemstvennost', S.M. Margolina | XXX-IV (1991) p. 431 | |
| Andrej Belyj's 'Tulumbas', J. Kopper | XXXI-III (1992) p. 297 | |
| Misterija Andreja Belogo 'Antixrist', Daniela Rizzi | XXXIV-IV (1993) p. 487 | |
| Antixrist. Konspekt i detskij nabrosok k nenapisannoj misterii (publikacija D. Rizzi), Andrej Belyj | XXXIV-IV (1993) p. 519 | |
| Obraz Sofii v Chetvertoj simfonii Andreja Belogo, Olja Tielkes | XXXVII-IV (1995) p. 617 | |
| Andrej Belyj i kino, Heidemarie Riedlhuber | XL-I (1996) p. 77 | |
| O ''blokovskom sloe'' v romane Andreja Belogo Serebrjanyj golub', V.N. Toporov | XL-II (1996) p. 121 | |
| 'Kust' i Serebrjanyj golub': K svjazi tekstov i o predpolagaemoj obshchej ''vneliteraturnoj'' osnove ix, V.N. Toporov | XL-II (1996) p. 211 | |
| Boris Pasternak i poèma v proze Andreja Belogo Glossolalija (Razmyshlenija nad stixotvoreniem 'Step''), Stefano Garzonio | XLI-IV (1997) p. 451 | |
| Neskol'ko iudejskix kommentariev k stat'e S. Gardzonio 'Boris Pasternak i poèma v proze Andreja Belogo Glossolalija (Razmyshlenija nad stixotvoreniem ''Step''')', Leonid Kacis | XLI-IV (1997) p. 461 | |
| Poèzija prozy Chetvertoj simfonii A. Belogo, Olja Tielkes | XLII-III/IV (1997) p. 459 | |
| The Ironic ''I'' in Peterburg, Pierre R. Hart | XLVIII-I (2000) p. 33 | |
| Benois, A.N. | ||
|---|---|---|
| Mednyj vsadnik Through the Eyes of Alexander Benois, Sona Stephan Hoisington | XXVIII-IV (1990) p. 479 | |
| Kulturvermittlung und retrospektive Kunstbetrachtung der Wende vom 19. zum 20. Jahrhundert: Aleksandr N. Benua, Joachim Doerschug | XXXV-I (1994) p. 39 | |
| Berberova, N. | ||
|---|---|---|
| Berberova i biografija Chajkovskogo: problema zhanra, Patrizia Deotto | XLV-IV (1999) p. 391 | |
| Nina Berberova: Creating an Exiled Self, Judith E. Kalb | L-II (2001) p. 141 | |
| Berdjaev, N. | ||
|---|---|---|
| Tyranny of Nationality: Pushkin, Dostoevskij and Berdjaev, Anna Makolkin | XLVI-III (1999) p. 299 | |
| Bergson, H. | ||
|---|---|---|
| Elements of Henri Bergson's Creative Evolution in the Critical Prose of Osip Mandel'shtam, Frances Nethercott | XXX-IV (1991) p. 455 | |
| Toska po edinstvu: O vlijanii Bergsona na rannego Mandel'shtama, Anne Faivre Dupaigre | XLII-II (1997) p. 137 | |
| Bestuzhev-Marlinskij, A.A. | ||
|---|---|---|
| Marlinizm: istorija odnoj stilistiki, Lauren G. Leighton | 12 (1975) p. 29 | |
| Bestuzhev-Marlinskij's 'Mulla Nur': A Muddled Myth to Rekindle Romance, Lewis Bagby | XI-II (1982) p. 117 | |
| Pushkin and Marlinskij: Decembrist Allusions, Lauren G. Leighton | XIV-IV (1983) p. 351 | |
| Bestuzhev-Marlinskij: Personality – Persona, Lewis Bagby | XXII-III (1987) p. 247 | |
| Bestuzhev-Marlinskij's 'Morexod Nikitin': Polemics in Ambiguity, Lewis Bagby | XXII-III (1987) p. 311 | |
| Aleksandr Bestuzhev-Marlinskij and the Gothic Novel in Russia, Mark S. Simpson | XXII-III (1987) p. 343 | |
| Iz istorii ''goticheskogo romana'' v Rossii (A.A. Bestuzhev-Marlinskij), V.È. Vacuro | XXXVIII-II (1995) p. 207 | |
| Stixotvorenie Marlinskogo 'Son': Bajron i Pushkin, Lauren G. Leighton | XLIII-I (1998) p. 79 | |
| Biedermeier | ||
|---|---|---|
| Romantizm i bidermajer, F.P. Fedorov | XXXVIII-III (1995) p. 241 | |
| Bitov, A. | ||
|---|---|---|
| Authenticity as the Tie that Binds: Andrej Bitov's ''Armenia Lessons'', Ellen B. Chances | XXVIII-I (1990) p. 1 | |
| Roman A. Bitova Pushkinskij dom i Peterburgskij tekst, M. Amusin | XLIII-IV (1998) p. 413 | |
| Blanchot, M. | ||
|---|---|---|
| The Relation of Alterity in Baxtin, Blanchot, Lévinas, Augusto Ponzio | XLI-III (1997) p. 315 | |
| Blok, A.A. | ||
|---|---|---|
| The Mask Motif in A. Blok's Poetry, Irene Masing-Delic | 5 (1973) p. 79 | |
| Three Poems About Two Meetings, Irene Masing-Delic | 9 (1975) p. 37 | |
| K recepcii poèzii Zhukovskogo v nachale XX veka. Blok-Zhukovskij: problema reminiscencij, V.N. Toporov | V-4 (1977) p. 339 | |
| Simvol u A. Bloka, Z.G. Minc | VII-III (1979) p. 193 | |
| Iconological Transformation in Blok's 'Blagoveshchenie', Gerald Pirog | VII-V (1979) p. 491 | |
| Blok's 'Ravenna': The City as Sign, Gerald Pirog | VIII-III (1980) p. 297 | |
| Zelenye zvezdy i pojushchie vody v lirike Bloka, Kirill F. Taranovskij | VIII-IV (1980) p. 363 | |
| Aspects of Poetic Communication (Time and Space in Four Poems by A. Blok), Jan van der Eng | VIII-IV (1980) p. 377 | |
| The ''Idea of the Circle'' in the Poetry of Blok, James B. Woodward | XVIII-III (1985) p. 187 | |
| Aleksandr Blok's Cycle 'Black Blood': An Interpretive Analysis, David A. Sloane | XVIII-III (1985) p. 207 | |
| Blok's 'Meshchanskoe zhit'e', Nancy Lynn Cooper | XXXIV-III (1993) p. 271 | |
| Two Versions of Blok's Nechajannaja Radost': Unexpected Joy Revisited, Nancy Lynn Cooper | XXXVIII-I (1995) p. 1 | |
| Po povodu stixotvorenija A. Bloka 'Shagi Komandora', G.N. Gorchakov | XXXIX-III (1996) p. 329 | |
| O ''blokovskom sloe'' v romane Andreja Belogo Serebrjanyj golub', V.N. Toporov | XL-II (1996) p. 121 | |
| Stixotvornaja i prozaicheskaja rech' v liricheskix dramax Al. Bloka, Jenny Stelleman | XLII-III/IV (1997) p. 413 | |
| Aleksandr Blok v balaganchike Vladimira Nabokova, Savelij Senderovich, Elena Shvarc | XLVIII-IV (2000) p. 471 | |
| Melancholy Illuminations: Mourning Becomes Blok's Stranger, Gerald Pirog | L-I (2001) p. 103 | |
| Bobrov, S. | ||
|---|---|---|
| Tvorcheskaja istorija ob"edinenija 'Centrifuga' (zametki o rannix poèticheskix vzaimosvjazjax B. Pasternaka, N. Aseeva i S. Bobrova), Svetlana Ja. Kazakova | XXVII-IV (1990) p. 459 | |
| K interpretacii romana Sergeja Bobrova Vosstanie mizantropov, Daniela Rizzi | XLV-IV (1999) p. 469 | |
| Bogatyrev, K. | ||
|---|---|---|
| Vospominanie o Koste Bogatyreve, Krystyna Pomorska | XIII-I (1983) p. 117 | |
| Bohomolec, F. | ||
|---|---|---|
| Some Remarks on the Literary Sources of Bohomolec's Arlekin na swiat urazony, Jan IJ. van der Meer | XXXVII-IV (1995) p. 535 | |
| Boileau, N. | ||
|---|---|---|
| Eshche raz o svjazjax Pushkina s francuzskoj literaturoj (Lagarp – Bualo – Ronsar), V.N. Toporov | XXII-IV (1987) p. 379 | |
| Bol'shakov, K. | ||
|---|---|---|
| Stilistika prozy Konstantina Bol'shakova ('Devjatnadcat' – vchera', Sgonoch'), Tat'jana Nikol'skaja | XLI-IV (1997) p. 483 | |
| Boratynskij, E.A. |
|---|
| Borisov, L.I. | ||
|---|---|---|
| 'Akvarium' Leonida Borisova, Tat'jana Nikol'skaja | XLV-IV (1999) p. 449 | |
| Brecht, B. | ||
|---|---|---|
| Bertol't Brext i russkij avangard, Zoran Konstantinovic | XVIII-II (1985) p. 103 | |
| Brik, O. | ||
|---|---|---|
| Osip Brik: A Bibliography (With an Introduction and a Post Scriptum), Bengt Jangfeldt | VIII-VI (1980) p. 579 | |
| O Xlebnikove (publ. Bengt Jangfeldt), O.M. Brik | IX-I (1981) p. 59 | |
| Brjusov, V.Ja. | ||
|---|---|---|
| Gattungssynthese und literarische Entwicklung (Odoevskij und Brjusov), Walter Koschmal | XVII-III (1985) p. 243 | |
| The Phantoms of Narrative: Time, Passion and the Fantastic in Brjusov's Short Stories, Stephen C. Hutchings | XXXV-I (1994) p. 93 | |
| Valerij Brjusov and the Heritage of Eighteenth-Century Russian Literature, Maksim Sukhanov | XLII-I (1997) p. 85 | |
| The Making of a Symbolist Metaphor: Valerij Brjusov's Poem 'V Damask', The Holy Bible and The Book of the Thousand Nights and a Night, Leonid Livak | XLV-II (1999) p. 149 | |
| V.Ja. Brjusov i G.I. Chulkov, M.V. Mixajlova | XLV-II (1999) p. 181 | |
| Brodskij, I. | ||
|---|---|---|
| Poèticheskij avtoportret Brodskogo, Valentina Polukhina | XXXI-III (1992) p. 375 | |
| 'Rimskij tekst' Iosifa Brodskogo, A.M. Ranchin | XXXIV-IV (1993) p. 471 | |
| Zhanrovaja klaviatura Brodskogo, Valentina Polukhina | XXXVII-II/III (1995) p. 145 | |
| Brodsky's and Nabokov's Bilingualism(s): Translation, American Poetry, and the Muttersprache, David M. Bethea | XXXVII-II/III (1995) p. 157 | |
| Stixi k Marii S., Elena Fanajlova | XXXVII-II/III (1995) p. 185 | |
| Rifma Brodskogo, M.L. Gasparov | XXXVII-II/III (1995) p. 189 | |
| The Anxiety of a Dedication: Joseph Brodsky's 'Kvintet/Sextet' and Mark Strand, John Givens | XXXVII-II/III (1995) p. 203 | |
| Strannik, Jakov Gordin | XXXVII-II/III (1995) p. 227 | |
| Tozhdestvo dvux variantov: zametki po povodu grafiki Iosifa Brodskogo, Èra Korobova | XXXVII-II/III (1995) p. 247 | |
| Literaturnye portrety v èsseistike Iosifa Brodskogo, Viktor Krivulin | XXXVII-II/III (1995) p. 257 | |
| ''Tam, gde oni konchili, ty nachinaesh''' (o perevodax Iosifa Brodskogo), Viktor Kullè | XXXVII-II/III (1995) p. 267 | |
| Iosif Brodskij: èrotika, Lev Losev | XXXVII-II/III (1995) p. 289 | |
| Giperstrofika Brodskogo, M.Ju. Lotman | XXXVII-II/III (1995) p. 303 | |
| Noetic Licence in Brodsky's Self-Translation, Michael Molnar | XXXVII-II/III (1995) p. 333 | |
| Coitus as a Cross-Genre Motif in Brodsky's Poetry, Igor A. Pilshchikov | XXXVII-II/III (1995) p. 339 | |
| The Self in Brodsky's Interviews, Valentina Polukhina | XXXVII-II/III (1995) p. 351 | |
| Two Versions of Pastoral: Brodsky's Eclogues, Barry Scherr | XXXVII-II/III (1995) p. 365 | |
| Carmina vacui taetra, Nikolaj Slavjanskij | XXXVII-II/III (1995) p. 377 | |
| ''Èvterpa, ty?'' Ljubovnaja lirika Brodskogo, Elena Chizhova | XXXVII-II/III (1995) p. 393 | |
| Prostranstvo kak metafora vremeni: stixi Iosifa Brodskogo v zhanre puteshestvija, Petr Vajl' | XXXVII-II/III (1995) p. 405 | |
| Bibliography of Joseph Brodsky's Interviews (Compiled by Valentina Polukhina), Valentina Polukhina | XXXVII-II/III (1995) p. 417 | |
| Bibliografija perevodov Iosifa Brodskogo (Sostavitel' Viktor Kullè), Viktor Kullè | XXXVII-II/III (1995) p. 427 | |
| Iosif Brodskij i akmeizm, Nirman Moranjak-Bamburac | XL-I (1996) p. 57 | |
| The Prose of Joseph Brodsky: A Continuation of Poetry by Other Means, Valentina Polukhina | XLI-II (1997) p. 223 | |
| Bibliography of Joseph Brodsky's Essays, Introductions, Reviews, Letters (in English and Russian), Valentina Polukhina, Thomas Bigelow | XLI-II (1997) p. 241 | |
| Brodskij ''protiv'' Venecii, Gian Piero Piretto | XLI-IV (1997) p. 519 | |
| Proza poèta: po povodu èsse Brodskogo 'Poèt i proza', Sander Brouwer | XLII-III/IV (1997) p. 271 | |
| K probleme genezisa statuarnogo mifa v poèzii Iosifa Brodskogo (1965-1971 gg.), Viktor V. Juxt | XLIV-IV (1998) p. 409 | |
| 'Uslyshu i otzovus'': O ''muzykal'nyx citatax'' u Brodskogo, Elena Petrushanskaja | XLVI-I (1999) p. 103 | |
| Brodskij kak kritik, Valentina Polukhina | XLVII-III/IV (2000) p. 243 | |
| Staying Afloat: Thomas Hardy and Joseph Brodsky, Daniel Weissbort | XLVII-III/IV (2000) p. 251 | |
| Brodskij i Kavafis, T.V. Civ'jan | XLVII-III/IV (2000) p. 261 | |
| Triangles: Brodsky on Rilke, Leon Burnett | XLVII-III/IV (2000) p. 273 | |
| Brodsky, Frost, and the Pygmalion Myth, David M. Bethea | XLVII-III/IV (2000) p. 289 | |
| Brodskij i Montale. Ob èsse 'V teni Dante' i o drugom, Alessandro Niero | XLVII-III/IV (2000) p. 307 | |
| Brodskij kak kritik i perevodchik Milosha, Petr Fast | XLVII-III/IV (2000) p. 331 | |
| Brodsky as Critic of Derek Walcott: Vision and the Sea, Robin Hanford | XLVII-III/IV (2000) p. 345 | |
| Brodskij o Mandel'shtame, Tomas Venclova | XLVII-III/IV (2000) p. 357 | |
| Marina Cvetaeva v vosprijatii Iosifa Brodskogo (Proza, interv'ju), Ljudmila Zubova | XLVII-III/IV (2000) p. 369 | |
| Brodskij o Dovlatove, Petr Vajl' | XLVII-III/IV (2000) p. 383 | |
| Brodsky and Solzhenicyn, Willem G. Weststeijn | XLVII-III/IV (2000) p. 389 | |
| Brodskij o svoix sovremennikax, Valentina Polukhina | XLVII-III/IV (2000) p. 397 | |
| Selected Bibliography of Brodsky's Essays, Introductions, Reviews and Letters (in English and Russian only), Valentina Polukhina, Thomas Bigelow | XLVII-III/IV (2000) p. 409 | |
| ''Muzykal'nye'' kriterii v literaturnoj kritike Iosifa Brodskogo, Elena Petrushanskaja | XLVII-III/IV (2000) p. 417 | |
| Lingvisticheskaja tema v stat'jax i èsse Brodskogo o literature, Denis Axapkin | XLVII-III/IV (2000) p. 435 | |
| K predstavleniju 'Predstavlenija', S. Maksudov, N. Pokrovskaja | XLIX-IV (2001) p. 393 | |
| Brodsky, J. |
|---|
| Bulgakov, M.A. | ||
|---|---|---|
| The Artistic World of Mixail Bulgakov, Ewa M. Thompson | 5 (1973) p. 54 | |
| Istorija o Pontii Pilate, Jerzy Faryno | XVIII-I (1985) p. 43 | |
| The Morality of Punishment and Execution in The Master and Margarita, Eric Naiman | XVIII-I (1985) p. 63 | |
| Zhanry russkogo narodnogo teatra i Master i Margarita M.A. Bulgakova (K voprosu: Bulgakov i avangard), Rita Giuliani | XXI-I (1987) p. 37 | |
| Mixail Bulgakov's Novella 'Rokovye jajca' in the Context of Its Mythological Subtexts, Irina Gutkin | XXXI-III (1992) p. 283 | |
| Morfologija romana Bulgakova Master i Margarita, kak volshebnoj skazki, Stefania Pavan Pagnini | XXXI-III (1992) p. 353 | |
| Nakazanie v romane M. Bulgakova Master i Margarita: tipologija motiva, Boris Briker | XXXV-I (1994) p. 1 | |
| The Sin of Cowardice: The Mystery Behind Bulgakov's Ambiguity, Howard Solomon | XLIV-II (1998) p. 241 | |
| Homo Creator – Homo Faber – Homo Spectator (Tema ''masterstva'' u A. Platonova i M. Bulgakova), Evgenij Jablokov | XLVI-II (1999) p. 185 | |
| Voland's Seventh Proof: The Event in Bulgakov's Master i Margarita, Harold D. Baker | XLIX-I (2001) p. 1 | |
| Vlast' i Sila (Roman Mixaila Bulgakova Master i Margarita), Svetlana Ja. Kazakova | XLIX-I (2001) p. 69 | |
| Parodija i satira v rasskaze Bulgakova 'Poxozhdenija Chichikova', Sonja Ludvig | XLIX-II (2001) p. 167 | |
| Odin aspekt parodii na L'va Tolstogo v 'Zapiskax junogo vracha' M. Bulgakova, Jasmina Vojvodic | XLIX-II (2001) p. 223 | |
| Bunin, I.A. | ||
|---|---|---|
| O kompozicii Temnyx allej Bunina, Ljudmila A. Foster | 9 (1975) p. 55 | |
| The Function of the Theme of Death in the Works of Ivan Bunin, A.F. Zweers | VIII-II (1980) p. 151 | |
| Vladimir Nabokov and Ivan Bunin: A Reconstruction, Maxim D. Shrayer | XLIII-III (1998) p. 339 | |
| Burevij, K. | ||
|---|---|---|
| Avtoèkzekucija È. Strixi i èkzekucija K. Burevija kak konec ukrainskogo ludizma, Stefan Simonek | XLIII-II (1998) p. 271 | |
| Burkert, W. | ||
|---|---|---|
| Violence and the Sacred: Vjacheslav Ivanov and Walter Burkert, Carol Anschuetz | XLIV-III (1998) p. 379 | |
| Burljuk, D. | ||
|---|---|---|
| David Burljuk – Lirika, Ziva Bencic | XXII-I (1987) p. 1 | |
| Butkov, Ja.P. | ||
|---|---|---|
| The ''Little Man'' as Meshchanin-Picaro – Jakov Butkov's 'The Petersburg Heights', Thomas Gaiton Marullo | X-II (1981) p. 191 | |
| Bylina | ||
|---|---|---|
| The Reluctant Voyage: An Analysis of the Theme of Passivity in Sadko, Adele Barker | XVII-II (1985) p. 127 | |
| Byron, G. | ||
|---|---|---|
| Stixotvorenie Marlinskogo 'Son': Bajron i Pushkin, Lauren G. Leighton | XLIII-I (1998) p. 79 | |
| A | B | C | D | E | F | G | H | I | J | K | L | M |
| N | O | P | Q | R | S | T | U | V | W | X | Y | Z |
| Callot, J. | ||
|---|---|---|
| Povesti Belkina and the Commedia dell'Arte: Callot, Hoffmann, and Pushkin, J. Douglas Clayton | XL-III (1996) p. 277 | |
| Capek, K. | ||
|---|---|---|
| Capek's Pocket Tales, Zdenek Pesat | XXXIII-II/III (1993) p. 319 | |
| Chachikov, A. | ||
|---|---|---|
| Aleksandr Chachikov, Tat'jana Nikol'skaja | XXIV-II (1988) p. 227 | |
| Chajkovskij, P.I. | ||
|---|---|---|
| Berberova i biografija Chajkovskogo: problema zhanra, Patrizia Deotto | XLV-IV (1999) p. 391 | |
| Chernyshevskij, N.G. | ||
|---|---|---|
| The First Biography of N.G. Chernyshevskij: An Exercise in Canonization, Jonathan Hill Brown, Stephan Küpper, Claudia Roth, Cornelia Soldat | XLVIII-IV (2000) p. 333 | |
| On the Importance of Sidewalks: Liberty and Constraint in Chto delat'?, Zapiski iz podpol'ja and Besy, Russell Scott Valentino | XLIX-III (2001) p. 325 | |
| Chexov, A.P. | ||
|---|---|---|
| The Function of the Viewpoint in Chexov's 'Grisha', H. Hamburger | 3 (1972) p. 5 | |
| Chexov's 'Nevesta', David Maxwell | 6 (1974) p. 91 | |
| O. Mandel'shtam. Neizvestnaja stat'ja o Chexove, Ju.L. Frejdin | V-2 (1977) p. 171 | |
| O Chexove, O.È. Mandel'shtam | V-2 (1977) p. 172 | |
| Zametki k stat'e Mandel'shtama o Chexove, Ju.I. Levin | V-2 (1977) p. 174 | |
| Figurative Language and Concretism in Chexov's Short Stories, David Martin | VIII-II (1980) p. 125 | |
| Russian Anti-Chekhovians, Simon Karlinsky | XV-II (1984) p. 183 | |
| Chexov – an Impressionist?, Tom Eekman | XV-II (1984) p. 203 | |
| Iz poètiki Chexova: Ionych, Ju.K. Shcheglov | XX-III (1986) p. 179 | |
| The Aktionsart as a Textual Category, H. Hamburger | XX-III (1986) p. 239 | |
| 'The Red Flower' of V.M. Garshin and 'The Black Monk' of A.P. Chexov – A Survey of One Hundred Years of Literary Criticism, Martine Artz | XX-III (1986) p. 267 | |
| Chexov's 'The House with an Attic': Echoes of Turgenev, Joseph L. Conrad | XXVI-III (1989) p. 373 | |
| Double Connotation in Chexov's 'At Christmas', Paul M. Waszink | XXVIII-II (1990) p. 245 | |
| Space and the Journey. A Metaphor for All Times, Robert Louis Jackson | XXIX-IV (1991) p. 427 | |
| The Tragic Vision in Chexov's 'Grief', Toby W. Clyman, Carol S. Gould | XXXI-III (1992) p. 273 | |
| The Biblical and Theological Context of Moral Reform in 'The Duel', Willa Chamberlain Axelrod | XXXV-II (1994) p. 129 | |
| The Curse of Rhetoric and the Delusions of Sincerity: Chexov's Story 'Misfortune', Svetlana Evdokimova | XXXV-II (1994) p. 153 | |
| Semantika ''sada'' v strukture xudozhestvennogo mira Chexova, M. Gorjacheva | XXXV-II (1994) p. 171 | |
| Dantesque and Dostoevskian Motifs in Chexov's 'In Exile', Robert Louis Jackson | XXXV-II (1994) p. 181 | |
| Essential Perception: Chexov and Modern Art, George S. Pahomov | XXXV-II (1994) p. 195 | |
| Paying the Price: The Rhetoric of Reckoning in Chexov's 'Peasant Women', Cathy Popkin | XXXV-II (1994) p. 203 | |
| The Cherry Orchard: Chexov's Last Testament, Savelij Senderovich | XXXV-II (1994) p. 223 | |
| Conflation of Christmas and Paschal Motifs in Chexov's 'V rozhdestvenskuju noch'', Maxim D. Shrayer | XXXV-II (1994) p. 243 | |
| Seminar on 'Toska', Elena Siemens | XXXV-II (1994) p. 261 | |
| Chexov's 'Tolstyj i tonkij': The Disclosure of Hierarchy, Robert Reid | XXXVI-IV (1994) p. 387 | |
| Koncovka rasskaza 'Toska' – ironija ili pafos?, Robert Louis Jackson | XL-III (1996) p. 355 | |
| M. Kuzmin v polemike s F.M. Dostoevskim i A.P. Chexovym (literaturnaja predystorija central'nogo geroja 'Kryl'ev'), A.G. Timofeev | XLI-I (1997) p. 51 | |
| Back to the House: On the Transformation of Spatial Forms in Screening Chexov, Roumiana Deltcheva, Eduard Vlasov | XLII-I (1997) p. 1 | |
| Delineating the Territory of Chexov's 'A Woman's Kingdom', Carol A. Flath | XLIV-IV (1998) p. 389 | |
| Fragment as an Impressionist Element in the Art of Chexov, Nadezhda Katyk-Lewis | XLVII-I (2000) p. 61 | |
| Sketch as Impressionist Technique in the Prose of Chexov, Nadezhda Katyk-Lewis | XLVIII-IV (2000) p. 351 | |
| Chiaureli, M. | ||
|---|---|---|
| Mudryj otec Stalin i ego sem'ja (na materiale kartin D. Vertova i M. Chiaureli), Hans Günther | XLIII-II (1998) p. 205 | |
| Chicherin, A.N. | ||
|---|---|---|
| A.N. Chicherin, Constructivist Poet, Gerald Janecek | XXV-IV (1989) p. 469 | |
| Chulkov, G.I. | ||
|---|---|---|
| V.Ja. Brjusov i G.I. Chulkov, M.V. Mixajlova | XLV-II (1999) p. 181 | |
| Chulkov, M.D. | ||
|---|---|---|
| The Carnivalesque Foundation of Chulkov's Mocker, David Gasperetti | XLIII-IV (1998) p. 445 | |
| Ciolkovskij, K.È. | ||
|---|---|---|
| Zabolockij and Ciolkovskij, Darra Goldstein | XIII-I (1983) p. 65 | |
| Comenius, J.A. | ||
|---|---|---|
| Zur semiotischen Auffassung der Allegorie im Labyrinth der Welt und Paradies des Herzens, Mojmír Grygar | XXXIX-IV (1996) p. 419 | |
| J.A. Comenius als sprachlicher Künstler, Jaroslav Kolár | XXXIX-IV (1996) p. 449 | |
| Comenius' Philosophie der Pansophie, Zdenek Kozmín | XXXIX-IV (1996) p. 457 | |
| Auf der Suche nach integral-anthropologischen Motiven bei Jan Amos Comenius, Karel Mácha | XXXIX-IV (1996) p. 467 | |
| Der Pilger und die Welt, Jirí Opelík | XXXIX-IV (1996) p. 489 | |
| Witz, Utopie und Realismus in J.A. Comenius' Diogenes cynicus redivivus, Herta Schmid | XXXIX-IV (1996) p. 499 | |
| Selbstbestimmung in Labyrint sveta a ráj srdce, Ilse Seehase | XXXIX-IV (1996) p. 527 | |
| Croatian Avant-Garde | ||
|---|---|---|
| The Croatian Avant-Garde, Aleksandar Flaker | XIV-I (1983) p. 1 | |
| Einheimische Wurzeln des Expressionismus in der kroatischen Literatur, Ante Franic | XIV-I (1983) p. 17 | |
| Miroslav Krleza et la critique pendant la première guerre mondiale (Contributions à l'étude de la réception de l'oeuvre), Stanko Lasic | XIV-I (1983) p. 31 | |
| Fifty Years of Miroslav Krleza's Expressionist Syntax, Branko Vuletic | XIV-I (1983) p. 87 | |
| Croatian Expressionism | ||
|---|---|---|
| Einheimische Wurzeln des Expressionismus in der kroatischen Literatur, Ante Franic | XIV-I (1983) p. 17 | |
| Croatian Literature | ||
|---|---|---|
| Erasmi Roterodami Echo & Receptio in Croatia, Vjekoslav K. Pranjic | XXXVII-IV (1995) p. 587 | |
| Cvetaeva, M. | ||
|---|---|---|
| Marina Cvetaeva's Poèma gory: An Analysis, G.S. Smith | VI-4 (1978) p. 365 | |
| Compound Meters in the Poetry of Marina Cvetaeva, G.S. Smith | VIII-II (1980) p. 103 | |
| Stranicy k biografii Mariny Cvetaevoj, Viktoria Schweitzer | IX-IV (1981) p. 323 | |
| ''Your Death'' – The Living Water of Cvetaeva's Art, Olga Peters Hasty | XIII-I (1983) p. 41 | |
| Cvetaeva's Sibylline Lyrics, Olga Peters Hasty | XIX-IV (1986) p. 323 | |
| Modulating Meters in the Plays of Marina Cvetaeva, R.D.B. Thomson | XXV-IV (1989) p. 525 | |
| Towards a Theory of Enjambement: With Special Reference to the Poetry of Marina Cvetaeva, R.D.B. Thomson | XXVII-IV (1990) p. 503 | |
| Avangard slovesnyj i avangard izobrazitel'nyj: Cvetaeva o Goncharovoj, Aleksandar Flaker | XXXVI-I (1994) p. 1 | |
| Simvolika vizual'nyx obrazov stixotvorenija M. Cvetaevoj ''Xochu u zerkala, gde mut' i son tumanjashchij...'', Elena Trofimova | XLIV-II (1998) p. 253 | |
| Surpassing Acmeism? – The Lost Key to Cvetaeva's 'Poem of the Air', Alexandra Smith | XLV-II (1999) p. 209 | |
| Extra-Stanzaic Elements in the Lyric Poetry of Marina Cvetaeva, R.D.B. Thomson | XLV-II (1999) p. 223 | |
| Marina Cvetaeva v vosprijatii Iosifa Brodskogo (Proza, interv'ju), Ljudmila Zubova | XLVII-III/IV (2000) p. 369 | |
| Czech Poetry (20th Century) | ||
|---|---|---|
| K opredeleniju stilja modern v russkoj i cheshskoj poèzii, Mojmír Grygar | VIII-IV (1980) p. 315 | |
| Czech Semiotics | ||
|---|---|---|
| Semiotics of the Literary Work of Art, Kvetoslav Chvatík | XX-IV (1986) p. 279 | |
| Czech Structuralism | ||
|---|---|---|
| ''Fonicheskaja linija'' Mukazhovskogo i intonacionnyj analiz stixa, Miroslav Cervenka | XII-III (1982) p. 227 | |
| Narrativnaja maska v xudozhestvennoj proze, Miroslav Drozda | XII-III (1982) p. 267 | |
| Mukarovský and the Idea of Poetic Truth, Lubomír Dolezel | XII-III (1982) p. 283 | |
| ''Formalism'' and ''Structuralism'': An Exercise in Metahistory, Peter Steiner | XII-III (1982) p. 299 | |
| The Possibilities of a Structural Analysis of the Literary Process, Mojmír Grygar | XII-IV (1982) p. 331 | |
| Die semantische Spezifität der Musik, Vladimir Karbusicky | XII-IV (1982) p. 401 | |
| Semiotics of the Literary Work of Art, Kvetoslav Chvatík | XX-IV (1986) p. 279 | |
| Zur Problematik von Entwicklungs- und Nichtentwicklungsvorgängen in der Literatur (Die problematisierte Diachronie: Prozesse, ihre Paradigmen und was davon nicht erfasst wird), Oleg Sus | XX-IV (1986) p. 323 | |
| Introductory Observations on the Concept of ''Semantic Gesture'', Kees Mercks | XX-IV (1986) p. 381 | |
| Wege zum offenen Sinn, Milan Jankovic | XXXIII-II/III (1993) p. 265 | |
| Czech Symbolism | ||
|---|---|---|
| The Beginnings of Czech Symbolist Aesthetics and Poetics (F.X. Salda and European Fin de Siècle), Oleg Sus | VII-IV (1979) p. 349 | |
| A | B | C | D | E | F | G | H | I | J | K | L | M |
| N | O | P | Q | R | S | T | U | V | W | X | Y | Z |
| Dante Alighieri | ||
|---|---|---|
| Funkcii reminiscencij iz Dante v poèzii Pushkina (Stat'ja pervaja), Boris Gasparov | XIV-IV (1983) p. 317 | |
| Dantesque and Dostoevskian Motifs in Chexov's 'In Exile', Robert Louis Jackson | XXXV-II (1994) p. 181 | |
| Davydov, D.V. | ||
|---|---|---|
| Drinks and their Vessels in Early Nineteenth-Century Russian Poetry: Davydov, Pushkin, Jazykov, Sonia I. Ketchian | XL-III (1996) p. 363 | |
| Degen, Ju. | ||
|---|---|---|
| Jurij Degen, Tat'jana Nikol'skaja | XXIII-II (1988) p. 101 | |
| Derzhavin, G.R. | ||
|---|---|---|
| Derzhavin's 'Bog': The Internalization of Lomonosov's 'Bozhie velichestvo', Anna Lisa Crone | XLIV-I (1998) p. 1 | |
| 'Na Schastie' as the Undoing of 'Felica': Reflections on Derzhavin's Anti-Ode, Anna Lisa Crone | XLIV-I (1998) p. 17 | |
| Developments of the Theory of Literature | ||
|---|---|---|
| Baxtin and Soviet Semiotics (A Case Study: Boris Uspenskij's Poètika kompozicii), I.R. Titunik | X-I (1981) p. 1 | |
| Baudouin de Courtenay Versus Kruchenyx, Gerald Janecek | X-I (1981) p. 17 | |
| Stress Shifts Induced by Syllabotonic Rhythm: Exploring an Intersection of Russian Poetics and Experimental Psychology, Daniel Rancour-Laferriere | X-I (1981) p. 31 | |
| Verfremdung bei Lev Tolstoj, Klaus Dieter Seemann | X-I (1981) p. 49 | |
| Iz marginalij k poètike prazhskoj shkoly – Opredelenie metra u N.S. Trubeckogo, G.A. Levinton | X-I (1981) p. 67 | |
| B.A. Uspenskij's Poètika kompozicii, Eric de Haard | X-I (1981) p. 79 | |
| Textdeskription und Textdeutung (Zu Jurij Lotmans Analysen russischer Lyrik des 19. und 20. Jahrhunderts), Jochen-Ulrich Peters | X-I (1981) p. 91 | |
| Vvedenie – Poètika vyrazitel'nosti (= ''porozhdajushchaja poètika'' = model' ''Tema PV Tekst''): k istorii termina i koncepcii, A.K. Zholkovskij | XI-I (1982) p. 1 | |
| Ex ungue leonem: Invarianty Tolstogo i struktura ego detskix rasskazov, Ju.K. Shcheglov, A.K. Zholkovskij | XI-I (1982) p. 19 | |
| Iz nabljudenij nad poèticheskim mirom Axmatovoj (''Serdce b'etsja rovno, merno...''), Ju.K. Shcheglov | XI-I (1982) p. 49 | |
| Poèticheskij mir kak sistema invariantov i zadachi sopostavitel'noj poètiki, A.K. Zholkovskij | XI-I (1982) p. 91 | |
| Propp in Italy, Pieter de Meijer | XII-I (1982) p. 1 | |
| Structure and History in the Study of Folktales (A Reply to Lévi-Strauss), V.Ja. Propp | XII-I (1982) p. 11 | |
| Introduction to The Historical Roots of Fairy-Tales by Vladimir Ja. Propp, Alberto M. Cirese | XII-I (1982) p. 33 | |
| Introduction to Vladimir Ja. Propp's Oedipus in the Light of Folklore. Four Studies in Historical-Structural Ethnography, Clara Strada Janovic | XII-I (1982) p. 45 | |
| Popular Tradition in Folktales, Italo Calvino | XII-I (1982) p. 57 | |
| The Snake-Woman as a Fairy-Tale, Edoardo Sanguineti | XII-I (1982) p. 71 | |
| Those Most Modest of Novels, Mario Lavagetto | XII-I (1982) p. 81 | |
| From Myth to Literature, D'Arco Silvio Avalle | XII-I (1982) p. 109 | |
| Decameronian Combinations: Andreuccio, Aldo Rossi | XII-I (1982) p. 131 | |
| Reading Poetry with Roman Jakobson, Grete Lübbe-Grothues | XIV-III (1983) p. 221 | |
| The Legacy of the OPOJAZ, Krystyna Pomorska | XIV-III (1983) p. 229 | |
| Poèzija i grammatika pasternakovskogo 'Vetra', A.K. Zholkovskij | XIV-III (1983) p. 241 | |
| Full Meaning, Linguistic Meaning and Metaphorical Meaning, Irena Bellert | XIV-III (1983) p. 287 | |
| Baxtin et le problème fondamental de la sémiotique, Stefan Zólkiewski | XX-II (1986) p. 97 | |
| Dialogic Perspectives: The East European View (Baxtin, Mukarovský, Lotman), David K. Danow | XX-II (1986) p. 119 | |
| Boris Tomashevskij's Theory of Literature, Klaus Dieter Seemann | XX-II (1986) p. 143 | |
| Ob universal'nyx pravilax porozhdenija komicheskogo diskursa, I.P. Smirnov | XX-II (1986) p. 159 | |
| Semiotics of the Literary Work of Art, Kvetoslav Chvatík | XX-IV (1986) p. 279 | |
| Zur Problematik von Entwicklungs- und Nichtentwicklungsvorgängen in der Literatur (Die problematisierte Diachronie: Prozesse, ihre Paradigmen und was davon nicht erfasst wird), Oleg Sus | XX-IV (1986) p. 323 | |
| Conception et fonction du temps dans la pensée théorique de Jan Mukarovský et de Roman Ingarden, Hana Jechova | XX-IV (1986) p. 353 | |
| Introductory Observations on the Concept of ''Semantic Gesture'', Kees Mercks | XX-IV (1986) p. 381 | |
| Dikson, V. | ||
|---|---|---|
| A Russian American in Paris (O proze Vladimira Diksona), Olja Tielkes | XLVI-IV (1999) p. 529 | |
| Dinesen, I. | ||
|---|---|---|
| Infinite Reflections in Nabokov's Pale Fire: The Danish Connection (Hans Andersen and Isak Dinesen), Priscilla Meyer, Jeff Hoffman | XLI-II (1997) p. 197 | |
| Dobychin, L. | ||
|---|---|---|
| Leonid Dobychin, Dubravka Ugresic | XVIII-II (1985) p. 177 | |
| Ozvuchenie teksta v proze L. Dobychina, A.F. Belousov | XLVI-I (1999) p. 19 | |
| Dostoevskij, F.M. | ||
|---|---|---|
| Quelques considérations sur 'Le rêve d'un homme ridicule' et 'Bobok' du point de vue esthétique, Robert Louis Jackson | 1 (1971) p. 15 | |
| Some Notes on Dostoevskij and Russian Realism, Jan M. Meijer | 4 (1973) p. 5 | |
| Social Reality and the Hero in Dostoevskij's Early Works, Rudolf Neuhäuser | 4 (1973) p. 18 | |
| Métamorphoses du réalisme, Jean Weisgerber | 4 (1973) p. 37 | |
| Friedrich Heinrich Jacobis Allwill und Fedor Mixajlovich Dostoevskijs Dämonen, Reinhard Lauth | 4 (1973) p. 51 | |
| Rhyming as a Stylistic Device in Crime and Punishment, Nils Ake Nilsson | 4 (1973) p. 65 | |
| Le procédé du suspense dans la première partie de Crime et Châtiment, Jan van der Eng | 4 (1973) p. 72 | |
| The Testament of F.M. Dostoevskij, Robert Louis Jackson | 4 (1973) p. 87 | |
| Die Interferenz von Erzählertext und Personentext als Faktor ästhetischer Wirksamkeit in Dostoevskijs Doppelgänger, Wolf Schmid | 4 (1973) p. 100 | |
| Dostoevskijs Selbstverständnis als hermeneutisches Problem, Horst-Jürgen Gerigk | 4 (1973) p. 114 | |
| Dostoevskij's Writer's Diary as Literature of Process, Gary Saul Morson | IV-1 (1976) p. 1 | |
| Dostoevskij's Aesthetics in its Relationship to Romanticism, Victor Terras | IV-1 (1976) p. 15 | |
| Dostoevskij and the Marquis de Sade, Robert Louis Jackson | IV-1 (1976) p. 27 | |
| Probleme einer diachronischen Rezeptionsästhetik dargelegt am Beispiel Dostoevskijs, Wolf Schmid | IV-1 (1976) p. 47 | |
| Verbal Aggression and Offended Honour in Dostoevskij's 'Selo Stepanchikovo i ego obitateli', A.G.F. van Holk | IV-1 (1976) p. 67 | |
| O strukture vremeni i prostranstva v romane Dostoevskogo Podrostok, T.V. Civ'jan | IV-3 (1976) p. 203 | |
| The Development of Dostoevskij's Hero, Jan M. Meijer | IV-3 (1976) p. 257 | |
| Bishop Tixon in The Possessed, Sven Linnér | IV-3 (1976) p. 273 | |
| Questions d'idéologie et de technique romanesque, Michel Cadot | IV-3 (1976) p. 285 | |
| The Romantization of the Prostitute in Dostoevskij's Fiction, Nicholas Moravcevich | IV-3 (1976) p. 299 | |
| Dostoevskij and George Sand, Sigurd Fasting | IV-3 (1976) p. 309 | |
| Semiotics of Gesture in Dostoevskian Dialogue, David K. Danow | VIII-I (1980) p. 41 | |
| Dostoevskij, Naturalist Poetics and 'Mr. Proxarchin', Priscilla Meyer | X-II (1981) p. 163 | |
| Subtexts of The Brothers Karamazov, David K. Danow | XI-II (1982) p. 173 | |
| Poètika kak sredstvo izlozhenija soderzhanija i metoda filosofii (K xarakteristike tvorchestva Dostoevskogo), Halina Brzoza | XI-IV (1982) p. 361 | |
| Nihilism, Aesthetics, and The Idiot, Charles A. Moser | XI-IV (1982) p. 377 | |
| Two Views of Gogol' and the Critical Synthesis Belinskij, Rozanov and Dostoevskij – An Essay in Literary-Historical Criticism, Robert Louis Jackson | XV-II (1984) p. 223 | |
| The Narrator as Author in Dostoevskij's Besy, Vladimir E. Alexandrov | XV-II (1984) p. 243 | |
| Transcending ''Urban'' Romanticism: Dostoevskij's Netochka Nezvanova, Thomas Gaiton Marullo | XVII-III (1985) p. 297 | |
| Motiv nesostojavshegosja schast'ja u Dostoevskogo i Ostrovskogo (Ob odnoj vozmozhnoj pereklichke), V.N. Toporov | XIX-III (1986) p. 255 | |
| Dialogic Structures in Crime and Punishment, David K. Danow | XIX-III (1986) p. 291 | |
| Settings in Brat'ja Karamazovy, Sydney Schultze | XIX-III (1986) p. 315 | |
| Dostoevskij's 'Anecdote from a Child's Life' – A Case of Bifurcation, Robert Louis Jackson | XXV-II (1989) p. 127 | |
| De la tautologie. Réflexions sur les Notes d'un souterrain de F.M. Dostoevskij (Contribution à une linguistique du texte littéraire), Thomas Lahusen | XXV-II (1989) p. 141 | |
| Pointing to the Man-God: Efimov as Artist-Hero in Dostoevskij's 'Netochka Nezvanova', Thomas Gaiton Marullo | XXX-II (1991) p. 231 | |
| Jazyk i stil' v opisanii obraza Napoleona v romanax Tolstogo Vojna i mir i Dostoevskogo Prestuplenie i nakazanie, Margarita Ruttner | XXX-II (1991) p. 253 | |
| The Fictional World of Dostoevskij's The Idiot, Lubomír Dolezel | XXXIII-II/III (1993) p. 239 | |
| Dantesque and Dostoevskian Motifs in Chexov's 'In Exile', Robert Louis Jackson | XXXV-II (1994) p. 181 | |
| Metamorphoses of 'Bezobrazie' in Dostoevskij's The Brothers Karamazov: Maksimov – Von Sohn – Karamazov, Maxim D. Shrayer | XXXVII-I (1995) p. 93 | |
| The Eternal Husband: Bagautov and Stupend'ev, C.J.G. Turner | XXXVIII-I (1995) p. 97 | |
| The Possessed as Dostoevskij's Homage to Gogol': An Essay in Traditional Criticism, Elizabeth Welt Trahan | XXXIX-III (1996) p. 397 | |
| ''Trixiny'': Dostoevskij and Voloshin, Ann Marie Basom | XLI-I (1997) p. 1 | |
| Dostoevskij's Dvojnik and its (Anti-)Poetic Ambiance, David K. Danow | XLI-I (1997) p. 19 | |
| Zhazhda stradanija, Galina S. Ryl'kova | XLI-I (1997) p. 37 | |
| M. Kuzmin v polemike s F.M. Dostoevskim i A.P. Chexovym (literaturnaja predystorija central'nogo geroja 'Kryl'ev'), A.G. Timofeev | XLI-I (1997) p. 51 | |
| Tyranny of Nationality: Pushkin, Dostoevskij and Berdjaev, Anna Makolkin | XLVI-III (1999) p. 299 | |
| Dostoevskij i literatura puteshestvij, Il'ja Pomerancev | XLVII-I (2000) p. 93 | |
| Was Thomas Paine a Source for Dostoevskij's 'Legend of the Grand Inquisitor'?, A. Harris Fairbanks | XLVIII-III (2000) p. 223 | |
| Dreaming of Islam: Dostoevskij's Vision of a New Russia in Prestuplenie i nakazanie, Halimur Khan | XLVIII-III (2000) p. 231 | |
| The Impotent Demon and Prurient Tamara: Parodies on Lermontov's 'Demon' in Dostoevskij's Besy, Irene Masing-Delic | XLVIII-III (2000) p. 263 | |
| Cleopatra Transformed: Dostoevskij's Grushen'ka as a Modern-Day Cleopatra, Lewis Tracy | XLVIII-III (2000) p. 289 | |
| Dostoevskij's Tragic Idealism, Harry White | XLVIII-III (2000) p. 301 | |
| On the Importance of Sidewalks: Liberty and Constraint in Chto delat'?, Zapiski iz podpol'ja and Besy, Russell Scott Valentino | XLIX-III (2001) p. 325 | |
| Dovlatov, S. | ||
|---|---|---|
| Veshchi iz chemodana Sergeja Dovlatova i byvshaja (?) sovetskaja model' mira, T.V. Civ'jan | XXXVII-IV (1995) p. 647 | |
| Brodskij o Dovlatove, Petr Vajl' | XLVII-III/IV (2000) p. 383 | |
| Drozda, M. | ||
|---|---|---|
| Illjuzija dostovernosti – dostovernost' illjuzii (O monografii M. Drozdy Narrativnye maski russkoj xudozhestvennoj prozy), Ju.M. Lotman | XXXV-III/IV (1994) p. 277 | |
| Narrativnye maski russkoj xudozhestvennoj prozy, Miroslav Drozda | XXXV-III/IV (1994) p. 287 | |
| Dukel'skij, V.A. | ||
|---|---|---|
| Poètika mnogojazychija v druzheskoj perepiske S.S. Prokof'eva i V.A. Dukel'skogo, I.G. Vishneveckij | XLV-IV (1999) p. 501 | |
| Durova, N.A. | ||
|---|---|---|
| Nadezhda Durova Remembers her Parents, Daniel Rancour-Laferriere | XLIV-IV (1998) p. 457 | |
| A | B | C | D | E | F | G | H | I | J | K | L | M |
| N | O | P | Q | R | S | T | U | V | W | X | Y | Z |
| Èjxenbaum, B. | ||
|---|---|---|
| Film and Form: Notes on Boris Èjxenbaum's Stylistics of Cinema, F.W. Galan | XIX-II (1986) p. 105 | |
| Èjzenshtejn, S. | ||
|---|---|---|
| Montage as a Constructing Principle in Cinematic and Narrative Art: Èjzenshtejn and Babel', Marc Schreurs | XIX-II (1986) p. 193 | |
| Èmin, F.A. | ||
|---|---|---|
| Fedor Èmin's Pis'ma Èrnesta i Doravry and Jean-Jacques Rousseau's Julie ou la Nouvelle Héloïse, I.R. Titunik | XXXIV-III (1993) p. 333 | |
| Erasmus, D. | ||
|---|---|---|
| Erasmi Roterodami Echo & Receptio in Croatia, Vjekoslav K. Pranjic | XXXVII-IV (1995) p. 587 | |
| Èrdman, N.R. | ||
|---|---|---|
| Nikolaj Robertovich Èrdman – komediograf (Voprosy sovetskoj avangardnoj dramy), Nirman Moranjak-Bamburac | XXI-I (1987) p. 77 | |
| Erofeev, V. | ||
|---|---|---|
| The End in V. Erofeev's Moskva-Petushki, Vladimir Tumanov | XXXIX-I (1996) p. 95 | |
| K funkcii ''probela'' v neoficial'noj literature 60-x godov: Moskva-Petushki Venedikta Erofeeva, Petra Hesse | XLIII-II (1998) p. 221 | |
| Back on the Road: Erofeev's Moskva-Petushki and Traditions of Russian Literature, Katherine V. Moskver | XLVIII-II (2000) p. 195 | |
| Flowers of Evil: The Poetics of Monstrosity in Contemporary Russian Literature (Erofeev, Mamleev, Sokolov, Sorokin), Ulrich Schmid | XLVIII-II (2000) p. 205 | |
| Esenin, S. | ||
|---|---|---|
| Esenin's 'Inonija': The Poet and the Promised Land, Clare Cavanagh | XVIII-III (1985) p. 241 | |
| Esenin and Majakovskij, Michael Clark Troy | XXXI-III (1992) p. 415 | |
| A | B | C | D | E | F | G | H | I | J | K | L | M |
| N | O | P | Q | R | S | T | U | V | W | X | Y | Z |
| Felin, O. | ||
|---|---|---|
| Proza Osipa Felina: vtoraja i dvojnaja proza. Vvodnye zamechanija, Stefano Garzonio | XLVI-IV (1999) p. 403 | |
| Fel'zen, Ju. | ||
|---|---|---|
| Pis'ma o Lermontove Jurija Fel'zena: K vyboru kommunikativnoj strategii, Carla Solivetti | XLVI-IV (1999) p. 509 | |
| Fet, A.A. | ||
|---|---|---|
| A.A. Fet: ''Moego tot bezumstva zhelal'', Tomas Venclova | XVII-II (1985) p. 87 | |
| Fet and Maria Lazich, Emily Klenin | XXX-II (1991) p. 135 | |
| Film | ||
|---|---|---|
| Film and Form: Notes on Boris Èjxenbaum's Stylistics of Cinema, F.W. Galan | XIX-II (1986) p. 105 | |
| Russian Writers and the Cinema in the Early 20th Century – A Survey, Jerry Heil | XIX-II (1986) p. 143 | |
| Russian Futurism and the Cinema: Majakovskij's Film Work of 1913, Jerry Heil | XIX-II (1986) p. 175 | |
| Montage as a Constructing Principle in Cinematic and Narrative Art: Èjzenshtejn and Babel', Marc Schreurs | XIX-II (1986) p. 193 | |
| Jurij Tynjanov's Film-Work. Two Filmscripts: 'Lieutenant Kizhe' (1927, 1933-1934) and 'The Monkey and the Bell' (1932), Jerry Heil | XXI-IV (1987) p. 347 | |
| Isaak Babel' and his Film-Work, Jerry Heil | XXVII-III (1990) p. 289 | |
| Eshche o russkom futurizme i kino, Rein Kruus | XXXI-III (1992) p. 333 | |
| Andrej Belyj i kino, Heidemarie Riedlhuber | XL-I (1996) p. 77 | |
| Mudryj otec Stalin i ego sem'ja (na materiale kartin D. Vertova i M. Chiaureli), Hans Günther | XLIII-II (1998) p. 205 | |
| Filonov, P.N. | ||
|---|---|---|
| Pavel Filonov i voprosy izuchenija avangardnogo iskusstva, Mojmír Grygar | XI-III (1982) p. 209 | |
| Pavel Nikolaevich Filonov – Slovo i znak (Po sledam arxivnyx materialov), Nicoletta Misler | XI-III (1982) p. 237 | |
| Obraz materii mira v zhivopisnoj i slovesnoj tkani Pavla Filonova (opyt sravnenija), Ol'ga Tarasenko | XLII-III/IV (1997) p. 443 | |
| Fonvizin, D.I. | ||
|---|---|---|
| Dostoevskij i literatura puteshestvij, Il'ja Pomerancev | XLVII-I (2000) p. 93 | |
| Forsh, O. | ||
|---|---|---|
| Sootnoshenie istoricheskoj prozy i dokumental'nogo romana s kljuchom: Sumasshedshij korabl' Ol'gi Forsh i ee Sovremenniki, Vjacheslav Vs. Ivanov | XLV-IV (1999) p. 401 | |
| Frost, R. | ||
|---|---|---|
| Brodsky, Frost, and the Pygmalion Myth, David M. Bethea | XLVII-III/IV (2000) p. 289 | |
| A | B | C | D | E | F | G | H | I | J | K | L | M |
| N | O | P | Q | R | S | T | U | V | W | X | Y | Z |
| Gareev, Z. | ||
|---|---|---|
| A New Voice in Russian Prose: Zufar Gareev, Valentina G. Brougher | XLVIII-II (2000) p. 117 | |
| Garin-Mixajlovskij, N.G. | ||
|---|---|---|
| 'Detstvo Ljuvers': povest' o vzroslenii, Il'ja Pomerancev | XLV-II (1999) p. 197 | |
| Garshin, V.M. | ||
|---|---|---|
| 'The Red Flower' of V.M. Garshin and 'The Black Monk' of A.P. Chexov – A Survey of One Hundred Years of Literary Criticism, Martine Artz | XX-III (1986) p. 267 | |
| 'To, chego ne bylo': Some Thoughts on Garshin's First Animal Tale, A.H. Keesman-Marwitz | XXXVII-IV (1995) p. 497 | |
| Garzonio, S. | ||
|---|---|---|
| Neskol'ko iudejskix kommentariev k stat'e S. Gardzonio 'Boris Pasternak i poèma v proze Andreja Belogo Glossolalija (Razmyshlenija nad stixotvoreniem ''Step''')', Leonid Kacis | XLI-IV (1997) p. 461 | |
| Genre | ||
|---|---|---|
| Menippeja, Léna Szilárd | XVII-I (1985) p. 61 | |
| Gercyk, A. | ||
|---|---|---|
| Proza poèta: Adelaida Gercyk. ''Podval'nye'' stixotvorenija – ''Podval'nye ocherki'': Dve ipostasi odnogo zhiznennogo opyta, Ol'ga Ja. Obuxova | XLII-III/IV (1997) p. 315 | |
| Gippius, Z. | ||
|---|---|---|
| Neopublikovannye pis'ma Zinaidy Nikolaevny Gippius k Sof'e Grigor'evne Balashovskoj-Peti, Rosina Neginsky | XXXVII-I (1995) p. 49 | |
| Pis'ma k Sof'e Grigor'evne Balashovskoj-Peti (Kommentarii i podgotovka k publikacii Rosina Neginsky), Zinaida Gippius | XXXVII-I (1995) p. 59 | |
| The Androgynous Gaze of Zinaida Gippius, Jenifer Presto | XLVIII-I (2000) p. 87 | |
| Glazkov, N. | ||
|---|---|---|
| ''It Was Truly Modern Poetry That Was Needed Like Oxygen...'': The Moscow Conceptualists and Nikolaj Glazkov, Irene E. Kolchinsky | L-I (2001) p. 89 | |
| Gnedich, N.I. | ||
|---|---|---|
| An Unpublished Letter of P.A. Pletnev to N.I. Gnedich, Glynn R. Barratt | 3 (1972) p. 75 | |
| A View of Petersburg: New Correspondence of M.E. Lobanov and N.I. Gnedich, 1827-1828, Glynn R. Barratt | 9 (1975) p. 25 | |
| Obraz severnogo rybaka v russkoj literature romantizma (Na primere idillii 'Rybaki' N.I. Gnedicha), Otto Boele | XXXVIII-II (1995) p. 129 | |
| Gnedov, V. | ||
|---|---|---|
| Ègo-futurnalija Vasiliska Gnedova, Sergej Sigov | XXI-I (1987) p. 115 | |
| Gogol', N.V. | ||
|---|---|---|
| 'The Carriage' by N.V. Gogol', Leo Hulanicki | 12 (1975) p. 61 | |
| Zwei Notizen zum Revisor (Dmitrij Tschizhewskij zum 80. Geburtstag), Horst-Jürgen Gerigk | IV-2 (1976) p. 167 | |
| The Symbolic Logic of Gogol's The Nose, James B. Woodward | VII-VI (1979) p. 537 | |
| Gogol's Vij, Ruth Sobel | VII-VI (1979) p. 565 | |
| Formirovanie i transformirovanie smysla v rannix tekstax Gogolja (Vechera na xutore bliz Dikan'ki), I.P. Smirnov | VII-VI (1979) p. 585 | |
| The Hidden Demons in Gogol's Overcoat, Toby W. Clyman | VII-VI (1979) p. 601 | |
| Struktura poezdki Chichikova, Jerzy Faryno | VII-VI (1979) p. 611 | |
| Gogol' und der Tod, Wolfgang Kasack | VII-VI (1979) p. 625 | |
| Folktale Patterns in Gogol's Vij, Natalie K. Moyle | VII-VI (1979) p. 665 | |
| Modell oder Wirklichkeit? Die Entgrenzung der Objektwelt in Gogol's Mertvye dushi, Walter Koschmal | XI-IV (1982) p. 333 | |
| Two Views of Gogol' and the Critical Synthesis Belinskij, Rozanov and Dostoevskij – An Essay in Literary-Historical Criticism, Robert Louis Jackson | XV-II (1984) p. 223 | |
| The Process of Dehumanization in Gogol's Literary Portraits, Edmund Heier | XVII-III (1985) p. 263 | |
| Grotesk, roman, Visnja Rister | XVIII-II (1985) p. 121 | |
| The Zaporozhian Cossacks of Nikolaj Gogol': An Approach to God and Man, Judith Deutsch | XXII-III (1987) p. 359 | |
| ''Francuzskij'' èlement v poème Mertvye dushi, V.V. Erofeev | XXIII-III (1988) p. 201 | |
| De la tautologie (II): Gogol' ou l'attrait du vide (Essai d'analyse discursive), Thomas Lahusen | XXVI-III (1989) p. 267 | |
| Pro-Creative Disorder in Gogolian Fiction, S. Woodward | XXVI-III (1989) p. 297 | |
| Critical Relativism: Gogol's Marriage, a Multifaceted Play or Playing in a Play, Inna Galperina | XXVIII-II (1990) p. 155 | |
| Dialogization and Laughter in the Dark, or How Gogol's Nose Was Made: Parody and Literary Evolution in Baxtin's Theory of the Novel, Efraim Sicher | XXVIII-II (1990) p. 211 | |
| Smert' Gogolja – obshchestvennaja utrata (poèt N.A. Arbuzov o N.V. Gogole), A.N. Shustov | XXVIII-II (1990) p. 235 | |
| Konfusion und Teufelsanspielungen in N.V. Gogol's Revizor, Andreas Ebbinghaus | XXXIV-III (1993) p. 291 | |
| 'Ivan Fedorovich Shpon'ka i ego tetushka' v kontekste romanticheskogo cikla Vechera na xutore bliz Dikan'ki, Sergej Goncharov | XXXVIII-III (1995) p. 295 | |
| Franc Kafka i Gogol' (O sud'be odnoj postromanticheskoj tradicii), Ju. Mann | XXXVIII-III (1995) p. 349 | |
| 'Ivan Fedorovich Shpon'ka i ego tetushka' as ''Oral'' Narrative, or ''Food for the Critics'', Jenifer Presto | XXXIX-III (1996) p. 359 | |
| The Possessed as Dostoevskij's Homage to Gogol': An Essay in Traditional Criticism, Elizabeth Welt Trahan | XXXIX-III (1996) p. 397 | |
| The King Knocks: Writers and Readers in Gogol's Diary of a Madman, Paul M. Waszink | XLI-I (1997) p. 61 | |
| O zamysle 'Get'mana', O.B. Zaslavskij | XLI-I (1997) p. 93 | |
| Acedia and the Daemonium Meridianum in Nikolaj Gogol's 'Povest' o tom, kak possorilsja Ivan Ivanovich s Ivanom Nikiforovichem', Christopher R. Putney | XLIX-III (2001) p. 235 | |
| 'Noch' pered Rozhdestvom' Mykoly/Nikolaja Gogolja: k voprosu o ''maloj literature'', Peter Sawczak | XLIX-III (2001) p. 259 | |
| Shpon'ka i Oblomov – otsutstvie chtenija (otkaz ot chtenija), Dechka Chavdarova | XLIX-III (2001) p. 315 | |
| Gombrowicz, W. | ||
|---|---|---|
| Repetitions in Gombrowicz's Prose, Lucylla Pszczolowska | XIII-III (1983) p. 205 | |
| 'Operetka' als szenisches Triptychon (zum Verhältnis von Struktur und Thema im letzten Drama von Witold Gombrowicz), Jan IJ. van der Meer | XXII-II (1987) p. 221 | |
| Goncharov, I.A. | ||
|---|---|---|
| Lejtmotiv u I.A. Goncharova i paralleli v proizvedenijax Tomasa Manna, E.M. Ruttner | 6 (1974) p. 101 | |
| The Structure of Space in I.A. Goncharov's Oblomov, Katharina Hansen Löve | XXVIII-II (1990) p. 175 | |
| Shpon'ka i Oblomov – otsutstvie chtenija (otkaz ot chtenija), Dechka Chavdarova | XLIX-III (2001) p. 315 | |
| Goncharova, N. | ||
|---|---|---|
| Avangard slovesnyj i avangard izobrazitel'nyj: Cvetaeva o Goncharovoj, Aleksandar Flaker | XXXVI-I (1994) p. 1 | |
| Gor'kij, M. | ||
|---|---|---|
| Gor'kij on the Soviet Reader as Interpreter, Carol J. Avins | XXIV-IV (1988) p. 451 | |
| The Symbolist Contamination of Gor'kij's ''Realistic'' Style, Edward J. Brown | XXIV-IV (1988) p. 465 | |
| The Implied Reader in Gor'kij's Early Novels: Foma Gordeev, Troe and the Fragment 'Muzhik', Edith W. Clowes | XXIV-IV (1988) p. 485 | |
| Gor'kij's Polemic Against the Staging of The Devils in 1913 and the Aftermath in 1917, Robert Louis Jackson | XXIV-IV (1988) p. 503 | |
| Ambivalence in Attitude: The Character of Luka in The Lower Depths, Geir Kjetsaa | XXIV-IV (1988) p. 517 | |
| Some Dostoyevskian Themes in the Work of Maksim Gor'kij, Richard A. Peace | XXIV-IV (1988) p. 525 | |
| Maksim Gor'kij's The Life of Matvej Kozhemjakin and the Death of Plot, Barry Scherr | XXIV-IV (1988) p. 539 | |
| Gor'kij's Essay on the Peasantry: Framing the Mirror, William Mills Todd III | XXIV-IV (1988) p. 555 | |
| Iskushenie mastera kul'tury (''Nesvoevremennye mysli''), Tomas Venclova | XXIV-IV (1988) p. 589 | |
| Impressions of a Transient: The Meandering Gor'kij, Barry Scherr | XXIX-IV (1991) p. 455 | |
| Griboedov, A.S. | ||
|---|---|---|
| A.S. Griboedovs Gore ot uma (Der Text und seine Bedeutung in der ursprünglichen Kommunikationssituation), Witold Kosny | XXIII-III (1988) p. 225 | |
| Proverjat' li rech' na vernost' dialogicheskomu principu ili soizmerjat' ee s privychnoj stepen'ju inoskazatel'nosti? (Razbor stixotvorenija A.S. Griboedova 'Delezh dobychi'), Boris Lobachev | XLVII-I (2000) p. 71 | |
| Grygar, M. | ||
|---|---|---|
| Some Notes on Mojmír Grygar's Research at the University of Amsterdam, Jan van der Eng | XXXIII-II/III (1993) p. 161 | |
| Mojmír Grygar, Bibliography (Selection), Kees Mercks | XXXIII-II/III (1993) p. 169 | |
| In Search of a Method of Scientific Literary Research, Józef Bujnowski | XXXIII-II/III (1993) p. 177 | |
| Gumilev, N.S. | ||
|---|---|---|
| Po povodu 'Neizdannyx stixov i pisem' N.S. Gumileva, R.D. Timenchik | X-IV (1981) p. 423 | |
| Zametka o dialoge 'Skuchnyj razgovor' v pervom nomere Apollona (oktjabr' 1909 g.), Kirill F. Taranovskij | XXVI-III (1989) p. 417 | |
| Two Images of Africa in Russian Literature of the Beginning of the Twentieth Century: Ka by Xlebnikov and Gumilev's African Poems, Vjacheslav Vs. Ivanov | XXIX-IV (1991) p. 409 | |
| Smert' vlastelina na oxote ('Oxota' N. Gumileva i 'Seroglazyj korol'' Axmatovoj), T.M. Nikolaeva | XXX-III (1991) p. 343 | |
| An Acmeist in the Theater: Gumilev's Tragedy The Poisoned Tunic, Elaine Rusinko | XXXI-III (1992) p. 393 | |
| Rannee tvorchestvo Nikolaja Gumileva v svete poètiki akmeizma: zametki k teme, Ol'ga Ja. Obuxova | XLI-IV (1997) p. 495 | |
| Guro, E. | ||
|---|---|---|
| Elena Guro's Diary, Anna Ljunggren, Nils Ake Nilsson | XXI-II (1987) p. 141 | |
| Neopublikovannoe proizvedenie Eleny Guro Bednyj rycar', Z.G. Minc | XXIX-I (1991) p. 1 | |
| Elena Guro, Edith Södergran, and the Karelian Isthmus, Henrik Birnbaum | XL-III (1996) p. 267 | |
| A | B | C | D | E | F | G | H | I | J | K | L | M |
| N | O | P | Q | R | S | T | U | V | W | X | Y | Z |
| Hardy, Th. | ||
|---|---|---|
| Staying Afloat: Thomas Hardy and Joseph Brodsky, Daniel Weissbort | XLVII-III/IV (2000) p. 251 | |
| Havel, V. | ||
|---|---|---|
| Václav Havels Versuchung, oder ein Versuch den Verführer zu verführen, Kees Mercks | XXXIII-II/III (1993) p. 299 | |
| Two Voices of a Chorus: Comments upon Havel's and Kanturková's Testimony of Prison, Mojmír Grygar | XXXVII-IV (1995) p. 479 | |
| Herbert, Z. | ||
|---|---|---|
| Zbigniew Herbert and the Concept of Poetic Irony, Stanislaw Baranczak | XVI-II (1984) p. 101 | |
| Hoffmann, E.T.A. | ||
|---|---|---|
| Povesti Belkina and the Commedia dell'Arte: Callot, Hoffmann, and Pushkin, J. Douglas Clayton | XL-III (1996) p. 277 | |
| Hrabal, B. | ||
|---|---|---|
| The Semantic Function of the Colours in Bohumil Hrabal's Ostre sledované vlaky, Willem G. Weststeijn | XXXIII-II/III (1993) p. 359 | |
| A | B | C | D | E | F | G | H | I | J | K | L | M |
| N | O | P | Q | R | S | T | U | V | W | X | Y | Z |
| Il'f, I., Petrov, E. | ||
|---|---|---|
| Parodija i rech' povestvovatelja v romanax I. Il'fa i E. Petrova, Boris Briker | XXXVII-I (1995) p. 11 | |
| Ingarden, R. | ||
|---|---|---|
| Ingarden's and Mukarovský's Binominal Definition of the Literary Work of Art: A Comparative View of their Respective Ontologies, John Fizer | XIII-III (1983) p. 269 | |
| Über ''Polyphonie'' und ''Deformation'' bei Ingarden. Bemerkungen zum literarhistorischen Kontext seiner Theoriebildung, Rolf Fieguth | XVIII-IV (1985) p. 365 | |
| Conception et fonction du temps dans la pensée théorique de Jan Mukarovský et de Roman Ingarden, Hana Jechova | XX-IV (1986) p. 353 | |
| Iriarte, T. de | ||
|---|---|---|
| Iriarte i ego russkie perevodchiki, A.N. Shustov | XLIV-I (1998) p. 117 | |
| Ivanov, G. | ||
|---|---|---|
| The Talent of Double Vision: Distorting Reflection in Georgij Ivanov's Émigré Poetry, Eric Laursen | XLIII-IV (1998) p. 481 | |
| The End of the ''Human Document'': Georgij Ivanov's The Disintegration of an Atom, Leonid Livak | XLIX-IV (2001) p. 371 | |
| Ivanov, Vjach. | ||
|---|---|---|
| Prefatory Note, Robert Louis Jackson | XLIV-III (1998) p. 277 | |
| Introduction, Robert Bird, Robert Louis Jackson | XLIV-III (1998) p. 279 | |
| Vechnaja pamjat', James West | XLIV-III (1998) p. 285 | |
| Vjacheslav I. Ivanov and the Question of Art. The Roman Notebook: February 18, 1944 ''Nudus salta! Cel' iskusstva'', Robert Louis Jackson | XLIV-III (1998) p. 289 | |
| The ''Responsive Poetics'' of Vjacheslav Ivanov, Michael Wachtel | XLIV-III (1998) p. 303 | |
| The Birth of Poetry from the Spirit of Criticism: Ivanov on Skrjabin, Marina Kostalevsky | XLIV-III (1998) p. 317 | |
| Vjacheslav Ivanov and Acmeism: Literary Polemics of 1912-1914, Valery Blinov | XLIV-III (1998) p. 331 | |
| Criticism, Mysticism and Transcendent Nationalism in Vjacheslav Ivanov's Thought, James West | XLIV-III (1998) p. 347 | |
| Vjacheslav Ivanov and Theology, Robert Bird | XLIV-III (1998) p. 357 | |
| Violence and the Sacred: Vjacheslav Ivanov and Walter Burkert, Carol Anschuetz | XLIV-III (1998) p. 379 | |
| Dionisijstvo simvolizma i strukturalisticheskaja teorija mifa (Vjacheslav Ivanov i Jurij Lotman/Zara Minc), Jurij Murashov | XLIV-IV (1998) p. 443 | |
| Ivanov, Vs. | ||
|---|---|---|
| ''Novoe zrenie v literature'' (K voprosu o tvorcheskix vzaimosvjazjax V. Xlebnikova i Vs. Ivanova), Marija Chernjak | XXXVIII-IV (1995) p. 473 | |
| Iwaszkiewicz, J. | ||
|---|---|---|
| Ein ''narratives Emblem'' als Psychogramm. J. Iwaszkiewiczs 'Matka Joanna od aniolów', Walter Koschmal | XVIII-IV (1985) p. 351 | |
| Der Sturz des Ikarus. Anmerkungen zu einer Bildbeschreibung in der Erzählung 'Ikar' von Jaroslaw Iwaszkiewicz, Witold Kosny | XXXIII-II/III (1993) p. 279 | |
| A | B | C | D | E | F | G | H | I | J | K | L | M |
| N | O | P | Q | R | S | T | U | V | W | X | Y | Z |
| Jacobi, F.H. | ||
|---|---|---|
| Friedrich Heinrich Jacobis Allwill und Fedor Mixajlovich Dostoevskijs Dämonen, Reinhard Lauth | 4 (1973) p. 51 | |
| Jakobson, R. | ||
|---|---|---|
| Reading Poetry with Roman Jakobson, Grete Lübbe-Grothues | XIV-III (1983) p. 221 | |
| Full Meaning, Linguistic Meaning and Metaphorical Meaning, Irena Bellert | XIV-III (1983) p. 287 | |
| Jampol'skij, B. | ||
|---|---|---|
| Rezhimnaja ulica svjatogo Nikolaja (Arbat u B. Zajceva i B. Jampol'skogo), T.V. Civ'jan | XLV-IV (1999) p. 373 | |
| Jasenskij, B. | ||
|---|---|---|
| Bruno Jasenskij i russkij avangard, Rimma Volynska | XXXVI-I (1994) p. 115 | |
| Jazykov, N.M. | ||
|---|---|---|
| Drinks and their Vessels in Early Nineteenth-Century Russian Poetry: Davydov, Pushkin, Jazykov, Sonia I. Ketchian | XL-III (1996) p. 363 | |
| Joyce, J. | ||
|---|---|---|
| James Joyce, Russian Culture and the Semiosphere, Neil Cornwell | XXXVI-III (1994) p. 255 | |
| Jurkun, Jur. | ||
|---|---|---|
| Proza Jur. Jurkuna mezhdu neosentimentalizmom i èmocionalizmom (Literaturnye otnoshenija s M. Kuzminym), Eric de Haard | XLVI-IV (1999) p. 411 | |
| Jurodstvo | ||
|---|---|---|
| The Russian Paradigm of Jurodstvo and its Genesis in Novgorod, Svitlana Kobets | XLVIII-IV (2000) p. 367 | |
| Jurodstvo i shutovstvo v rannej sovetskoj literature (kul'turologicheskie aspekty), Ivan Esaulov | XLIX-II (2001) p. 143 | |
| A | B | C | D | E | F | G | H | I | J | K | L | M |
| N | O | P | Q | R | S | T | U | V | W | X | Y | Z |
| Kabakov, I. | ||
|---|---|---|
| Avangard i sovremennost' (Vaginov i Kabakov: tipologicheskaja parallel'), Dubravka Ugresic | XXVII-I (1990) p. 83 | |
| Kafka, F. | ||
|---|---|---|
| Franc Kafka i Gogol' (O sud'be odnoj postromanticheskoj tradicii), Ju. Mann | XXXVIII-III (1995) p. 349 | |
| Kandinskij, V. | ||
|---|---|---|
| Kniga O duxovnom v iskusstve V. Kandinskogo i avangardnoe myshlenie, Hans Günther | XXXII-I (1992) p. 53 | |
| Kanturková, E. | ||
|---|---|---|
| Two Voices of a Chorus: Comments upon Havel's and Kanturková's Testimony of Prison, Mojmír Grygar | XXXVII-IV (1995) p. 479 | |
| Karamzin, N.M. | ||
|---|---|---|
| Karamzin's 'Progulka' as Sentimentalist Manifesto, Gitta Hammarberg | XXVI-III (1989) p. 249 | |
| Innocents at Home: 'Bednaja Liza' as a Response to Pis'ma russkogo puteshestvennika, David Herman | XLIV-II (1998) p. 159 | |
| Kashin, D.N. | ||
|---|---|---|
| The Trochaic Song Meters of Kol'cov and Kashin, James Bailey | 12 (1975) p. 5 | |
| Katkov, M.N. | ||
|---|---|---|
| Tjutchev's Role as Mediator Between the Government and M.N. Katkov (1863-1866), R. Lane | XVII-II (1985) p. 111 | |
| Kavafis, K.P. | ||
|---|---|---|
| Brodskij i Kavafis, T.V. Civ'jan | XLVII-III/IV (2000) p. 261 | |
| Kierkegaard, S. | ||
|---|---|---|
| Ja i drugoj. Kritika romanticheskogo soznanija u Baxtina i K'erkegora, Aleksej Frishman | XXXVIII-III (1995) p. 273 | |
| Kjuxel'beker, V. | ||
|---|---|---|
| A Russian Romantic Abroad: Vil'gel'm Kjuxel'beker's Trip to Europe (1820-1821), Ruth Sobel | XXIII-III (1988) p. 295 | |
| Kljun, I.V. | ||
|---|---|---|
| Polemika v stixax (Malevich protiv Kruchenyx i Kljuna), N.I. Xardzhiev | XXIV-II (1988) p. 145 | |
| Kochanowski, J. | ||
|---|---|---|
| 'Solus Amor docuit blandos me fingere versus'. Zur letzten Redaktion des elegischen Lydia-Zyklus von Jan Kochanowski, Krystyna Ziemba | XXVII-II (1990) p. 97 | |
| Gawinskis Einspruch. Jan Kochanowskis ''tragische'' Fraszka I.3 ('O zywocie ludzkim') in einer Lesart der Barockzeit, Alfred Sproede | XXVII-II (1990) p. 157 | |
| Kol'cov, A.V. | ||
|---|---|---|
| The Trochaic Song Meters of Kol'cov and Kashin, James Bailey | 12 (1975) p. 5 | |
| Komarovskij, V.A. | ||
|---|---|---|
| Dve glavy iz istorii poèzii nachala veka: I. V.A. Komarovskij – II. V.K. Shilejko (k sootnosheniju poètiki simvolizma i akmeizma), V.N. Toporov | VII-III (1979) p. 249 | |
| Konstantin Filosof | ||
|---|---|---|
| Slovo i premudrost' (''logosnaja struktura''): 'Proglas' Konstantina Filosofa, V.N. Toporov | XXIII-I (1988) p. 1 | |
| Krleza, M. | ||
|---|---|---|
| Miroslav Krleza et la critique pendant la première guerre mondiale (Contributions à l'étude de la réception de l'oeuvre), Stanko Lasic | XIV-I (1983) p. 31 | |
| Fifty Years of Miroslav Krleza's Expressionist Syntax, Branko Vuletic | XIV-I (1983) p. 87 | |
| Der erasmische Konflikt. Miroslav Krleza und Erasmus von Rotterdam, Aleksandar Flaker | XXX-I (1991) p. 21 | |
| Analyse thématique de Vrazji otok, Stanko Lasic | XXX-I (1991) p. 55 | |
| Kruchenyx, A.E. | ||
|---|---|---|
| Boris Pasternak and the ''Bogeyman of Russian Literature'', Christopher Barnes | VI-1 (1978) p. 47 | |
| Kruchenyx and Xlebnikov Co-Authoring a Manifesto, Gerald Janecek | VIII-V (1980) p. 483 | |
| Baudouin de Courtenay Versus Kruchenyx, Gerald Janecek | X-I (1981) p. 17 | |
| A Good Beginning: Victory over the Sun and Vladimir Mayakovsky, A Tragedy Reassessed, Robert Leach | XIII-I (1983) p. 101 | |
| Aleksej E. Kruchenyx, Rosemarie Ziegler | XIX-I (1986) p. 79 | |
| Polemika v stixax (Malevich protiv Kruchenyx i Kljuna), N.I. Xardzhiev | XXIV-II (1988) p. 145 | |
| The Lyric Subject in Kruchenyx's Poetry, Willem G. Weststeijn | XXXVII-IV (1995) p. 659 | |
| Aleksej Kruchenyx's Literary Theories, Gerald Janecek | XXXIX-I (1996) p. 1 | |
| Krzhizhanovskij, S.D. | ||
|---|---|---|
| Mir po Krzhizhanovskomu, J.J. van Baak | XLV-IV (1999) p. 361 | |
| Kundera, M. | ||
|---|---|---|
| Das lyrische Alter. Milan Kunderas Roman Das Leben ist anderswo, Kvetoslav Chvatík | XXXIII-II/III (1993) p. 215 | |
| Kuzmin, M.A. | ||
|---|---|---|
| Axmatova i Kuzmin, R.D. Timenchik, V.N. Toporov, T.V. Civ'jan | VI-3 (1978) p. 213 | |
| Modern kak predavangardnyj stil': Mixail Kuzmin, Magdalena Medaric | XXXVI-I (1994) p. 57 | |
| M. Kuzmin v polemike s F.M. Dostoevskim i A.P. Chexovym (literaturnaja predystorija central'nogo geroja 'Kryl'ev'), A.G. Timofeev | XLI-I (1997) p. 51 | |
| Poèzija v proze Mixaila Kuzmina: stixotvornye vstavki, Eric de Haard | XLII-III/IV (1997) p. 287 | |
| Proza Jur. Jurkuna mezhdu neosentimentalizmom i èmocionalizmom (Literaturnye otnoshenija s M. Kuzminym), Eric de Haard | XLVI-IV (1999) p. 411 | |
| Oeuvre posthume Kuzmina: Zametki k tekstu, Gleb Morev | XLVI-IV (1999) p. 467 | |
| Pjat' razgovorov i odin sluchaj (publikacija G. Moreva), M.A. Kuzmin | XLVI-IV (1999) p. 483 | |
| Kuz'mina-Karavaeva, E.Ju. | ||
|---|---|---|
| Povestvovatel'naja proza m. Marii, Nina Kauxchishvili | XLVI-IV (1999) p. 437 | |
| E.Ju. Kuz'mina-Karavaeva (mat' Marija) i A.N. Tolstoj: kontakty, A.N. Shustov | XLVIII-IV (2000) p. 425 | |
| A | B | C | D | E | F | G | H | I | J | K | L | M |
| N | O | P | Q | R | S | T | U | V | W | X | Y | Z |
| La Harpe, J.-F. de | ||
|---|---|---|
| Eshche raz o svjazjax Pushkina s francuzskoj literaturoj (Lagarp – Bualo – Ronsar), V.N. Toporov | XXII-IV (1987) p. 379 | |
| Lapin, B. | ||
|---|---|---|
| Boris Lapin: Unlikely Modernist, Cynthia A. Ruder | XXXIV-II (1993) p. 207 | |
| Lavrov, P.L. | ||
|---|---|---|
| Razdvoenie geroev Lermontova i ego psixologicheskoe vlijanie na sub"ektivizm P.L. Lavrova, Tèruxiro Sasaki | XXXIII-IV (1993) p. 495 | |
| Lenin, V.I. | ||
|---|---|---|
| V poiskax ''vtoroj leniniany'': Zoshchenko, Malevich i Vladimir Il'ich, Gian Piero Piretto | XLVI-IV (1999) p. 495 | |
| Leonov, L. | ||
|---|---|---|
| 'Peshchera' E. Zamjatina i 'Konec melkogo cheloveka' L. Leonova (parodija kak politicheskaja polemika), Anatolij Vishevskij | XXXVII-I (1995) p. 127 | |
| Lermontov, M.Ju. | ||
|---|---|---|
| The First Pechorin En Route to A Hero: Lermontov's 'Princess Ligovskaja', Helena Goscilo | XI-II (1982) p. 129 | |
| Dramatic Genre as a Tool of Characterization in Lermontov's Hero of Our Time, Gary D. Cox | XI-II (1982) p. 163 | |
| Lermontov's The Demon and Maturin's Melmoth the Wanderer, Mark S. Simpson | XVI-III (1984) p. 275 | |
| ''The Blind Will See'': Narrative and Gender in 'Taman'', Joe Andrew | XXXI-IV (1992) p. 449 | |
| Dramatizacija bezumnogo ''ja'': p'esa M.Ju. Lermontova Maskarad (s uchetom p'esy Strannyj chelovek), J. Douglas Clayton | XXXI-IV (1992) p. 477 | |
| Pechorin als Frau und Pferd und Anderes zu Lermontovs Geroj nashego vremeni (1. Teil), Aage A. Hansen-Löve | XXXI-IV (1992) p. 491 | |
| O glubinnoj strukture Pechorina, A.G.F. van Holk | XXXI-IV (1992) p. 545 | |
| Ethnotope in Lermontov's Caucasian Poèmy, Robert Reid | XXXI-IV (1992) p. 555 | |
| Toska zhelanija – toska videnija. Zur Axiologie des lyrischen Subjektes bei Mixail Lermontov und seiner Dekonstruktion durch Vasilij Rozanov, Rainer Grübel | XXXIII-IV (1993) p. 379 | |
| Pechorin als Frau und Pferd und Anderes zu Lermontovs Geroj nashego vremeni (2. Teil), Aage A. Hansen-Löve | XXXIII-IV (1993) p. 413 | |
| O znachenii nezavershennosti v proze Lermontova, V.M. Markovich | XXXIII-IV (1993) p. 471 | |
| Razdvoenie geroev Lermontova i ego psixologicheskoe vlijanie na sub"ektivizm P.L. Lavrova, Tèruxiro Sasaki | XXXIII-IV (1993) p. 495 | |
| Chuzhoe ''ja'' v lermontovskom tvorchestve, V.È. Vacuro | XXXIII-IV (1993) p. 505 | |
| Sub"ekt i mir u Lermontova. Opyt semanticheskogo obobshchenija, J.J. van Baak | XXXIV-I (1993) p. 1 | |
| The Character Maksim Maksimych, Jan van der Eng | XXXIV-I (1993) p. 21 | |
| The Structure of Space in Lermontov's 'Mcyri', Katharina Hansen Löve | XXXIV-I (1993) p. 37 | |
| O novatorstve lermontovskogo psixologizma, Wolf Schmid | XXXIV-I (1993) p. 59 | |
| Personalizm Lermontova, Kees Verheul | XXXIV-I (1993) p. 75 | |
| Liricheskij geroj kak priem, Willem G. Weststeijn | XXXIV-I (1993) p. 95 | |
| O xudozhestvennoj strukture neokonchennoj povesti Lermontova, O.B. Zaslavskij | XXXIV-I (1993) p. 109 | |
| Mif o Lermontove na rubezhe XIX-XX vekov, V.M. Markovich | XXXVIII-II (1995) p. 157 | |
| Lirika Lermontova: tekst i intertekst, S.F. Vasil'ev | XXXVIII-II (1995) p. 189 | |
| ''Ne ver' sebe'' – A komu zhe verit'? (Oratorskaja lirika Lermontova), Matthias Freise | XXXVIII-III (1995) p. 259 | |
| Èsteticheskoe i èticheskoe v Geroe nashego vremeni M.Ju. Lermontova, Kristian Jorgensen | XXXVIII-III (1995) p. 313 | |
| The Impotent Demon and Prurient Tamara: Parodies on Lermontov's 'Demon' in Dostoevskij's Besy, Irene Masing-Delic | XLVIII-III (2000) p. 263 | |
| Rol' temy otca v zamysle Vadima, O.B. Zaslavskij | XLIX-III (2001) p. 337 | |
| Leskov, N.S. | ||
|---|---|---|
| Nikolaj Leskov and the Russian Prolog as a Literary Source, Stephen S. Lottridge | 3 (1972) p. 16 | |
| The Enchanted Wanderer: A Parable of National Identity, Richard A. Peace | XXIX-IV (1991) p. 439 | |
| Lesmian, B. | ||
|---|---|---|
| La théorie du langage poétique chez Boleslaw Lesmian, Michal Glowinski | VII-IV (1979) p. 391 | |
| Innovationsformen der Ballade: Boleslaw Lesmian und Jiri Wolker, Herta Schmid | XXXIII-II/III (1993) p. 327 | |
| Lévinas, E. | ||
|---|---|---|
| The Relation of Alterity in Baxtin, Blanchot, Lévinas, Augusto Ponzio | XLI-III (1997) p. 315 | |
| Livshic, B. | ||
|---|---|---|
| The Citadel of the Revolutionary Word: Notes on the Poetics of Benedikt Livshic, Ronald Vroon | XXVII-IV (1990) p. 533 | |
| Lobanov, M.E. | ||
|---|---|---|
| A View of Petersburg: New Correspondence of M.E. Lobanov and N.I. Gnedich, 1827-1828, Glynn R. Barratt | 9 (1975) p. 25 | |
| Lomonosov, M.V. | ||
|---|---|---|
| K xarakteristike russkogo chetyrexstopnogo jamba XVIII veka: Lomonosov, Trediakovskij, Sumarokov, A.V. Proxorov, Kirill F. Taranovskij | XII-II (1982) p. 145 | |
| Derzhavin's 'Bog': The Internalization of Lomonosov's 'Bozhie velichestvo', Anna Lisa Crone | XLIV-I (1998) p. 1 | |
| Lotman, Ju.M. | ||
|---|---|---|
| Neskol'ko zamechanij po povodu stat'i prof. Marii R. Majenovoj, ''Poètika v rabotax tartuskogo universiteta'', Ju.M. Lotman | 6 (1974) p. 83 | |
| Neskol'ko slov po povodu recenzii Ja.M. Mejera 'Literatura kak informacija', Ju.M. Lotman | 9 (1975) p. 111 | |
| Zwei Konzepte der Textbedeutung bei Jurij Lotman, Renate Lachmann | V-1 (1977) p. 1 | |
| ''If I Were You'' (A Few Remarks About Culture and Understanding), Alexander Piatigorsky | V-1 (1977) p. 37 | |
| Jurij Lotman and the Semiotics of Culture, Ann Shukman | V-1 (1977) p. 41 | |
| A Reply to Ju. Lotman, Jan M. Meijer | V-1 (1977) p. 55 | |
| Die Semantisierung der Form (Zum Inhaltskonzept Jurij Lotmans), Wolf Schmid | V-1 (1977) p. 61 | |
| Lotman as a Historian of Literature, Maria R. Mayenowa | V-1 (1977) p. 81 | |
| On the Specificness of the Literary Work, Mojmír Grygar | V-1 (1977) p. 91 | |
| The Poetic Text: A Complicated and Accessible Structure, Jan van der Eng | V-1 (1977) p. 103 | |
| Textdeskription und Textdeutung (Zu Jurij Lotmans Analysen russischer Lyrik des 19. und 20. Jahrhunderts), Jochen-Ulrich Peters | X-I (1981) p. 91 | |
| Dialogic Perspectives: The East European View (Baxtin, Mukarovský, Lotman), David K. Danow | XX-II (1986) p. 119 | |
| Cultural Semiotics – The Uses of a Theory, Artur Blaim | XXXVI-III (1994) p. 243 | |
| James Joyce, Russian Culture and the Semiosphere, Neil Cornwell | XXXVI-III (1994) p. 255 | |
| Jurij Lotman and the Re-Presentation of Eighteenth-Century Russian Literature, N.J. Crowe | XXXVI-III (1994) p. 277 | |
| The Concept of ''Model'' in Soviet Semiotics, Peter Grzybek | XXXVI-III (1994) p. 285 | |
| On the Deep Structure of Ostrovskij's 'Dark Realm', A.G.F. van Holk | XXXVI-III (1994) p. 301 | |
| Moskovskaja filosofsko-matematicheskaja shkola i duxovno-intellektual'naja sreda nachala XX veka, Nina Kauxchishvili | XXXVI-III (1994) p. 317 | |
| Remarks on the Foreign (Strange) as a Figure of Cultural Ambivalence, Renate Lachmann | XXXVI-III (1994) p. 335 | |
| Translation as Inspiration in Recent Russian Poetry, Michael Molnar | XXXVI-III (1994) p. 347 | |
| From Pushkin to Nabokov: Narrator in the Position of Observer, E.V. Paducheva | XXXVI-III (1994) p. 353 | |
| Symbolism and Philosophical Discourse, Avril Pyman | XXXVI-IV (1994) p. 371 | |
| Chexov's 'Tolstyj i tonkij': The Disclosure of Hierarchy, Robert Reid | XXXVI-IV (1994) p. 387 | |
| Simvolizm, ili isterija, I.P. Smirnov | XXXVI-IV (1994) p. 403 | |
| Semiotika perevoda, perevod semiotiki, Peeter Torop | XXXVI-IV (1994) p. 427 | |
| Impatience: Jurij Trifonov and the Roots of Revolution, David Gillespie | XXXVI-IV (1994) p. 435 | |
| Vojnovich's Moskva 2042 as Literary Parody, Karen Ryan-Hayes | XXXVI-IV (1994) p. 453 | |
| Typology of Culture and Carnival: Note on the Models of Baxtin and Lotman, Massimo Bonafin | XLI-III (1997) p. 255 | |
| Dionisijstvo simvolizma i strukturalisticheskaja teorija mifa (Vjacheslav Ivanov i Jurij Lotman/Zara Minc), Jurij Murashov | XLIV-IV (1998) p. 443 | |
| Text and Culture: Continuous Discontinuity in Lotman and Zamjatin, Edna Andrews | XLIX-IV (2001) p. 347 | |
| Lozinskij, M. | ||
|---|---|---|
| Poèzija Mixaila Lozinskogo: Simvolizm i Akmeizm, D.M. Segal | XIII-IV (1983) p. 333 | |
| A | B | C | D | E | F | G | H | I | J | K | L | M |
| N | O | P | Q | R | S | T | U | V | W | X | Y | Z |
| Mahabharata | ||
|---|---|---|
| 'Slovo o polku Igoreve' i 'Maxabxarata', Vl. Shelest | XVII-II (1985) p. 143 | |
| Majakovskij, V.V. | ||
|---|---|---|
| Majakovskij i Igor' Severjanin, N.I. Xardzhiev | VI-4 (1978) p. 307 | |
| A Good Beginning: Victory over the Sun and Vladimir Mayakovsky, A Tragedy Reassessed, Robert Leach | XIII-I (1983) p. 101 | |
| Russian Futurism and the Cinema: Majakovskij's Film Work of 1913, Jerry Heil | XIX-II (1986) p. 175 | |
| Majakovskij i serbskaja i xorvatskaja literatura, Alice Parmeggiani-Dri | XX-I (1986) p. 71 | |
| Iz materialov o Majakovskom, N.I. Xardzhiev | XXV-IV (1989) p. 451 | |
| Zhanrovaja i morfologicheskaja sistema dramaturgii Majakovskogo, Miroslav Mikulásek | XXVII-I (1990) p. 53 | |
| Iz materialov o Majakovskom, N.I. Xardzhiev | XXVII-IV (1990) p. 417 | |
| Esenin and Majakovskij, Michael Clark Troy | XXXI-III (1992) p. 415 | |
| Love and Martyrdom in Vladimir Majakovskij's Poem Pro èto, Menno Kraan | XXXVII-IV (1995) p. 523 | |
| How Majakovskij's Ivan is Made: Measure in 150000000, Robin Aizlewood | XLVII-II (2000) p. 111 | |
| Malevich, K. | ||
|---|---|---|
| Polemika v stixax (Malevich protiv Kruchenyx i Kljuna), N.I. Xardzhiev | XXIV-II (1988) p. 145 | |
| Teorija ''pribavochnogo èlementa'' Kazimira Malevicha, Mojmír Grygar | XXV-III (1989) p. 313 | |
| Vvedenie v teoriju pribavochnogo èlementa v zhivopisi, K. Malevich | XXV-III (1989) p. 337 | |
| Leninizm i bespredmetnost': rozhdenie mifa, Mojmír Grygar | XXV-III (1989) p. 383 | |
| Iz knigi o bespredmetnosti, K. Malevich | XXV-III (1989) p. 399 | |
| K istokam ''bespredmetnogo'' iskusstva, Svetlana Ja. Kazakova | XXXIV-II (1993) p. 135 | |
| Poslednjaja glava neokonchennoj avtobiografii Malevicha, N.I. Xardzhiev | XXXIX-III (1996) p. 303 | |
| ''Allogizm'' i izosemantizm avangarda (na primere Malevicha), Jerzy Faryno | XL-I (1996) p. 91 | |
| V poiskax ''vtoroj leniniany'': Zoshchenko, Malevich i Vladimir Il'ich, Gian Piero Piretto | XLVI-IV (1999) p. 495 | |
| Mallarmé, S. | ||
|---|---|---|
| Echoes of Nietzsche and Mallarmé in Mandel'shtam's Metapoetic ''Petersburg'', Anna Lisa Crone | XXX-IV (1991) p. 405 | |
| Mamleev, Ju. | ||
|---|---|---|
| Flowers of Evil: The Poetics of Monstrosity in Contemporary Russian Literature (Erofeev, Mamleev, Sokolov, Sorokin), Ulrich Schmid | XLVIII-II (2000) p. 205 | |
| Mandel'shtam, O.È. | ||
|---|---|---|
| O chastotnom slovare jazyka poèta, Ju.I. Levin | 2 (1972) p. 5 | |
| Razbor dvux stixotvorenij Mandel'shtama, Ju.I. Levin | 2 (1972) p. 37 | |
| O nekotoryx aspektax smyslovoj struktury 'Grifel'noj ody' O.È. Mandel'shtama, D.M. Segal | 2 (1972) p. 49 | |
| Osip Mandel'shtam i muzyka, Ryshard Pshibyl'skij | 2 (1972) p. 103 | |
| Dva ''molchanija'' Osipa Mandel'shtama, Kirill F. Taranovskij | 2 (1972) p. 126 | |
| Razbor odnogo ''zaumnogo'' stixotvorenija Mandel'shtama, Kirill F. Taranovskij | 2 (1972) p. 132 | |
| Dva primera anagrammaticheskix postroenij v stixax pozdnego Mandel'shtama, Vjacheslav Vs. Ivanov | 3 (1972) p. 81 | |
| Vosstanovlennyj Mandel'shtam, N.I. Xardzhiev | 7/8 (1974) p. 19 | |
| Russkaja semanticheskaja poètika kak potencial'naja kul'turnaja paradigma, Ju.I. Levin, D.M. Segal, R.D. Timenchik, V.N. Toporov, T.V. Civ'jan | 7/8 (1974) p. 47 | |
| Pamjat' zrenija i pamjat' smysla, D.M. Segal | 7/8 (1974) p. 121 | |
| The Jewish Theme in the Poetry of Osip Mandel'shtam, Kirill F. Taranovskij | 7/8 (1974) p. 133 | |
| Osip Mandel'shtam: ''Na rozval'njax, ulozhennyx solomoj'', Kirill F. Taranovskij | 7/8 (1974) p. 159 | |
| Mandel'shtam's Poem ''Voz'mi na radost''', Nils Ake Nilsson | 7/8 (1974) p. 165 | |
| Mandel'shtam's Poem ''V Peterburge my sojdemsja snova'', Jeanne van der Eng-Liedmeier | 7/8 (1974) p. 181 | |
| Zametki o ''Krymsko-èllinskix'' stixax O. Mandel'shtama, Ju.I. Levin | 10/11 (1975) p. 5 | |
| Fragment semanticheskoj poètiki O.È. Mandel'shtama, D.M. Segal | 10/11 (1975) p. 59 | |
| O sootnoshenii mezhdu semantikoj poèticheskogo teksta i vnetekstovoj real'nost'ju (Zametki o poètike O. Mandel'shtama), Ju.I. Levin | 10/11 (1975) p. 147 | |
| Razbor odnogo stixotvorenija O. Mandel'shtama, Ju.I. Levin | V-2 (1977) p. 115 | |
| ''Na kamennyx otrogax Pièrii'' Mandel'shtama: materialy k analizu, G.A. Levinton | V-2 (1977) p. 123 | |
| O. Mandel'shtam. Neizvestnaja stat'ja o Chexove, Ju.L. Frejdin | V-2 (1977) p. 171 | |
| O Chexove, O.È. Mandel'shtam | V-2 (1977) p. 172 | |
| Zametki k stat'e Mandel'shtama o Chexove, Ju.I. Levin | V-2 (1977) p. 174 | |
| Shpigun – Kino-recenzija, O.È. Mandel'shtam | V-2 (1977) p. 177 | |
| Mandel'shtam na poroge tridcatyx godov, A. Grigor'ev, I. Petrova | V-2 (1977) p. 181 | |
| A Note on Mandel'shtam's ''V Peterburge my sojdemsja snova'', John E. Malmstad | V-2 (1977) p. 193 | |
| ''Na kamennyx otrogax Pièrii'' Mandel'shtama: materialy k analizu (prodolzhenie), G.A. Levinton | V-3 (1977) p. 201 | |
| Poem as Manifesto: Mandel'shtam's 'Notre Dame', Peter Steiner | V-3 (1977) p. 239 | |
| Associative Chains in Egipetskaja marka, Charles Isenberg | V-3 (1977) p. 257 | |
| Three Poems by Osip Mandel'shtam, Bengt Jangfeldt | V-3 (1977) p. 277 | |
| Zametki ob akmeizme, R.D. Timenchik | V-3 (1977) p. 281 | |
| Kniga K.F. Taranovskogo o poèzii O.È. Mandel'shtama, G.A. Levinton, R.D. Timenchik | VI-2 (1978) p. 197 | |
| The Early Mandel'shtam and Symbolism, Jan M. Meijer | VII-V (1979) p. 521 | |
| Mandel'shtam's Moscow: Eclipse of the Holy City, Sharon Leiter | VIII-II (1980) p. 167 | |
| O. Mandel'shtam – Materialy k biografii, A. Grigor'ev, N. Petrova | XV-I (1984) p. 1 | |
| O nervalianskom podtekste v russkom akmeizme, T.V. Civ'jan, V.N. Toporov | XV-I (1984) p. 29 | |
| The Mandel'shtam Presence in the Dedications of Poèma bez geroja, Rory Childers, Anna Lisa Crone | XV-I (1984) p. 51 | |
| Reference and Interpretation, with Examples from Osip Mandel'shtam, Peter Zeeman | XVIII-III (1985) p. 257 | |
| Irony in Mandel'shtam's Later Poetry, Peter Zeeman | XIX-IV (1986) p. 405 | |
| Metaphorical Language in Mandel'shtam, Peter Zeeman | XXI-III (1987) p. 313 | |
| Eshche raz o stixotvorenii Mandel'shtama ''Na rozval'njax, ulozhennyx solomoj'' (Inye dopolnitel'nye nabljudenija i nekotorye novye materialy), Kirill F. Taranovskij | XXII-IV (1987) p. 447 | |
| Slozhenie metafor u Mandel'shtama, Ziva Bencic | XXIV-II (1988) p. 129 | |
| Oksjumoron u Mandel'shtama, Ziva Bencic | XXIX-I (1991) p. 25 | |
| Èzopov jazyk v poèzii Mandel'shtama 30-x godov, Irina Mess-Baehr | XXIX-III (1991) p. 243 | |
| Axmatova i Mandel'shtam, V.V. Musatov | XXX-III (1991) p. 357 | |
| Echoes of Nietzsche and Mallarmé in Mandel'shtam's Metapoetic ''Petersburg'', Anna Lisa Crone | XXX-IV (1991) p. 405 | |
| O. Mandel'shtam i A. Belyj: polemika i preemstvennost', S.M. Margolina | XXX-IV (1991) p. 431 | |
| Elements of Henri Bergson's Creative Evolution in the Critical Prose of Osip Mandel'shtam, Frances Nethercott | XXX-IV (1991) p. 455 | |
| Mandel'shtam's Sumerki Poems, Nils Ake Nilsson | XXX-IV (1991) p. 467 | |
| Gorod v xudozhestvennom mire Mandel'shtama: prostranstvennyj aspekt, S.G. Shindin | XXX-IV (1991) p. 481 | |
| Mandel'shtam's Kamen': The Evolution of an Image, R.D.B. Thomson | XXX-IV (1991) p. 501 | |
| Analiz odnogo stixotvorenija Mandel'shtama (''Kak svetoteni muchenik Rembrandt''), Thomas Langerak | XXXIII-II/III (1993) p. 289 | |
| Majakovsko-Pasternakovskie èpizody v Puteshestvii v Armeniju i Razgovore o Dante Osipa Mandel'shtama (K probleme ''vtoraja proza'' ''pervyx poètov''), Leonid Kacis | XLI-IV (1997) p. 465 | |
| Kategorija pamjati v tvorchestve Osipa Mandel'shtama, Ziva Bencic | XLII-II (1997) p. 115 | |
| Toska po edinstvu: O vlijanii Bergsona na rannego Mandel'shtama, Anne Faivre Dupaigre | XLII-II (1997) p. 137 | |
| Avtorizovannyj nabrosok plana i kompozicija knigi statej Mandel'shtama O poèzii, Ju.L. Frejdin | XLII-II (1997) p. 153 | |
| Mandel'shtam i problema ''bessmyslennogo slova'', I. Gurvich | XLII-II (1997) p. 171 | |
| ''I blazhennyx zhen rodnye ruki...'', Pavel Nerler | XLII-II (1997) p. 183 | |
| Biblejskie obrazy i motivy v stixotvorenii O.È. Mandel'shtama 'Lastochka', B.S. Ostrer | XLII-II (1997) p. 195 | |
| Akmeisticheskij fragment xudozhestvennogo mira Mandel'shtama: metatekstual'nyj aspekt, S.G. Shindin | XLII-II (1997) p. 211 | |
| Mandel'shtamovskoe Obshchestvo, Anonymous | XLII-II (1997) p. 259 | |
| O nekotoryx semanticheskix kompressirovannyx modeljax v xudozhestvennom mire Mandel'shtama, S.G. Shindin | XLII-III/IV (1997) p. 325 | |
| Detskaja ritorika v Shume vremeni Mandel'shtama, Ben Wiegers | XLII-III/IV (1997) p. 491 | |
| The Poetics of Return in Osip Mandel'shtam's 'Solominka', Stuart Goldberg | XLV-II (1999) p. 131 | |
| Brodskij o Mandel'shtame, Tomas Venclova | XLVII-III/IV (2000) p. 357 | |
| Children's World View as a Subtext of O. Mandel'shtam's 'Puteshestvie v Armeniju', Wolf Iro | XLIX-I (2001) p. 43 | |
| Contextualising Baxtin: Two Poems by Mandel'shtam, Galin Tihanov | L-II (2001) p. 165 | |
| Mann, Th. | ||
|---|---|---|
| Lejtmotiv u I.A. Goncharova i paralleli v proizvedenijax Tomasa Manna, E.M. Ruttner | 6 (1974) p. 101 | |
| Mariengof, A. | ||
|---|---|---|
| O proze poèta: Anatolij Mariengof i poètika Zanozy, J.J. van Baak | XLII-III/IV (1997) p. 261 | |
| Markarian, M. | ||
|---|---|---|
| Anna Axmatova's Rendition of Universality and Unity as Intensifying Devices in Maro Markarian, Sonia I. Ketchian | XXXVIII-I (1995) p. 83 | |
| Masjutin, V. | ||
|---|---|---|
| Vasilij Masjutins Werke im Britischen Museum, Xenia Werner | XXV-IV (1989) p. 551 | |
| Matejka, L. | ||
|---|---|---|
| Review: Ladislav Matejka and Krystyna Pomorska (Eds.), Readings in Russian Poetics: Formalist and Structuralist Views, Ann Arbor, 1962, Maria R. Mayenowa | 6 (1974) p. 121 | |
| Matos, A.G. | ||
|---|---|---|
| L'enjambement dans la poésie d'Antun Gustav Matos, Branko Vuletic | VII-IV (1979) p. 425 | |
| Maturin, C.R. | ||
|---|---|---|
| Lermontov's The Demon and Maturin's Melmoth the Wanderer, Mark S. Simpson | XVI-III (1984) p. 275 | |
| Maupassant, G. de | ||
|---|---|---|
| Turgenev and Maupassant as Fantasts, Robert Dessaix | V-4 (1977) p. 325 | |
| Mejerxol'd, Vs. | ||
|---|---|---|
| ''Teatral'nyj oktjabr''' – istorija dvizhenija, Nirman Moranjak-Bamburac | XIX-I (1986) p. 27 | |
| Èstetika Mejerxol'da, Nirman Moranjak-Bamburac | XXIV-II (1988) p. 191 | |
| Metaphor of the Journey | ||
|---|---|---|
| Dido, Turgenev and the Journey Toward Bedlam, Jane Costlow | XXIX-IV (1991) p. 395 | |
| Two Images of Africa in Russian Literature of the Beginning of the Twentieth Century: Ka by Xlebnikov and Gumilev's African Poems, Vjacheslav Vs. Ivanov | XXIX-IV (1991) p. 409 | |
| Space and the Journey. A Metaphor for All Times, Robert Louis Jackson | XXIX-IV (1991) p. 427 | |
| The Enchanted Wanderer: A Parable of National Identity, Richard A. Peace | XXIX-IV (1991) p. 439 | |
| Impressions of a Transient: The Meandering Gor'kij, Barry Scherr | XXIX-IV (1991) p. 455 | |
| Ideja puti v drevnerusskoj literature, Lidija Sazonova | XXIX-IV (1991) p. 471 | |
| Ural v Detstve Ljuvers B. Pasternaka, Anna Ljunggren | XXIX-IV (1991) p. 489 | |
| Mickiewicz, A. | ||
|---|---|---|
| The Portrait of a Hero and the Problem of Romantic Artistry in Adam Mickiewicz's Pan Tadeusz, Juras T. Ryfa | XLVIII-IV (2000) p. 409 | |
| Millennium of Christianity in Russia | ||
|---|---|---|
| Slovo i premudrost' (''logosnaja struktura''): 'Proglas' Konstantina Filosofa, V.N. Toporov | XXIII-I (1988) p. 1 | |
| Rabotniki odinnadcatogo chasa – 'Slovo o zakone i blagodati' i drevnekievskie realii, V.N. Toporov | XXIV-I (1988) p. 1 | |
| Ideja svjatosti v Drevnej Rusi: Vol'naja zhertva kak podrazhanie Xristu – 'Skazanie o Borise i Glebe', V.N. Toporov | XXV-I (1989) p. 1 | |
| Ob iranskom mifologicheskom èlemente v drevnem Kieve (''Xorezmijskij'' vklad), V.N. Toporov | XXV-I (1989) p. 103 | |
| Truzhenichestvo vo Xriste (tvorcheskoe sobiranie dushi i duxovnoe trezvenie) I, V.N. Toporov | XXXII-II (1992) p. 95 | |
| Truzhenichestvo vo Xriste (tvorcheskoe sobiranie dushi i duxovnoe trezvenie) II, V.N. Toporov | XXXIII-I (1993) p. 1 | |
| Milosz, Cz. | ||
|---|---|---|
| Die Prosa des Dichters Czeslaw Milosz (Zdobycie wladzy [Machtergreifung]), Wlodzimierz Bolecki | XVI-II (1984) p. 191 | |
| Brodskij kak kritik i perevodchik Milosha, Petr Fast | XLVII-III/IV (2000) p. 331 | |
| Minc, Z. | ||
|---|---|---|
| Dionisijstvo simvolizma i strukturalisticheskaja teorija mifa (Vjacheslav Ivanov i Jurij Lotman/Zara Minc), Jurij Murashov | XLIV-IV (1998) p. 443 | |
| Modernism | ||
|---|---|---|
| Symbolism or Modernism in Slavic Literatures?, Aleksandar Flaker | VII-IV (1979) p. 329 | |
| Montale, E. | ||
|---|---|---|
| Brodskij i Montale. Ob èsse 'V teni Dante' i o drugom, Alessandro Niero | XLVII-III/IV (2000) p. 307 | |
| Morsztyn, J.A. | ||
|---|---|---|
| Jan Andrzej Morsztyn und das Ende des Barock – Zyklizität und poetische Verdichtung, Walter Koschmal | XXVII-II (1990) p. 273 | |
| Mozalevskij, V.I. | ||
|---|---|---|
| ''Tol'ko chitat' i ètomu ne verit'''. Viktor Mozalevskij i ego proza, Ol'ga Ja. Obuxova | XLV-IV (1999) p. 457 | |
| Mukarovský, J. | ||
|---|---|---|
| ''Fonicheskaja linija'' Mukazhovskogo i intonacionnyj analiz stixa, Miroslav Cervenka | XII-III (1982) p. 227 | |
| Mukarovský and the Idea of Poetic Truth, Lubomír Dolezel | XII-III (1982) p. 283 | |
| Ingarden's and Mukarovský's Binominal Definition of the Literary Work of Art: A Comparative View of their Respective Ontologies, John Fizer | XIII-III (1983) p. 269 | |
| Dialogic Perspectives: The East European View (Baxtin, Mukarovský, Lotman), David K. Danow | XX-II (1986) p. 119 | |
| Conception et fonction du temps dans la pensée théorique de Jan Mukarovský et de Roman Ingarden, Hana Jechova | XX-IV (1986) p. 353 | |
| Wege zum offenen Sinn, Milan Jankovic | XXXIII-II/III (1993) p. 265 | |
| Munch, E. | ||
|---|---|---|
| Leonid Andreev i Èdvard Munk, L. Iezuitova | XXII-I (1987) p. 63 | |
| Muratov, P. | ||
|---|---|---|
| Ital'janskij pejzazh u P. Muratova: vizualizacija mysli, Patrizia Deotto | XLV-I (1999) p. 15 | |
| A | B | C | D | E | F | G | H | I | J | K | L | M |
| N | O | P | Q | R | S | T | U | V | W | X | Y | Z |
| Nabokov, Vl. | ||
|---|---|---|
| The Alpha and Omega of Nabokov's Prison-House of Language. Alphabetic Iconicism in Invitation to a Beheading, D. Barton Johnson | VI-4 (1978) p. 347 | |
| Ob osobennostjax povestvovatel'noj struktury i obraznogo stroja romana Nabokova Dar, Ju.I. Levin | IX-II (1981) p. 191 | |
| Russkie literaturnye alljuzii v romane Nabokova Priglashenie na kazn', Gavriel Shapiro | IX-IV (1981) p. 369 | |
| Belyj and Nabokov: A Comparative Overview, D. Barton Johnson | IX-IV (1981) p. 379 | |
| Zametki o Mashen'ke Nabokova, Ju.I. Levin | XVIII-I (1985) p. 21 | |
| The Spider and the Moth: Nabokov's Priglashenie na kazn' as Epistemological Exhortation, Guy Houk | XVIII-I (1985) p. 31 | |
| Nabokov's Glory: ''One Example of How Metaphysics Can Fool You'', Leona Toker | XXI-III (1987) p. 293 | |
| Vladimir Nabokov's Lolita: A Story of Wandering, Anna Ljunggren | XXV-II (1989) p. 199 | |
| Bispacial'nost' kak invariant poèticheskogo mira V. Nabokova, Ju.I. Levin | XXVIII-I (1990) p. 45 | |
| Vladimir Nabokov i roman XX stoletija, Magdalena Medaric | XXIX-I (1991) p. 79 | |
| Nabokov and Pushkin's Tuning Fork, Marina Turkevich Naumann | XXIX-II (1991) p. 229 | |
| From Pushkin to Nabokov: Narrator in the Position of Observer, E.V. Paducheva | XXXVI-III (1994) p. 353 | |
| Brodsky's and Nabokov's Bilingualism(s): Translation, American Poetry, and the Muttersprache, David M. Bethea | XXXVII-II/III (1995) p. 157 | |
| Infinite Reflections in Nabokov's Pale Fire: The Danish Connection (Hans Andersen and Isak Dinesen), Priscilla Meyer, Jeff Hoffman | XLI-II (1997) p. 197 | |
| The Young Godunov-Cherdyntsev or How to Write a Literary Biography, Marina Kostalevsky | XLIII-III (1998) p. 283 | |
| Starichok iz evreev (kommentarij k Priglasheniju na kazn' Vladimira Nabokova), Savelij Senderovich, Elena Shvarc | XLIII-III (1998) p. 297 | |
| Nabokov's Allusions: Dividedness and Polysemy, Gavriel Shapiro | XLIII-III (1998) p. 329 | |
| Vladimir Nabokov and Ivan Bunin: A Reconstruction, Maxim D. Shrayer | XLIII-III (1998) p. 339 | |
| Nabokov's Poetic Gift: The Poetry in and of Dar, Paul D. Morris | XLVIII-IV (2000) p. 457 | |
| Aleksandr Blok v balaganchike Vladimira Nabokova, Savelij Senderovich, Elena Shvarc | XLVIII-IV (2000) p. 471 | |
| Nabokov's Sexography, Maxim D. Shrayer | XLVIII-IV (2000) p. 495 | |
| Mimikrija kak simvolicheskij obraz mira (na materiale proizvedenij Vladimira Nabokova i ego sovremennikov), Magdalena Medaric | XLIX-II (2001) p. 195 | |
| Narbikova, V. | ||
|---|---|---|
| A Mindset of Present Russia: Valerija Narbikova's Fiction, Larissa Rudova | XXXIX-I (1996) p. 79 | |
| Narbut, V. | ||
|---|---|---|
| The Vision of the Bog: The Poetry of Vladimir Narbut, R.D.B. Thomson | X-IV (1981) p. 319 | |
| Narratology | ||
|---|---|---|
| Narrativnaja maska v xudozhestvennoj proze, Miroslav Drozda | XII-III (1982) p. 267 | |
| Nazhivin, I.F. | ||
|---|---|---|
| Roman Rasputin Ivana Fedorovicha Nazhivina, Willem G. Weststeijn | XLVI-IV (1999) p. 555 | |
| Nekrasov, N.A. | ||
|---|---|---|
| Spiel im Spiel – Nekrasovs früher Einakter Aktër als Paradigma des russischen Vaudeville, Dagmar Burkhart | XXVI-III (1989) p. 305 | |
| Nerval, G. de | ||
|---|---|---|
| O nervalianskom podtekste v russkom akmeizme, T.V. Civ'jan, V.N. Toporov | XV-I (1984) p. 29 | |
| Nietzsche, F. | ||
|---|---|---|
| Echoes of Nietzsche and Mallarmé in Mandel'shtam's Metapoetic ''Petersburg'', Anna Lisa Crone | XXX-IV (1991) p. 405 | |
| Nilsson, N.A. | ||
|---|---|---|
| Nils Ake Nilsson, a Scholar of Wide Reading, Jan van der Eng | XL-III (1996) p. 255 | |
| Norwid, C. | ||
|---|---|---|
| Zur poetischen Bedeutung des Bedeutungslosen. Norwids Gedicht 'Zwei Knöpfe (hinten)', Rolf Fieguth | XIII-III (1983) p. 291 | |
| A | B | C | D | E | F | G | H | I | J | K | L | M |
| N | O | P | Q | R | S | T | U | V | W | X | Y | Z |
| Obèriu | ||
|---|---|---|
| Istoki poètiki OBÈRIU, Sergej Sigov | XX-I (1986) p. 87 | |
| Chinari, Jean-Philippe Jaccard | XXXII-I (1992) p. 77 | |
| Odoevskij, V.F. | ||
|---|---|---|
| V.F. Odoevskij's 'Knjazhna Zizi', Lewis Bagby | XVII-III (1985) p. 221 | |
| Gattungssynthese und literarische Entwicklung (Odoevskij und Brjusov), Walter Koschmal | XVII-III (1985) p. 243 | |
| Oksman, Ju.G. | ||
|---|---|---|
| Julian Grigor'evich Oksman, 1895-1970, William B. Edgerton | 5 (1973) p. 5 | |
| Okudzhava, B. | ||
|---|---|---|
| Slovo dlja muzyki: peremennaja anafora i variativnyj refren (ob odnoj pesennoj osobennosti stixotvorenij Bulata Okudzhavy), Ju.L. Frejdin | XLVIII-II (2000) p. 131 | |
| Old-Polish Literature | ||
|---|---|---|
| Animula und Körper. Moderne Verarbeitungen eines mittelalterlichen Motivs, Malgorzata Czerminska | XXVII-II (1990) p. 141 | |
| ''Der du von der Pforte noch einmal zurückgekehrt bist.'' Anthropologie der Grenzsituationen in der altpolnischen Literatur, Dariusz Cezary Maleszynski | XXVII-II (1990) p. 213 | |
| Old-Russian Literature | ||
|---|---|---|
| Rabotniki odinnadcatogo chasa – 'Slovo o zakone i blagodati' i drevnekievskie realii, V.N. Toporov | XXIV-I (1988) p. 1 | |
| Ideja svjatosti v Drevnej Rusi: Vol'naja zhertva kak podrazhanie Xristu – 'Skazanie o Borise i Glebe', V.N. Toporov | XXV-I (1989) p. 1 | |
| Ob iranskom mifologicheskom èlemente v drevnem Kieve (''Xorezmijskij'' vklad), V.N. Toporov | XXV-I (1989) p. 103 | |
| Ideja puti v drevnerusskoj literature, Lidija Sazonova | XXIX-IV (1991) p. 471 | |
| Truzhenichestvo vo Xriste (tvorcheskoe sobiranie dushi i duxovnoe trezvenie) I, V.N. Toporov | XXXII-II (1992) p. 95 | |
| Truzhenichestvo vo Xriste (tvorcheskoe sobiranie dushi i duxovnoe trezvenie) II, V.N. Toporov | XXXIII-I (1993) p. 1 | |
| Vorwort [to Special Issue Old-Russian Literature], Wolf-Heinrich Schmidt | XXXIX-II (1996) p. 115 | |
| Briefe, die keine sind, in der altrussischen Literatur, Sabine Fahl, Jutta Harney | XXXIX-II (1996) p. 119 | |
| Philosophie in der Kiever Rus'? Eine Re-Lektüre des Poslanie Klimenta Smoljaticha, Norbert P. Franz | XXXIX-II (1996) p. 139 | |
| Geschichte und Kulturgeschichte im Spiegel altrussischer Briefe, Jutta Harney, Gottfried Sturm | XXXIX-II (1996) p. 167 | |
| Die Frau als Mittlerin. Zu einem Paradigmenwechsel beim Übergang von der alt- zur neurussischen Literatur, Walter Koschmal | XXXIX-II (1996) p. 177 | |
| Medieval Russian Saints' Lives in Socio-Cultural Perspective, Gail Lenhoff | XXXIX-II (1996) p. 205 | |
| They Seeing See Not; And Hearing They Hear Not, Neither Do They Understand: Controversy Dialogues in Kievan Texts, David Kirk Prestel | XXXIX-II (1996) p. 223 | |
| Probleme einer Theorie der Hagiographie, Wolf-Heinrich Schmidt | XXXIX-II (1996) p. 235 | |
| Zu den Anfängen der Philologie bei den Ostslaven, Klaus Steinke | XXXIX-II (1996) p. 261 | |
| Olesha, Ju. | ||
|---|---|---|
| Verbal Aspect and Narrative Perspective in Olesha's 'Liompa', Fiona Björling | IX-II (1981) p. 133 | |
| Defying Interpretation: Allegory and Ideology in Jurij Olesha's Envy, Eliot Borenstein | XLIX-I (2001) p. 25 | |
| Ostrovskij, A.N. | ||
|---|---|---|
| Motiv nesostojavshegosja schast'ja u Dostoevskogo i Ostrovskogo (Ob odnoj vozmozhnoj pereklichke), V.N. Toporov | XIX-III (1986) p. 255 | |
| On the Deep Structure of Ostrovskij's 'Dark Realm', A.G.F. van Holk | XXXVI-III (1994) p. 301 | |
| A | B | C | D | E | F | G | H | I | J | K | L | M |
| N | O | P | Q | R | S | T | U | V | W | X | Y | Z |
| Paine, Th. | ||
|---|---|---|
| Was Thomas Paine a Source for Dostoevskij's 'Legend of the Grand Inquisitor'?, A. Harris Fairbanks | XLVIII-III (2000) p. 223 | |
| Pasternak, B.L. | ||
|---|---|---|
| Oxrannaja Gramota, Krystyna Pomorska | 3 (1972) p. 40 | |
| K xarakteristike rannego Pasternaka, L. Fleishman | 12 (1975) p. 79 | |
| Mesto okna v poèticheskom mire Pasternaka, A.K. Zholkovskij | VI-1 (1978) p. 1 | |
| Razbor odnogo malopopuljarnogo stixotvorenija B. Pasternaka, Ju.I. Levin | VI-1 (1978) p. 39 | |
| Boris Pasternak and the ''Bogeyman of Russian Literature'', Christopher Barnes | VI-1 (1978) p. 47 | |
| K probleme koda liriki Pasternaka, Jerzy Faryno | VI-1 (1978) p. 69 | |
| Zametki k stixotvoreniju B. Pasternaka ''Vse naklonen'ja i zalogi'', Ju.I. Levin | IX-II (1981) p. 163 | |
| On the Poetics of Boris Pasternak, Kirill F. Taranovskij | X-IV (1981) p. 339 | |
| Pasternak's 'Zerkalo', Jean Marie Schultz | XIII-I (1983) p. 81 | |
| Poèzija i grammatika pasternakovskogo 'Vetra', A.K. Zholkovskij | XIV-III (1983) p. 241 | |
| ''Izmeritel'naja edinica russkoj zhizni'': Pushkin in the Work of Boris Pasternak, Rima Salys | XIX-IV (1986) p. 347 | |
| Writing One's Self: Boris Pasternak's Autobiography Oxrannaja gramota, Serafima Roll | XXVI-III (1989) p. 407 | |
| Tvorcheskaja istorija ob"edinenija 'Centrifuga' (zametki o rannix poèticheskix vzaimosvjazjax B. Pasternaka, N. Aseeva i S. Bobrova), Svetlana Ja. Kazakova | XXVII-IV (1990) p. 459 | |
| Ural v Detstve Ljuvers B. Pasternaka, Anna Ljunggren | XXIX-IV (1991) p. 489 | |
| The Two Worlds in Jurij Zhivago's Poem 'Zimnjaja noch'', Konstantin Kustanovich | XXXI-I (1992) p. 1 | |
| ''It is the World's Midday'': Pasternak's Poem 'Sparrow Hills', Nils Ake Nilsson | XXXI-I (1992) p. 27 | |
| Pasternak, Spengler, and Quantum Mechanics: Constants, Variables, and Chains of Equations, Darlene Reddaway | XXXI-I (1992) p. 37 | |
| Hamlet als Messias. Eine Sinnlinie durch Pasternaks Doktor Zhivago, Severin Schroeder | XXXI-I (1992) p. 71 | |
| O 'Vozdushnyx putjax' B. Pasternaka: Semiotika mira, vrazhdebnogo cheloveku, O.B. Zaslavskij | XXXI-I (1992) p. 99 | |
| From Dewdrops to Poetry: The Presence of Egorij Xrabryj in Doktor Zhivago, Barbara Lönnqvist | XXXIV-II (1993) p. 161 | |
| Boris Pasternak i poèma v proze Andreja Belogo Glossolalija (Razmyshlenija nad stixotvoreniem 'Step''), Stefano Garzonio | XLI-IV (1997) p. 451 | |
| Neskol'ko iudejskix kommentariev k stat'e S. Gardzonio 'Boris Pasternak i poèma v proze Andreja Belogo Glossolalija (Razmyshlenija nad stixotvoreniem ''Step''')', Leonid Kacis | XLI-IV (1997) p. 461 | |
| Doktor Zhivago kak ''proza poèta'', Ju.B. Orlickij | XLI-IV (1997) p. 505 | |
| The Art of Memory in Boris Pasternak's Aesthetics, Erika Greber | XLII-I (1997) p. 25 | |
| Doktor Zhivago – poèticheskij tekst, Willem G. Weststeijn | XLII-III/IV (1997) p. 477 | |
| Doubling Versus Totality in Doktor Zhivago of B. Pasternak, Galina S. Ryl'kova | XLIII-IV (1998) p. 495 | |
| Eshche raz o 'Zerkale' Borisa Pasternaka, Greta Matevossian | XLIV-IV (1998) p. 433 | |
| Vizual'nost' xudozhestvennyx obrazov u B.L. Pasternaka ('Rozhdestvenskaja zvezda'. Stixotvorenija Jurija Zhivago), L.D. Rusakov | XLV-I (1999) p. 93 | |
| 'Detstvo Ljuvers': povest' o vzroslenii, Il'ja Pomerancev | XLV-II (1999) p. 197 | |
| Pavlova, K.K. | ||
|---|---|---|
| Dinamika prostranstva i vremeni v liricheskom cikle Karoliny Pavlovoj 'Fantasmagorii', David A. Sloane | XXXIV-III (1993) p. 311 | |
| Pawlikowska-Jasnorzewska, M. | ||
|---|---|---|
| The Symbolic Function of Concrete Objects in the Poetry of Anna Axmatova (1910-1925) and Maria Pawlikowska-Jasnorzewska (1922-1937), Joanna Piotrowiak | XVIII-IV (1985) p. 299 | |
| Peirce, C.S. | ||
|---|---|---|
| Semiotics Between Peirce and Baxtin, Augusto Ponzio | XLI-III (1997) p. 333 | |
| Petrova, A. | ||
|---|---|---|
| O metafizicheskoj topografii Ierusalima: trinadcat' primechanij k 'Nebesnoj kolonii' A. Petrovoj (Melanxolicheskij doklad dlja ser'eznoj konferencii), I.G. Vishneveckij | XLI-IV (1997) p. 437 | |
| Petrushevskaja, L. | ||
|---|---|---|
| The Absurd in Ljudmila Petrushevskaja's Plays, Nina Kolesnikoff | XLIII-IV (1998) p. 469 | |
| Pilenko, E.Ju. | ||
|---|---|---|
| Povestvovatel'naja proza m. Marii, Nina Kauxchishvili | XLVI-IV (1999) p. 437 | |
| Pil'njak, B. | ||
|---|---|---|
| The Art of Boris Pil'njak, Gary L. Browning | XVI-I (1984) p. 1 | |
| Mythologic Archetypes in Pil'njak's The Naked Year, A.G.F. van Holk | XVI-I (1984) p. 21 | |
| Konstruktivnost' Gologo goda, Aleksandar Flaker | XVI-I (1984) p. 67 | |
| The Thing as Such: Boris Pil'njak's ''Ornamentalism'', Peter Alberg Jensen | XVI-I (1984) p. 81 | |
| Peterburgskij tekst: B. Pil'njak, Nirman Moranjak-Bamburac | XXVII-I (1990) p. 69 | |
| Fakt i fikcija: Shtoss v zhizn' B. Pil'njaka, Nirman Moranjak-Bamburac | XXIX-I (1991) p. 101 | |
| The Enigma of the Moon in 'Povest' nepogashennoj luny', Robert W. Vaagan | L-II (2001) p. 185 | |
| Plato | ||
|---|---|---|
| Filosofskij kontekst romana A. Platonova Schastlivaja Moskva (Platon, Aristotel', O. Shpengler), M. Dmitrovskaja | XLVI-II (1999) p. 139 | |
| Platonov, A. | ||
|---|---|---|
| Ideologicheskie konteksty A. Platonova, Elena Tolstaja-Segal | IX-III (1981) p. 231 | |
| Antiseksus (publ. Th. Langerak), Andrej Platonov | IX-III (1981) p. 281 | |
| Potomki solnca (publ. Th. Langerak), Andrej Platonov | IX-III (1981) p. 297 | |
| Andrej Platonov v perelomnom periode tvorchestva (zametki ob 'Antiseksuse'), Thomas Langerak | IX-III (1981) p. 303 | |
| Andrej Platonov vo vtoroj polovine dvadcatyx godov (Opyt tvorcheskoj biografii) – Chast' pervaja, Thomas Langerak | XXI-II (1987) p. 157 | |
| Introduction to Platonov's 'Prikljuchenija Baklazhanova', Ayleen Teskey | XXI-II (1987) p. 183 | |
| Prikljuchenija Baklazhanova (Beskonechnaja povest'), Andrej Platonov | XXI-II (1987) p. 185 | |
| The Thematic Mythology of Andrej Platonov, Eric Naiman | XXI-II (1987) p. 189 | |
| Nedostajushchee zveno Chevengura (Tekstologicheskie zametki), Thomas Langerak | XXII-IV (1987) p. 477 | |
| Imja personazha u A. Platonova, Visnja Rister | XXIII-II (1988) p. 133 | |
| Andrej Platonov and the Inadmissibility of Desire, Eric Naiman | XXIII-IV (1988) p. 319 | |
| On the Genesis of Platonov's Literary Style in the Voronezh Period, Thomas Seifrid | XXIII-IV (1988) p. 367 | |
| Tri stat'i iz CGALI, Andrej Platonov | XXIII-IV (1988) p. 387 | |
| Ideja bessmertija u rannego Platonova, Sh. Ljubushkina | XXIII-IV (1988) p. 397 | |
| Devjat' rannix proizvedenij, Andrej Platonov | XXIII-IV (1988) p. 425 | |
| Andrej Platonov v Voronezhe, Thomas Langerak | XXIII-IV (1988) p. 437 | |
| 10 stixotvorenij, 4 rasskaza, 1 fel'eton, 6 statej i 4 recenzii 1918-1924, Andrej Platonov | XXIII-IV (1988) p. 469 | |
| Chevengur i 'Opon'skoe carstvo'. K voprosu narodnogo xiliazma v romane A. Platonova, Hans Günther | XXXII-III (1992) p. 211 | |
| O filosofskoj pozicii A. Platonova (proza serediny 20-x-30-x godov), Evgenij Jablokov | XXXII-III (1992) p. 227 | |
| 'Èfirnyj trakt' (K istorii teksta povesti), Natal'ja Kornienko | XXXII-III (1992) p. 253 | |
| Andrej Platonov vo vtoroj polovine dvadcatyx godov. Chast' vtoraja – 'Sokrovennyj chelovek', Thomas Langerak | XXXII-III (1992) p. 271 | |
| Volod'kin muzh (Moi poxozhdenija na ètom svete), Andrej Platonov | XXXII-III (1992) p. 303 | |
| Kommentarij k 'Volod'kinu muzhu', I. Savel'zon | XXXII-III (1992) p. 307 | |
| ''Romannoe myshlenie'' v rasskazax i povestjax Andreja Platonova 20-x godov, V. Skobelev | XXXII-III (1992) p. 329 | |
| Filosofskij kontekst romana A. Platonova Schastlivaja Moskva (Platon, Aristotel', O. Shpengler), M. Dmitrovskaja | XLVI-II (1999) p. 139 | |
| 'Juvenil'noe more' A. Platonova kak parodija na proizvodstvennyj roman, Hans Günther | XLVI-II (1999) p. 161 | |
| Perevody romana Chevengur s tochki zrenija problemy irreal'no-real'nogo prostranstva, Robert Hodel | XLVI-II (1999) p. 171 | |
| Homo Creator – Homo Faber – Homo Spectator (Tema ''masterstva'' u A. Platonova i M. Bulgakova), Evgenij Jablokov | XLVI-II (1999) p. 185 | |
| Ob odnom ''texnicheskom'' proizvedenii Andreja Platonova. Ocherk 'Pervyj Ivan', Thomas Langerak | XLVI-II (1999) p. 207 | |
| Platonov's 'Èfirnyj trakt': A Tragedy in Prose, Audun Morch | XLVI-II (1999) p. 219 | |
| Dramaticheskoe tvorchestvo A. Platonova: Obzor i predvaritel'nye zamechanija, Jenny Stelleman | XLVI-II (1999) p. 233 | |
| ''Obshchee delo'' A. Platonova: Motiv voskreshenija v rasskazax 30-x-40-x godov, V.Ju. V'jugin | XLVI-II (1999) p. 263 | |
| Pletnev, P.A. | ||
|---|---|---|
| An Unpublished Letter of P.A. Pletnev to N.I. Gnedich, Glynn R. Barratt | 3 (1972) p. 75 | |
| Polish Baroque | ||
|---|---|---|
| Die ''Hauschroniken'' und ihre sozialen Funktionen. Studien zur Barockkultur, Ludwika Slekowa | XXVII-II (1990) p. 259 | |
| Polish Literary Theory | ||
|---|---|---|
| Polnische Diskussionen über Form und Inhalt, Henryk Markiewicz | XIII-III (1983) p. 233 | |
| Structural Thought in Poland, Maria R. Mayenowa | XIII-III (1983) p. 313 | |
| Polish Literature (19th Century) | ||
|---|---|---|
| Parole d'autrui, image de l'autre en Russie et Pologne au XIXe siècle, Thomas Lahusen | XVIII-IV (1985) p. 321 | |
| Polish Literature | ||
|---|---|---|
| The Portrait of a Hero and the Problem of Romantic Artistry in Adam Mickiewicz's Pan Tadeusz, Juras T. Ryfa | XLVIII-IV (2000) p. 409 | |
| The Literary System of the Stanislaw Age in Poland: Its Participants, Jan IJ. van der Meer | XLIX-IV (2001) p. 449 | |
| Polish Poetry (20th Century) | ||
|---|---|---|
| Animula und Körper. Moderne Verarbeitungen eines mittelalterlichen Motivs, Malgorzata Czerminska | XXVII-II (1990) p. 141 | |
| Polish Symbolism | ||
|---|---|---|
| Sound Texture in the Theory and Poetry of Polish Symbolism, Lucylla Pszczolowska | VII-IV (1979) p. 411 | |
| Pomorska, K. | ||
|---|---|---|
| Review: Ladislav Matejka and Krystyna Pomorska (Eds.), Readings in Russian Poetics: Formalist and Structuralist Views, Ann Arbor, 1962, Maria R. Mayenowa | 6 (1974) p. 121 | |
| Poplavskij, B. | ||
|---|---|---|
| Ob odnom primere ''prozy poèta'': Domoj s nebes Borisa Poplavskogo, Daniela Rizzi | XLI-IV (1997) p. 543 | |
| Proza Borisa Poplavskogo mezhdu dnevnikom i romanom, Luigi Magarotto | XLV-IV (1999) p. 415 | |
| Popov, E. | ||
|---|---|---|
| Igra v pravila – igra s pravilami. Priemy ludizma v povesti Evgenija Popova 'Billi Bons', Christine Engel | XLIII-II (1998) p. 115 | |
| Rossija mezhdu raem i adom. Roman Evgenija Popova Nakanune Nakanune, Christine Engel | XLIX-II (2001) p. 129 | |
| Potebnja, A.A. | ||
|---|---|---|
| Potebnja, Shklovskij, and the Familiarity/Strangeness Paradox, Daniel Laferrière | IV-2 (1976) p. 175 | |
| A.A. Potebnja and Russian Symbolism, Willem G. Weststeijn | VII-V (1979) p. 443 | |
| Preseren, F. | ||
|---|---|---|
| Sound and Meaning in Romantic Poetry: Preseren's Poezije, Rudolf Neuhäuser | XXX-I (1991) p. 85 | |
| Prigov, D.A. | ||
|---|---|---|
| Dmitrij Prigov and the Russian Avant-Garde, Then and Now, Mary A. Nicholas | XXXIX-I (1996) p. 13 | |
| Dmitrij Aleksandrovich Prigov: Selected Bibliography, Mary A. Nicholas | XXXIX-I (1996) p. 35 | |
| 'Machrot' vseja Rusi' by Dmitrij Prigov as a Composition of Moscow Conceptualism, Viktoria A. Olskaia | XXXIX-I (1996) p. 39 | |
| Prokof'ev, S.S. | ||
|---|---|---|
| Poètika mnogojazychija v druzheskoj perepiske S.S. Prokof'eva i V.A. Dukel'skogo, I.G. Vishneveckij | XLV-IV (1999) p. 501 | |
| Propp, V.Ja. | ||
|---|---|---|
| Propp in Italy, Pieter de Meijer | XII-I (1982) p. 1 | |
| Structure and History in the Study of Folktales (A Reply to Lévi-Strauss), V.Ja. Propp | XII-I (1982) p. 11 | |
| Introduction to The Historical Roots of Fairy-Tales by Vladimir Ja. Propp, Alberto M. Cirese | XII-I (1982) p. 33 | |
| Introduction to Vladimir Ja. Propp's Oedipus in the Light of Folklore. Four Studies in Historical-Structural Ethnography, Clara Strada Janovic | XII-I (1982) p. 45 | |
| Popular Tradition in Folktales, Italo Calvino | XII-I (1982) p. 57 | |
| The Snake-Woman as a Fairy-Tale, Edoardo Sanguineti | XII-I (1982) p. 71 | |
| Those Most Modest of Novels, Mario Lavagetto | XII-I (1982) p. 81 | |
| From Myth to Literature, D'Arco Silvio Avalle | XII-I (1982) p. 109 | |
| Decameronian Combinations: Andreuccio, Aldo Rossi | XII-I (1982) p. 131 | |
| Komicheskoe u Proppa, Bogdan Kosanovic | XXIV-II (1988) p. 181 | |
| Prutkov, K. | ||
|---|---|---|
| Koz'ma Prutkov: Fake Writer, Imitator, Parodist, Schamma Schahadat | XLIX-III (2001) p. 271 | |
| Pudlowski, M. | ||
|---|---|---|
| Melchior Pudlowski und seine Fraszki, Marian Ursel, Peter M. Boronowski | XXVII-II (1990) p. 197 | |
| Punin, N.N. | ||
|---|---|---|
| ''Loneliness Together'': Anna Axmatova and Nikolaj Punin, Sonia I. Ketchian | XLIX-I (2001) p. 87 | |
| Pushkin, A.S. | ||
|---|---|---|
| The History of a History, Charles B. Timmer | 1 (1971) p. 113 | |
| Ljubovnaja lirika Pushkina, Jerzy Faryno | 6 (1974) p. 63 | |
| Three Poems About Two Meetings, Irene Masing-Delic | 9 (1975) p. 37 | |
| Pushkin's Use of His Narrator in 'The Stationmaster', Paul Debreczeny | IV-2 (1976) p. 149 | |
| Invarianty i struktura teksta ''Ja vas ljubil...'' Pushkina, A.K. Zholkovskij | VII-I (1979) p. 1 | |
| O nekotoryx osobennostjax kompozicii tragedii Pushkina Boris Godunov, Ju.L. Frejdin | VII-I (1979) p. 27 | |
| Pushkin's Kirdzhali: An Informational Model, Andrej Kodjak, Lorraine Wynne | VII-I (1979) p. 45 | |
| Some Observations on Pushkin's Image in Russian Literature, Victor Terras | XIV-IV (1983) p. 299 | |
| Funkcii reminiscencij iz Dante v poèzii Pushkina (Stat'ja pervaja), Boris Gasparov | XIV-IV (1983) p. 317 | |
| Pushkin and Marlinskij: Decembrist Allusions, Lauren G. Leighton | XIV-IV (1983) p. 351 | |
| The Obsessions and Madness of Germann in Pikovaja dama, Gareth Williams | XIV-IV (1983) p. 383 | |
| A Lesson for Novelists; or: The Dramatic Structure of Eugene Onegin, Roberta Clipper-Sethi | XIV-IV (1983) p. 397 | |
| ''Izmeritel'naja edinica russkoj zhizni'': Pushkin in the Work of Boris Pasternak, Rima Salys | XIX-IV (1986) p. 347 | |
| Eshche raz o svjazjax Pushkina s francuzskoj literaturoj (Lagarp – Bualo – Ronsar), V.N. Toporov | XXII-IV (1987) p. 379 | |
| ''Not Daring to Desire'': Male/Female and Desire in Narrative in Pushkin's 'Baxchisarajskij fontan', Joe Andrew | XXIV-III (1988) p. 259 | |
| An Early Fairy-Tale in Verse of Aleksandr S. Pushkin: The Structure of the Erotic Riddle, Dagmar Burkhart | XXIV-III (1988) p. 275 | |
| Konkurencija realisticheskogo i artisticheskogo nachal v pushkinskoj proze na primere povesti 'Vystrel', Ulrich Busch | XXIV-III (1988) p. 293 | |
| Evgenij Onegin: v poiskax fabuly, J. Douglas Clayton | XXIV-III (1988) p. 303 | |
| Narrative Voices in Pushkin's Poltava, Paul Debreczeny | XXIV-III (1988) p. 319 | |
| Povestvovatel'naja struktura 'Mednogo vsadnika', Miroslav Drozda | XXIV-III (1988) p. 349 | |
| The Main Hero in Pushkin's Kapitanskaja dochka, Matthias Freise | XXIV-III (1988) p. 363 | |
| Pushkinskaja povestvovatel'nost' v svete ego èlegii, Savelij Senderovich | XXIV-III (1988) p. 375 | |
| Pushkin's Rhyming and the Uncompleted Completion: Occasional Nonrhymes in the Completed Narratives (''Poèmy'' and ''Povesti v stixax''), J. Thomas Shaw | XXIV-III (1988) p. 389 | |
| K probleme imeni sobstvennogo v romane A.S. Pushkina Evgenij Onegin, Vladimir Turbin | XXIV-III (1988) p. 433 | |
| Pushkin's Still Unravished Bride: A Psychoanalytic Study of Tat'jana's Dream, Daniel Rancour-Laferriere | XXV-II (1989) p. 215 | |
| Pushkin's Prose Fragments: Between Lyrical Nucleus and Societal Chronotope, J.J. van Baak | XXVI-IV (1989) p. 425 | |
| Narrative Aspects in Pushkin's Lyrical Poetry, Jan van der Eng | XXVI-IV (1989) p. 441 | |
| On the Narrative Structure of Evgenij Onegin, Eric de Haard | XXVI-IV (1989) p. 451 | |
| From Theme to Lexeme in Pushkin's The Bronze Horseman, A.G.F. van Holk | XXVI-IV (1989) p. 469 | |
| O motivirovke v proze Pushkina, Wolf Schmid | XXVI-IV (1989) p. 495 | |
| Plot Structure in Lyric Poetry. An Analysis of Three Exile Poems by Aleksandr Pushkin, Willem G. Weststeijn | XXVI-IV (1989) p. 509 | |
| Convention and Play in Pikovaja dama, Gareth Williams | XXVI-IV (1989) p. 533 | |
| 'Peterburgskaja povest'', K. Viktorova | XXVIII-IV (1990) p. 419 | |
| Mednyj vsadnik: istorija kak mif, Svetlana Evdokimova | XXVIII-IV (1990) p. 441 | |
| K izucheniju literaturnyx istochnikov poèmy Pushkina Mednyj vsadnik, A.N. Shustov | XXVIII-IV (1990) p. 461 | |
| Mednyj vsadnik Through the Eyes of Alexander Benois, Sona Stephan Hoisington | XXVIII-IV (1990) p. 479 | |
| Ut melius pati. The Art of Equilibrium in Pushkin's 'K vel'mozhe', Gennadi A. Barabtarlo | XXIX-II (1991) p. 141 | |
| Pushkin's Mozart and Salieri as a Parable of Salvation, Vladimir Golstein | XXIX-II (1991) p. 155 | |
| Nakazanie mjatezhnoj prirody: chetyre fragmenta iz 'Istorii Pugacheva' A.S. Pushkina, Maria Langleben | XXIX-II (1991) p. 177 | |
| Kastracionnyj kompleks v lirike Pushkina (metodologicheskie zametki), I.P. Smirnov | XXIX-II (1991) p. 205 | |
| Nabokov and Pushkin's Tuning Fork, Marina Turkevich Naumann | XXIX-II (1991) p. 229 | |
| Muza Pushkina ili utaennaja ljubov', K. Viktorova | XXXIV-III (1993) p. 351 | |
| Personazhi i sjuzhet 'Kamennogo gostja', O.B. Zaslavskij | XXXIV-III (1993) p. 403 | |
| Strukturnyj dualizm 'Povesti iz Rimskoj zhizni' A.S. Pushkina, O.B. Zaslavskij | XXXIV-III (1993) p. 411 | |
| Pushkin Pro Semiosis: The Dialectic of the Sign in Canto One of Evgenij Onegin, Marcus C. Levitt | XXXIV-IV (1993) p. 439 | |
| From Pushkin to Nabokov: Narrator in the Position of Observer, E.V. Paducheva | XXXVI-III (1994) p. 353 | |
| Annenskij i Pushkin. Stixotvorenie 'Chernoe more', Nils Ake Nilsson | XXXVII-IV (1995) p. 579 | |
| Provokacija prochtennogo teksta, Tanja Galcheva | XXXVIII-I (1995) p. 41 | |
| Prav- i Slav-: Opyt semanticheskogo analiza Borisa Godunova A.S. Pushkina, J. Douglas Clayton | XXXVIII-III (1995) p. 227 | |
| Aleksandrijskij stolp, A.N. Shustov | XXXIX-III (1996) p. 373 | |
| Povesti Belkina and the Commedia dell'Arte: Callot, Hoffmann, and Pushkin, J. Douglas Clayton | XL-III (1996) p. 277 | |
| Drinks and their Vessels in Early Nineteenth-Century Russian Poetry: Davydov, Pushkin, Jazykov, Sonia I. Ketchian | XL-III (1996) p. 363 | |
| Narrative Self-Determination and Marital Fate in Pushkin's Works: Ruslan i Ljudmila, Evgenij Onegin, and Povesti Belkina, Rebecca Epstein Matveyev | XLIII-I (1998) p. 1 | |
| O 'Mednom vsadnike' A.S. Pushkina, G.N. Gorchakov | XLIII-I (1998) p. 19 | |
| Parody and Metapoetry in Pushkin's 'Gavriiliada', Susan Layton | XLIII-I (1998) p. 59 | |
| Stixotvorenie Marlinskogo 'Son': Bajron i Pushkin, Lauren G. Leighton | XLIII-I (1998) p. 79 | |
| Skrytye priemy voploshchenija temy v 'Grobovshchike', O.B. Zaslavskij | XLIII-I (1998) p. 101 | |
| Menippean Violations, Carnival Chaos: Defining the Genre of Pushkin's 'Pikovaja dama', S. Dalton-Brown | XLVI-III (1999) p. 289 | |
| Tyranny of Nationality: Pushkin, Dostoevskij and Berdjaev, Anna Makolkin | XLVI-III (1999) p. 299 | |
| Pushkin's 'Kamennyj gost'' and its Prototypes, Gerda S. Panofsky | XLVI-III (1999) p. 313 | |
| Rol' logiki irrefleksivnosti v poètike Pushkina. Generativno-kastracionnyj kompleks i skul'pturnyj mif, O.B. Zaslavskij | XLVI-III (1999) p. 341 | |
| Tajnyj dnevnik Aleksandra Pushkina, Irena Luksic | XLIX-II (2001) p. 183 | |
| Postscript to 'Pushkin's ''Kamennyj Gost''' and its Prototypes', Gerda S. Panofsky | L-II (2001) p. 163 | |
| A | B | C | D | E | F | G | H | I | J | K | L | M |
| N | O | P | Q | R | S | T | U | V | W | X | Y | Z |
| Radishchev, A.N. | ||
|---|---|---|
| A.N. Radishchev: Towards an Empirical View of the Human Soul, Alexander Molnar | XXXIV-IV (1993) p. 451 | |
| Remizov, A.M. | ||
|---|---|---|
| Krestovye sestry A.M. Remizova: interpretacija Apokalipsisa (funkcionirovanie motiva ''chuzhogo'' teksta), Elena Tyryshkina | XXXVII-I (1995) p. 109 | |
| Rilke, R.M. | ||
|---|---|---|
| Triangles: Brodsky on Rilke, Leon Burnett | XLVII-III/IV (2000) p. 273 | |
| Ronsard, P. de | ||
|---|---|---|
| Eshche raz o svjazjax Pushkina s francuzskoj literaturoj (Lagarp – Bualo – Ronsar), V.N. Toporov | XXII-IV (1987) p. 379 | |
| Rossijanskij, M. | ||
|---|---|---|
| Rossijanskij and the ''Morning Within'', R.D.B. Thomson | XIII-I (1983) p. 19 | |
| Rousseau, J.-J. | ||
|---|---|---|
| Fedor Èmin's Pis'ma Èrnesta i Doravry and Jean-Jacques Rousseau's Julie ou la Nouvelle Héloïse, I.R. Titunik | XXXIV-III (1993) p. 333 | |
| Rozanov, V.V. | ||
|---|---|---|
| Two Views of Gogol' and the Critical Synthesis Belinskij, Rozanov and Dostoevskij – An Essay in Literary-Historical Criticism, Robert Louis Jackson | XV-II (1984) p. 223 | |
| Toska zhelanija – toska videnija. Zur Axiologie des lyrischen Subjektes bei Mixail Lermontov und seiner Dekonstruktion durch Vasilij Rozanov, Rainer Grübel | XXXIII-IV (1993) p. 379 | |
| O ''nekrasivoj'' androginnosti: statuja kak politika tela u Vasilija Rozanova, Genrietta Mondri | XLVIII-I (2000) p. 71 | |
| Russian 18th-Century Poetry | ||
|---|---|---|
| K xarakteristike russkogo chetyrexstopnogo jamba XVIII veka: Lomonosov, Trediakovskij, Sumarokov, A.V. Proxorov, Kirill F. Taranovskij | XII-II (1982) p. 145 | |
| Materialy o ritmike russkogo 4-stopnogo jamba XVIII veka, M.L. Gasparov | XII-II (1982) p. 195 | |
| K voprosu o zakone regressivnoj akcentnoj dissimiljacii i ego prichinax, Marina Abramovna Krasnoperova | XII-II (1982) p. 217 | |
| Russian Avant-Garde | ||
|---|---|---|
| Internacional Iskusstva, N.I. Xardzhiev | 6 (1974) p. 55 | |
| Istoricheskij avangard s tochki zrenija èvoljucii xudozhestvennyx sistem, J.R. Döring, I.P. Smirnov | VIII-V (1980) p. 403 | |
| Futurism, Primitivism and the Russian Avant-Garde, Nils Ake Nilsson | VIII-V (1980) p. 469 | |
| Kruchenyx and Xlebnikov Co-Authoring a Manifesto, Gerald Janecek | VIII-V (1980) p. 483 | |
| The Uses and Abuses of Syntax in Russian Modernist Poetry, Fiona Björling | VIII-VI (1980) p. 499 | |
| On the Art of Linguistic Opportunism, Denis Mickiewicz | VIII-VI (1980) p. 553 | |
| Osip Brik: A Bibliography (With an Introduction and a Post Scriptum), Bengt Jangfeldt | VIII-VI (1980) p. 579 | |
| Xlebnikov's ''Vesennego Korana'': An Analysis, Henryk Baran | IX-I (1981) p. 1 | |
| Die Sphäre der Metaphern in Velimir Xlebnikovs Gedicht 'Derevo', Johannes Holthusen | IX-I (1981) p. 23 | |
| Xlebnikov's ''Imaginist'' Poem, Barbara Lönnqvist | IX-I (1981) p. 47 | |
| O Xlebnikove (publ. Bengt Jangfeldt), O.M. Brik | IX-I (1981) p. 59 | |
| Simile in Xlebnikov's 'Zhuravl'', Willem G. Weststeijn | IX-I (1981) p. 65 | |
| The Problem of Composition in Velimir Xlebnikov's Texts, Henryk Baran | IX-I (1981) p. 87 | |
| Velimir Xlebnikov's 'Xadzhi-Tarxan' and the Lomonosovian Tradition, Ronald Vroon | IX-I (1981) p. 107 | |
| Verbal Aspect and Narrative Perspective in Olesha's 'Liompa', Fiona Björling | IX-II (1981) p. 133 | |
| Zametki k stixotvoreniju B. Pasternaka ''Vse naklonen'ja i zalogi'', Ju.I. Levin | IX-II (1981) p. 163 | |
| Zametki ob akmeizme III, R.D. Timenchik | IX-II (1981) p. 175 | |
| Ob osobennostjax povestvovatel'noj struktury i obraznogo stroja romana Nabokova Dar, Ju.I. Levin | IX-II (1981) p. 191 | |
| Ideologicheskie konteksty A. Platonova, Elena Tolstaja-Segal | IX-III (1981) p. 231 | |
| Antiseksus (publ. Th. Langerak), Andrej Platonov | IX-III (1981) p. 281 | |
| Potomki solnca (publ. Th. Langerak), Andrej Platonov | IX-III (1981) p. 297 | |
| Andrej Platonov v perelomnom periode tvorchestva (zametki ob 'Antiseksuse'), Thomas Langerak | IX-III (1981) p. 303 | |
| Stranicy k biografii Mariny Cvetaevoj, Viktoria Schweitzer | IX-IV (1981) p. 323 | |
| The Medium and the Message: Oral Utterances in Melkij Bes, Julian W. Connolly | IX-IV (1981) p. 357 | |
| Russkie literaturnye alljuzii v romane Nabokova Priglashenie na kazn', Gavriel Shapiro | IX-IV (1981) p. 369 | |
| Belyj and Nabokov: A Comparative Overview, D. Barton Johnson | IX-IV (1981) p. 379 | |
| The Sound Poem: Russian Zaum' and German Dada, Nils Ake Nilsson | X-IV (1981) p. 307 | |
| The Vision of the Bog: The Poetry of Vladimir Narbut, R.D.B. Thomson | X-IV (1981) p. 319 | |
| On the Poetics of Boris Pasternak, Kirill F. Taranovskij | X-IV (1981) p. 339 | |
| O doktrinal'nom postroenii teksta v avangardnom fil'me 20-x godov, Ju.G. Civ'jan | X-IV (1981) p. 359 | |
| Andrej Belyj's The Christened Chinaman – Resolution of the Conflict of Filial Guilt, Thomas R. Beyer Jr. | X-IV (1981) p. 369 | |
| Zamjatin's Cave – On Troglodyte Versus Urban Culture, Myth, and the Semiotics of Literary Space, J.J. van Baak | X-IV (1981) p. 381 | |
| Po povodu 'Neizdannyx stixov i pisem' N.S. Gumileva, R.D. Timenchik | X-IV (1981) p. 423 | |
| Pavel Filonov i voprosy izuchenija avangardnogo iskusstva, Mojmír Grygar | XI-III (1982) p. 209 | |
| Pavel Nikolaevich Filonov – Slovo i znak (Po sledam arxivnyx materialov), Nicoletta Misler | XI-III (1982) p. 237 | |
| The Place of Russian Futurism within the Russian Poetic Avantgarde: A Reconsideration, Victor Erlich | XIII-I (1983) p. 1 | |
| Rossijanskij and the ''Morning Within'', R.D.B. Thomson | XIII-I (1983) p. 19 | |
| ''Your Death'' – The Living Water of Cvetaeva's Art, Olga Peters Hasty | XIII-I (1983) p. 41 | |
| Zabolockij and Ciolkovskij, Darra Goldstein | XIII-I (1983) p. 65 | |
| Pasternak's 'Zerkalo', Jean Marie Schultz | XIII-I (1983) p. 81 | |
| A Good Beginning: Victory over the Sun and Vladimir Mayakovsky, A Tragedy Reassessed, Robert Leach | XIII-I (1983) p. 101 | |
| Vospominanie o Koste Bogatyreve, Krystyna Pomorska | XIII-I (1983) p. 117 | |
| Poèzija Mixaila Lozinskogo: Simvolizm i Akmeizm, D.M. Segal | XIII-IV (1983) p. 333 | |
| Isaak Babel' and the Jewish Tradition: The Childhood Stories, Carol A. Luplow | XV-III (1984) p. 255 | |
| The Rhetoric of Revolution in Babel's Konarmija, Gareth Williams | XV-III (1984) p. 279 | |
| Babel's Two Ivans, Patricia Carden | XV-III (1984) p. 299 | |
| Story and Cycle: Babel's 'Poceluj' and Konarmija, J.J. van Baak | XV-III (1984) p. 321 | |
| Synaesthetic Metaphor in the Work of Isaak Babel', Danuta Mendelson | XV-III (1984) p. 347 | |
| Semantic Functions in zaum', Denis Mickiewicz | XV-IV (1984) p. 363 | |
| The Art of Boris Pil'njak, Gary L. Browning | XVI-I (1984) p. 1 | |
| Mythologic Archetypes in Pil'njak's The Naked Year, A.G.F. van Holk | XVI-I (1984) p. 21 | |
| Konstruktivnost' Gologo goda, Aleksandar Flaker | XVI-I (1984) p. 67 | |
| The Thing as Such: Boris Pil'njak's ''Ornamentalism'', Peter Alberg Jensen | XVI-I (1984) p. 81 | |
| Optimal'naja proekcija, Aleksandar Flaker | XVII-I (1985) p. 1 | |
| Russkij literaturnyj konstruktivizm, Rainer Grübel | XVII-I (1985) p. 9 | |
| Literatura fakta, Hans Günther | XVII-I (1985) p. 21 | |
| ''Faktura'', ''Fakturnost''', Aage A. Hansen-Löve | XVII-I (1985) p. 29 | |
| ''Pervobytnost''' – ''Primitivizm'', Nils Ake Nilsson | XVII-I (1985) p. 39 | |
| Zvezdnyj jazyk, Dubravka Oraic Tolic | XVII-I (1985) p. 45 | |
| Proizvodstvennoe iskusstvo, Gerhard Schaumann | XVII-I (1985) p. 53 | |
| Menippeja, Léna Szilárd | XVII-I (1985) p. 61 | |
| Gruppa ''41°'', Rosemarie Ziegler | XVII-I (1985) p. 71 | |
| An Analysis of Elizaveta Bam, Jenny Stelleman | XVII-IV (1985) p. 319 | |
| Daniil Xarms' 'Old Woman' Climbs her Family Tree: 'Staruxa' and the Russian Literary Past, Ellen B. Chances | XVII-IV (1985) p. 353 | |
| The Manuscript in Zamjatin's We, Leighton Brett Cooke | XVII-IV (1985) p. 367 | |
| Theoretische Grundlagen und literarische Praxis der Gruppe ''Litfront'' (Zum Verhältnis von proletarischer und ''linker'' Kunsttheorie in der Sowjetunion am Ende der zwanziger Jahre), Holger Siegel | XVII-IV (1985) p. 389 | |
| Toward the History of Peterburg, John E. Malmstad | XVIII-I (1985) p. 1 | |
| Zametki o Mashen'ke Nabokova, Ju.I. Levin | XVIII-I (1985) p. 21 | |
| The Spider and the Moth: Nabokov's Priglashenie na kazn' as Epistemological Exhortation, Guy Houk | XVIII-I (1985) p. 31 | |
| Istorija o Pontii Pilate, Jerzy Faryno | XVIII-I (1985) p. 43 | |
| The Morality of Punishment and Execution in The Master and Margarita, Eric Naiman | XVIII-I (1985) p. 63 | |
| ''Motivirovka'', ''motivacija'', Aage A. Hansen-Löve | XVIII-II (1985) p. 91 | |
| Bertol't Brext i russkij avangard, Zoran Konstantinovic | XVIII-II (1985) p. 103 | |
| Serapionovy brat'ja, Bogdan Kosanovic | XVIII-II (1985) p. 113 | |
| Grotesk, roman, Visnja Rister | XVIII-II (1985) p. 121 | |
| Montazh, Gerhard Schaumann | XVIII-II (1985) p. 143 | |
| Karnaval'noe soznanie, karnavalizacija, Léna Szilárd | XVIII-II (1985) p. 151 | |
| Leonid Dobychin, Dubravka Ugresic | XVIII-II (1985) p. 177 | |
| The ''Idea of the Circle'' in the Poetry of Blok, James B. Woodward | XVIII-III (1985) p. 187 | |
| Aleksandr Blok's Cycle 'Black Blood': An Interpretive Analysis, David A. Sloane | XVIII-III (1985) p. 207 | |
| Esenin's 'Inonija': The Poet and the Promised Land, Clare Cavanagh | XVIII-III (1985) p. 241 | |
| Reference and Interpretation, with Examples from Osip Mandel'shtam, Peter Zeeman | XVIII-III (1985) p. 257 | |
| Byt, Aleksandar Flaker | XIX-I (1986) p. 1 | |
| Dominanta, Aage A. Hansen-Löve | XIX-I (1986) p. 15 | |
| ''Teatral'nyj oktjabr''' – istorija dvizhenija, Nirman Moranjak-Bamburac | XIX-I (1986) p. 27 | |
| Sverxpovest', Dubravka Oraic Tolic | XIX-I (1986) p. 43 | |
| Kataxreza, I.P. Smirnov | XIX-I (1986) p. 57 | |
| Ornamental'nost'/ornamentalizm, Léna Szilárd | XIX-I (1986) p. 65 | |
| Aleksej E. Kruchenyx, Rosemarie Ziegler | XIX-I (1986) p. 79 | |
| Film and Form: Notes on Boris Èjxenbaum's Stylistics of Cinema, F.W. Galan | XIX-II (1986) p. 105 | |
| Russian Writers and the Cinema in the Early 20th Century – A Survey, Jerry Heil | XIX-II (1986) p. 143 | |
| Russian Futurism and the Cinema: Majakovskij's Film Work of 1913, Jerry Heil | XIX-II (1986) p. 175 | |
| Montage as a Constructing Principle in Cinematic and Narrative Art: Èjzenshtejn and Babel', Marc Schreurs | XIX-II (1986) p. 193 | |
| Cvetaeva's Sibylline Lyrics, Olga Peters Hasty | XIX-IV (1986) p. 323 | |
| Dve zametki ob Igore Severjanine, Rein Kruus | XIX-IV (1986) p. 341 | |
| ''Izmeritel'naja edinica russkoj zhizni'': Pushkin in the Work of Boris Pasternak, Rima Salys | XIX-IV (1986) p. 347 | |
| Ob odnoj poslovice i trex funkcijax plana vyrazhenija poslovic, Vadim Ljapunov, Savelij Senderovich | XIX-IV (1986) p. 393 | |
| Irony in Mandel'shtam's Later Poetry, Peter Zeeman | XIX-IV (1986) p. 405 | |
| Prostranstvo v proze avangarda: Konarmija I. Babelja, J.J. van Baak | XX-I (1986) p. 1 | |
| Barokko i avangard, Ziva Bencic | XX-I (1986) p. 15 | |
| Metamorfoza, Aleksandar Flaker | XX-I (1986) p. 31 | |
| Zhiznestroenie, Hans Günther | XX-I (1986) p. 41 | |
| Chernyj jumor, Magdalena Medaric | XX-I (1986) p. 49 | |
| Èmocionalisty, Tat'jana Nikol'skaja | XX-I (1986) p. 61 | |
| Majakovskij i serbskaja i xorvatskaja literatura, Alice Parmeggiani-Dri | XX-I (1986) p. 71 | |
| Istoki poètiki OBÈRIU, Sergej Sigov | XX-I (1986) p. 87 | |
| Avangardistskij obraz mira i postroenie konflikta, J.J. van Baak | XXI-I (1987) p. 1 | |
| Infantilizm, Ziva Bencic | XXI-I (1987) p. 11 | |
| Literatura i zhivopis', Aleksandar Flaker | XXI-I (1987) p. 25 | |
| Funkcija, Hans Günther | XXI-I (1987) p. 59 | |
| Russia and the Myth of the North: The Modern Response, Nils Ake Nilsson | XXI-II (1987) p. 125 | |
| OBMOXU, Sonja Briski-Uzelac | XXII-I (1987) p. 21 | |
| Zenit i russkij avangard, Vida Golubovic | XXII-I (1987) p. 39 | |
| PROUN, Sonja Briski-Uzelac | XXIII-II (1988) p. 81 | |
| Èsteticheskij vyzov i èsteticheskaja provokacija, Aleksandar Flaker | XXIII-II (1988) p. 89 | |
| Jurij Degen, Tat'jana Nikol'skaja | XXIII-II (1988) p. 101 | |
| Citatnost', Dubravka Oraic Tolic | XXIII-II (1988) p. 113 | |
| Imja personazha u A. Platonova, Visnja Rister | XXIII-II (1988) p. 133 | |
| Avangard i simvolizm (Èlementy postsimvolizma v simvolizme), I.P. Smirnov | XXIII-II (1988) p. 147 | |
| 'Azbuka uma' Velimira Xlebnikova, Carla Solivetti | XXIII-II (1988) p. 169 | |
| Nesovmestimost', Josip Uzarevic | XXIII-II (1988) p. 185 | |
| Andrej Platonov and the Inadmissibility of Desire, Eric Naiman | XXIII-IV (1988) p. 319 | |
| On the Genesis of Platonov's Literary Style in the Voronezh Period, Thomas Seifrid | XXIII-IV (1988) p. 367 | |
| Tri stat'i iz CGALI, Andrej Platonov | XXIII-IV (1988) p. 387 | |
| Ideja bessmertija u rannego Platonova, Sh. Ljubushkina | XXIII-IV (1988) p. 397 | |
| Devjat' rannix proizvedenij, Andrej Platonov | XXIII-IV (1988) p. 425 | |
| Andrej Platonov v Voronezhe, Thomas Langerak | XXIII-IV (1988) p. 437 | |
| 10 stixotvorenij, 4 rasskaza, 1 fel'eton, 6 statej i 4 recenzii 1918-1924, Andrej Platonov | XXIII-IV (1988) p. 469 | |
| Slozhenie metafor u Mandel'shtama, Ziva Bencic | XXIV-II (1988) p. 129 | |
| Polemika v stixax (Malevich protiv Kruchenyx i Kljuna), N.I. Xardzhiev | XXIV-II (1988) p. 145 | |
| Veshch', Hans Günther | XXIV-II (1988) p. 151 | |
| ''Ustanovka'' (''Intention'', ''Einstellung''), Aage A. Hansen-Löve | XXIV-II (1988) p. 161 | |
| Komicheskoe u Proppa, Bogdan Kosanovic | XXIV-II (1988) p. 181 | |
| Èstetika Mejerxol'da, Nirman Moranjak-Bamburac | XXIV-II (1988) p. 191 | |
| Kalambur, Rudolf Neuhäuser | XXIV-II (1988) p. 207 | |
| Aleksandr Chachikov, Tat'jana Nikol'skaja | XXIV-II (1988) p. 227 | |
| Liricheskij sub"ekt v poèzii russkogo avangarda, Willem G. Weststeijn | XXIV-II (1988) p. 235 | |
| Teorija ''pribavochnogo èlementa'' Kazimira Malevicha, Mojmír Grygar | XXV-III (1989) p. 313 | |
| Vvedenie v teoriju pribavochnogo èlementa v zhivopisi, K. Malevich | XXV-III (1989) p. 337 | |
| Leninizm i bespredmetnost': rozhdenie mifa, Mojmír Grygar | XXV-III (1989) p. 383 | |
| Iz knigi o bespredmetnosti, K. Malevich | XXV-III (1989) p. 399 | |
| Iz materialov o Majakovskom, N.I. Xardzhiev | XXV-IV (1989) p. 451 | |
| A.N. Chicherin, Constructivist Poet, Gerald Janecek | XXV-IV (1989) p. 469 | |
| Modulating Meters in the Plays of Marina Cvetaeva, R.D.B. Thomson | XXV-IV (1989) p. 525 | |
| Vasilij Masjutins Werke im Britischen Museum, Xenia Werner | XXV-IV (1989) p. 551 | |
| Deshifrovka, Jerzy Faryno | XXVI-I (1989) p. 1 | |
| Realizovannoe sravnenie v poètike avangarda (Na materiale poèmy V. Xlebnikova 'Zhuravl''), Anna Han | XXVI-I (1989) p. 69 | |
| Zvukovaja metafora, Rudolf Neuhäuser | XXVI-I (1989) p. 93 | |
| Xlebnikov i tipologija avangarda XX veka, Vjacheslav Vs. Ivanov | XXVII-I (1990) p. 11 | |
| Daniil Xarms: teatr absurda – real'nyj teatr (Prochtenie p'esy Elizaveta Bam), Jean-Philippe Jaccard | XXVII-I (1990) p. 21 | |
| Melodramatizm v russkom romane XX veka, Magdalena Medaric | XXVII-I (1990) p. 41 | |
| Zhanrovaja i morfologicheskaja sistema dramaturgii Majakovskogo, Miroslav Mikulásek | XXVII-I (1990) p. 53 | |
| Peterburgskij tekst: B. Pil'njak, Nirman Moranjak-Bamburac | XXVII-I (1990) p. 69 | |
| Avangard i sovremennost' (Vaginov i Kabakov: tipologicheskaja parallel'), Dubravka Ugresic | XXVII-I (1990) p. 83 | |
| Isaak Babel' and his Film-Work, Jerry Heil | XXVII-III (1990) p. 289 | |
| Iz materialov o Majakovskom, N.I. Xardzhiev | XXVII-IV (1990) p. 417 | |
| Tainstvo dal'nix – ''dionisicheskaja'' p'esa Velimira Xlebnikova, Svetlana Ja. Kazakova | XXVII-IV (1990) p. 437 | |
| Tainstvo dal'nix, V.V. Xlebnikov | XXVII-IV (1990) p. 453 | |
| Tvorcheskaja istorija ob"edinenija 'Centrifuga' (zametki o rannix poèticheskix vzaimosvjazjax B. Pasternaka, N. Aseeva i S. Bobrova), Svetlana Ja. Kazakova | XXVII-IV (1990) p. 459 | |
| Non-Authoritarian Discourse in Peterburg, Cynthia Simmons | XXVII-IV (1990) p. 483 | |
| Towards a Theory of Enjambement: With Special Reference to the Poetry of Marina Cvetaeva, R.D.B. Thomson | XXVII-IV (1990) p. 503 | |
| The Citadel of the Revolutionary Word: Notes on the Poetics of Benedikt Livshic, Ronald Vroon | XXVII-IV (1990) p. 533 | |
| Neopublikovannoe proizvedenie Eleny Guro Bednyj rycar', Z.G. Minc | XXIX-I (1991) p. 1 | |
| Oksjumoron u Mandel'shtama, Ziva Bencic | XXIX-I (1991) p. 25 | |
| Konstruktivnyj roman dvadcatyx godov, Aleksandar Flaker | XXIX-I (1991) p. 47 | |
| Iosif Shillinger – kompozitor i utopist, Detlef Gojowy | XXIX-I (1991) p. 57 | |
| Slovenskij avangardizm i russkij avangardizm, Vida Golubovic | XXIX-I (1991) p. 67 | |
| Vladimir Nabokov i roman XX stoletija, Magdalena Medaric | XXIX-I (1991) p. 79 | |
| Fakt i fikcija: Shtoss v zhizn' B. Pil'njaka, Nirman Moranjak-Bamburac | XXIX-I (1991) p. 101 | |
| Izobretateli i priobretateli, Agnès Sola | XXIX-I (1991) p. 113 | |
| Liricheskij paradoks, Josip Uzarevic | XXIX-I (1991) p. 123 | |
| Èzopov jazyk v poèzii Mandel'shtama 30-x godov, Irina Mess-Baehr | XXIX-III (1991) p. 243 | |
| Echoes of Nietzsche and Mallarmé in Mandel'shtam's Metapoetic ''Petersburg'', Anna Lisa Crone | XXX-IV (1991) p. 405 | |
| O. Mandel'shtam i A. Belyj: polemika i preemstvennost', S.M. Margolina | XXX-IV (1991) p. 431 | |
| Elements of Henri Bergson's Creative Evolution in the Critical Prose of Osip Mandel'shtam, Frances Nethercott | XXX-IV (1991) p. 455 | |
| Mandel'shtam's Sumerki Poems, Nils Ake Nilsson | XXX-IV (1991) p. 467 | |
| Gorod v xudozhestvennom mire Mandel'shtama: prostranstvennyj aspekt, S.G. Shindin | XXX-IV (1991) p. 481 | |
| Mandel'shtam's Kamen': The Evolution of an Image, R.D.B. Thomson | XXX-IV (1991) p. 501 | |
| The Two Worlds in Jurij Zhivago's Poem 'Zimnjaja noch'', Konstantin Kustanovich | XXXI-I (1992) p. 1 | |
| ''It is the World's Midday'': Pasternak's Poem 'Sparrow Hills', Nils Ake Nilsson | XXXI-I (1992) p. 27 | |
| Pasternak, Spengler, and Quantum Mechanics: Constants, Variables, and Chains of Equations, Darlene Reddaway | XXXI-I (1992) p. 37 | |
| Hamlet als Messias. Eine Sinnlinie durch Pasternaks Doktor Zhivago, Severin Schroeder | XXXI-I (1992) p. 71 | |
| O 'Vozdushnyx putjax' B. Pasternaka: Semiotika mira, vrazhdebnogo cheloveku, O.B. Zaslavskij | XXXI-I (1992) p. 99 | |
| Deshifrovka III: transsemioticheskaja lestnica avangarda, Jerzy Faryno | XXXII-I (1992) p. 1 | |
| Avangard i èrotika, Aleksandar Flaker | XXXII-I (1992) p. 41 | |
| Kniga O duxovnom v iskusstve V. Kandinskogo i avangardnoe myshlenie, Hans Günther | XXXII-I (1992) p. 53 | |
| Vojna i avangard, N. Gur'janova | XXXII-I (1992) p. 65 | |
| Chinari, Jean-Philippe Jaccard | XXXII-I (1992) p. 77 | |
| Chevengur i 'Opon'skoe carstvo'. K voprosu narodnogo xiliazma v romane A. Platonova, Hans Günther | XXXII-III (1992) p. 211 | |
| O filosofskoj pozicii A. Platonova (proza serediny 20-x-30-x godov), Evgenij Jablokov | XXXII-III (1992) p. 227 | |
| 'Èfirnyj trakt' (K istorii teksta povesti), Natal'ja Kornienko | XXXII-III (1992) p. 253 | |
| Andrej Platonov vo vtoroj polovine dvadcatyx godov. Chast' vtoraja – 'Sokrovennyj chelovek', Thomas Langerak | XXXII-III (1992) p. 271 | |
| Volod'kin muzh (Moi poxozhdenija na ètom svete), Andrej Platonov | XXXII-III (1992) p. 303 | |
| Kommentarij k 'Volod'kinu muzhu', I. Savel'zon | XXXII-III (1992) p. 307 | |
| ''Romannoe myshlenie'' v rasskazax i povestjax Andreja Platonova 20-x godov, V. Skobelev | XXXII-III (1992) p. 329 | |
| K istokam ''bespredmetnogo'' iskusstva, Svetlana Ja. Kazakova | XXXIV-II (1993) p. 135 | |
| Avangard slovesnyj i avangard izobrazitel'nyj: Cvetaeva o Goncharovoj, Aleksandar Flaker | XXXVI-I (1994) p. 1 | |
| Ostranenie – ''snjatie pokrovov'' i obnazhenie priema, Hans Günther | XXXVI-I (1994) p. 13 | |
| Povest' L. Andreeva 'Moi zapiski' kak javlenie modernizma (predavangarda), L. Iezuitova | XXXVI-I (1994) p. 29 | |
| Kubofuturizm: muzykal'nye paralleli (k probleme stilevyx napravlenij), Tamara Levaja | XXXVI-I (1994) p. 45 | |
| Modern kak predavangardnyj stil': Mixail Kuzmin, Magdalena Medaric | XXXVI-I (1994) p. 57 | |
| Avtointerpretacija i postanaliz, Nirman Moranjak-Bamburac | XXXVI-I (1994) p. 81 | |
| Avangard i postmodern, Dubravka Oraic Tolic | XXXVI-I (1994) p. 95 | |
| Bruno Jasenskij i russkij avangard, Rimma Volynska | XXXVI-I (1994) p. 115 | |
| Metafizika ornamenta i suprematizm, N.V. Zlydneva | XXXVI-I (1994) p. 123 | |
| Stixotvorenie Verlena 'Le bruit des cabarets...' kak arxetip poèzii 1920-x godov, V.E. Bagno | XXXVII-I (1995) p. 1 | |
| Oslinyj xvost: Ob odnom samoimenovanii, Aleksandar Flaker | XXXVII-IV (1995) p. 451 | |
| Aleksej Kruchenyx's Literary Theories, Gerald Janecek | XXXIX-I (1996) p. 1 | |
| Dmitrij Prigov and the Russian Avant-Garde, Then and Now, Mary A. Nicholas | XXXIX-I (1996) p. 13 | |
| Infantil'noe kak èsteticheskaja i èticheskaja kategorii, Ziva Bencic | XL-I (1996) p. 1 | |
| Lef i stanovlenie sovetskoj kul'tury, Hans Günther | XL-I (1996) p. 19 | |
| Avtobiografija i avtobiografizm, Magdalena Medaric | XL-I (1996) p. 31 | |
| Iosif Brodskij i akmeizm, Nirman Moranjak-Bamburac | XL-I (1996) p. 57 | |
| Andrej Belyj i kino, Heidemarie Riedlhuber | XL-I (1996) p. 77 | |
| ''Allogizm'' i izosemantizm avangarda (na primere Malevicha), Jerzy Faryno | XL-I (1996) p. 91 | |
| Igra v pravila – igra s pravilami. Priemy ludizma v povesti Evgenija Popova 'Billi Bons', Christine Engel | XLIII-II (1998) p. 115 | |
| Ovneshnenie cheloveka pri totalitarizme i religioznoe soznanie, Ivan Esaulov | XLIII-II (1998) p. 137 | |
| Venecianskie literaturnye veduty, Aleksandar Flaker | XLIII-II (1998) p. 149 | |
| Palindromon – Revolutio, Erika Greber | XLIII-II (1998) p. 159 | |
| Mudryj otec Stalin i ego sem'ja (na materiale kartin D. Vertova i M. Chiaureli), Hans Günther | XLIII-II (1998) p. 205 | |
| K funkcii ''probela'' v neoficial'noj literature 60-x godov: Moskva-Petushki Venedikta Erofeeva, Petra Hesse | XLIII-II (1998) p. 221 | |
| ''Opticheskij obman'' v russkom avangarde: O ''rasshirennom smotrenii'', Jean-Philippe Jaccard | XLIII-II (1998) p. 245 | |
| Kalendar' russkoj literatury, Irena Luksic | XLIII-II (1998) p. 259 | |
| Avtoèkzekucija È. Strixi i èkzekucija K. Burevija kak konec ukrainskogo ludizma, Stefan Simonek | XLIII-II (1998) p. 271 | |
| Trompe-l'oeil-obmanka: illjuzija ili mistifikacija?, Silvia Burini | XLV-I (1999) p. 1 | |
| Ital'janskij pejzazh u P. Muratova: vizualizacija mysli, Patrizia Deotto | XLV-I (1999) p. 15 | |
| Illjuzionizm i ikonichnost' (k probleme fluktuacii ''vizual'noj dominanty'' nacional'noj kul'tury v russkoj slovesnosti XX veka), Ivan Esaulov | XLV-I (1999) p. 23 | |
| Vyveski v literature, Aleksandar Flaker | XLV-I (1999) p. 35 | |
| ''Raek'' v russkoj literature pervoj treti XX veka, Rita Giuliani | XLV-I (1999) p. 47 | |
| Ideja v obrazax, abstraktnoe v vizual'nom. Figury-obrazy Isaaka Babelja, Zsuzsa Hetényi | XLV-I (1999) p. 75 | |
| Sverxchelovek i podchelovek, Dubravka Oraic Tolic | XLV-I (1999) p. 87 | |
| Vizual'nost' xudozhestvennyx obrazov u B.L. Pasternaka ('Rozhdestvenskaja zvezda'. Stixotvorenija Jurija Zhivago), L.D. Rusakov | XLV-I (1999) p. 93 | |
| Maska v literature i zhivopisi nachala XX veka (A. Axmatova, K. Somov), V. Silant'eva, O. Konopel'ko | XLV-I (1999) p. 107 | |
| Obratnaja perspektiva, Josip Uzarevic | XLV-I (1999) p. 115 | |
| Psevdonim (Imja i ''identitet''), Ziva Bencic | XLIX-II (2001) p. 115 | |
| Avangard kak utopicheskaja kul'tura: Velimir Xlebnikov, Dubravka Oraic Tolic | L-III (2001) p. 287 | |
| Istochnik inspiracii v russkom literaturnom avangarde (1910-e-1920-e gg.), Elena Tyryshkina | L-III (2001) p. 319 | |
| Russian Baroque | ||
|---|---|---|
| Barokko i avangard, Ziva Bencic | XX-I (1986) p. 15 | |
| Russian Classicism | ||
|---|---|---|
| Münchhausen and Copernicus: Some Observations on Russian Classicistic and Romantic Poetry, Paul M. Waszink | XXXIV-III (1993) p. 373 | |
| Russian Constructivism | ||
|---|---|---|
| Russkij literaturnyj konstruktivizm, Rainer Grübel | XVII-I (1985) p. 9 | |
| Kan-Fun: konstruktivizm-funkcionalizm, Rainer Grübel | XXII-I (1987) p. 51 | |
| Konstruktivnyj roman dvadcatyx godov, Aleksandar Flaker | XXIX-I (1991) p. 47 | |
| Russian Cultural Policy | ||
|---|---|---|
| Zur Frage des Zusammenhangs von literatur-politischen Entscheidungen und den Kulturkonzeptionen literarischer Gruppen in der ersten Hälfte der 20er Jahre, Karl Eimermacher | VI-2 (1978) p. 103 | |
| Russian Formalism | ||
|---|---|---|
| Review: Ladislav Matejka and Krystyna Pomorska (Eds.), Readings in Russian Poetics: Formalist and Structuralist Views, Ann Arbor, 1962, Maria R. Mayenowa | 6 (1974) p. 121 | |
| ''Formalism'' and ''Structuralism'': An Exercise in Metahistory, Peter Steiner | XII-III (1982) p. 299 | |
| The Legacy of the OPOJAZ, Krystyna Pomorska | XIV-III (1983) p. 229 | |
| ''Faktura'', ''Fakturnost''', Aage A. Hansen-Löve | XVII-I (1985) p. 29 | |
| ''Motivirovka'', ''motivacija'', Aage A. Hansen-Löve | XVIII-II (1985) p. 91 | |
| Dominanta, Aage A. Hansen-Löve | XIX-I (1986) p. 15 | |
| ''Ustanovka'' (''Intention'', ''Einstellung''), Aage A. Hansen-Löve | XXIV-II (1988) p. 161 | |
| Russian Futurism | ||
|---|---|---|
| Publikacii po russkomu futurizmu, Vladimir Markov | 1 (1971) p. 5 | |
| Futurism, Primitivism and the Russian Avant-Garde, Nils Ake Nilsson | VIII-V (1980) p. 469 | |
| The Sound Poem: Russian Zaum' and German Dada, Nils Ake Nilsson | X-IV (1981) p. 307 | |
| The Place of Russian Futurism within the Russian Poetic Avantgarde: A Reconsideration, Victor Erlich | XIII-I (1983) p. 1 | |
| Semantic Functions in zaum', Denis Mickiewicz | XV-IV (1984) p. 363 | |
| Gruppa ''41°'', Rosemarie Ziegler | XVII-I (1985) p. 71 | |
| Russian Futurism and the Cinema: Majakovskij's Film Work of 1913, Jerry Heil | XIX-II (1986) p. 175 | |
| ''Sindikat futuristov'', Tat'jana Nikol'skaja | XXI-I (1987) p. 89 | |
| ''Orden Zaumnikov'', Sergej Sigov | XXII-I (1987) p. 85 | |
| Izobretateli i priobretateli, Agnès Sola | XXIX-I (1991) p. 113 | |
| Eshche o russkom futurizme i kino, Rein Kruus | XXXI-III (1992) p. 333 | |
| Kubofuturizm: muzykal'nye paralleli (k probleme stilevyx napravlenij), Tamara Levaja | XXXVI-I (1994) p. 45 | |
| Die antiapokalyptische Utopik des russischen Futurismus, Aage A. Hansen-Löve | XL-III (1996) p. 319 | |
| Zaum' v slavjanskoj narodnoj kul'ture: golos iz potustoronnego mira, E.E. Levkievskaja | XLVI-I (1999) p. 31 | |
| O nekotoryx obshchix osobennostjax infantil'nogo i zaumnogo jazyka, Valerij Grechko | XLVIII-I (2000) p. 15 | |
| Russian Imagism | ||
|---|---|---|
| Obraz i russkij imazhinizm, Bogdan Kosanovic | XXI-I (1987) p. 69 | |
| Russian Literary Criticism | ||
|---|---|---|
| The Organic Tradition in Russian Literary Criticism, Victor Terras | 5 (1973) p. 35 | |
| Russian Literary Theory | ||
|---|---|---|
| Stanovlenie teorii motiva v russkom literaturovedenii, I.V. Silant'ev | XLIX-IV (2001) p. 489 | |
| Russian Literature (18th Century) | ||
|---|---|---|
| Jurij Lotman and the Re-Presentation of Eighteenth-Century Russian Literature, N.J. Crowe | XXXVI-III (1994) p. 277 | |
| Russian Literature (19th Century) | ||
|---|---|---|
| The Theme of the Chinovnik and the Antinomies of Order and Life in Nineteenth Century Russian Literature, Regina Kecht, Andrew Weeks | XI-IV (1982) p. 309 | |
| The True Origins of the Superfluous Man, Judith M. Armstrong | XVII-III (1985) p. 279 | |
| Parole d'autrui, image de l'autre en Russie et Pologne au XIXe siècle, Thomas Lahusen | XVIII-IV (1985) p. 321 | |
| Talk of the Town: Gossip in the Russian Society Tale, Carolyn Jursa Ayers | XLVII-I (2000) p. 1 | |
| Russian Literature (20th Century) | ||
|---|---|---|
| Literatura fakta, Hans Günther | XVII-I (1985) p. 21 | |
| Proizvodstvennoe iskusstvo, Gerhard Schaumann | XVII-I (1985) p. 53 | |
| Theoretische Grundlagen und literarische Praxis der Gruppe ''Litfront'' (Zum Verhältnis von proletarischer und ''linker'' Kunsttheorie in der Sowjetunion am Ende der zwanziger Jahre), Holger Siegel | XVII-IV (1985) p. 389 | |
| Grotesk, roman, Visnja Rister | XVIII-II (1985) p. 121 | |
| Byt, Aleksandar Flaker | XIX-I (1986) p. 1 | |
| Ornamental'nost'/ornamentalizm, Léna Szilárd | XIX-I (1986) p. 65 | |
| Russian Writers and the Cinema in the Early 20th Century – A Survey, Jerry Heil | XIX-II (1986) p. 143 | |
| Illjuzionizm i ikonichnost' (k probleme fluktuacii ''vizual'noj dominanty'' nacional'noj kul'tury v russkoj slovesnosti XX veka), Ivan Esaulov | XLV-I (1999) p. 23 | |
| ''Raek'' v russkoj literature pervoj treti XX veka, Rita Giuliani | XLV-I (1999) p. 47 | |
| Smert' kak semantika stilja (russkaja metaproza 1920-x-1930-x godov), M.N. Lipoveckij | XLVIII-II (2000) p. 155 | |
| Jurodstvo i shutovstvo v rannej sovetskoj literature (kul'turologicheskie aspekty), Ivan Esaulov | XLIX-II (2001) p. 143 | |
| ''Golubye goroda''. K voprosu o ''moskovskom tekste'' 20-yx godov, Aleksandar Flaker | XLIX-II (2001) p. 155 | |
| Russian Literature (General) | ||
|---|---|---|
| The Emblem in Russian Literature, Anthony R. Hippisley | XVI-III (1984) p. 289 | |
| Optimal'naja proekcija, Aleksandar Flaker | XVII-I (1985) p. 1 | |
| Kalambur, Rudolf Neuhäuser | XXIV-II (1988) p. 207 | |
| Russian Novel (20th Century) | ||
|---|---|---|
| Melodramatizm v russkom romane XX veka, Magdalena Medaric | XXVII-I (1990) p. 41 | |
| Russian Poetry (18th Century) | ||
|---|---|---|
| On Eighteenth-Century Russian Rhyme, Dean S. Worth | 3 (1972) p. 47 | |
| The Versification of the Russian Kant from the End of the Seventeenth to the Middle of the Eighteenth Century, James Bailey | XIII-II (1983) p. 123 | |
| The Stanza Typology of Russian Poetry 1735-1816: A General Survey, G.S. Smith | XIII-II (1983) p. 175 | |
| Russian Poetry (20th Century) | ||
|---|---|---|
| K opredeleniju stilja modern v russkoj i cheshskoj poèzii, Mojmír Grygar | VIII-IV (1980) p. 315 | |
| The Uses and Abuses of Syntax in Russian Modernist Poetry, Fiona Björling | VIII-VI (1980) p. 499 | |
| Liricheskij sub"ekt v poèzii russkogo avangarda, Willem G. Weststeijn | XXIV-II (1988) p. 235 | |
| Translation as Inspiration in Recent Russian Poetry, Michael Molnar | XXXVI-III (1994) p. 347 | |
| Russian Poetry | ||
|---|---|---|
| The Development of Strict Accentual Verse in Russian Literary Poetry, James Bailey | 9 (1975) p. 87 | |
| Semanticheskij èksperiment v poèticheskoj rechi, M.B. Mejlax | VI-4 (1978) p. 389 | |
| Stress Shifts Induced by Syllabotonic Rhythm: Exploring an Intersection of Russian Poetics and Experimental Psychology, Daniel Rancour-Laferriere | X-I (1981) p. 31 | |
| 'Sel'skoe kladbishche' Zhukovskogo: K istokam russkoj poèzii, V.N. Toporov | X-III (1981) p. 207 | |
| Liricheskij paradoks, Josip Uzarevic | XXIX-I (1991) p. 123 | |
| Poèzija kak problema, I. Gurvich | L-I (2001) p. 1 | |
| Russian Prose (19th Century) | ||
|---|---|---|
| The Society Tale and the Innovative Argument in Russian Prose Fiction of the 1830s, Elizabeth C. Shepard | X-II (1981) p. 111 | |
| Notes on Sentimental and Romantic Prose (and Literary Evolution), Lewis Bagby | XIV-II (1983) p. 103 | |
| Gilded Guilt: Confession in Russian Romantic Prose, Helena Goscilo | XIV-II (1983) p. 149 | |
| Russian Prose (20th Century) | ||
|---|---|---|
| Mir po Krzhizhanovskomu, J.J. van Baak | XLV-IV (1999) p. 361 | |
| Rezhimnaja ulica svjatogo Nikolaja (Arbat u B. Zajceva i B. Jampol'skogo), T.V. Civ'jan | XLV-IV (1999) p. 373 | |
| Berberova i biografija Chajkovskogo: problema zhanra, Patrizia Deotto | XLV-IV (1999) p. 391 | |
| Sootnoshenie istoricheskoj prozy i dokumental'nogo romana s kljuchom: Sumasshedshij korabl' Ol'gi Forsh i ee Sovremenniki, Vjacheslav Vs. Ivanov | XLV-IV (1999) p. 401 | |
| Proza Borisa Poplavskogo mezhdu dnevnikom i romanom, Luigi Magarotto | XLV-IV (1999) p. 415 | |
| 'Otrechenie' Jurija Slezkina i russkaja intelligencija na perelome, T.M. Nikolaeva | XLV-IV (1999) p. 427 | |
| 'Akvarium' Leonida Borisova, Tat'jana Nikol'skaja | XLV-IV (1999) p. 449 | |
| ''Tol'ko chitat' i ètomu ne verit'''. Viktor Mozalevskij i ego proza, Ol'ga Ja. Obuxova | XLV-IV (1999) p. 457 | |
| K interpretacii romana Sergeja Bobrova Vosstanie mizantropov, Daniela Rizzi | XLV-IV (1999) p. 469 | |
| Poètika otchajanija, S. Shersher | XLV-IV (1999) p. 483 | |
| Poètika mnogojazychija v druzheskoj perepiske S.S. Prokof'eva i V.A. Dukel'skogo, I.G. Vishneveckij | XLV-IV (1999) p. 501 | |
| Proza Osipa Felina: vtoraja i dvojnaja proza. Vvodnye zamechanija, Stefano Garzonio | XLVI-IV (1999) p. 403 | |
| Proza Jur. Jurkuna mezhdu neosentimentalizmom i èmocionalizmom (Literaturnye otnoshenija s M. Kuzminym), Eric de Haard | XLVI-IV (1999) p. 411 | |
| Povestvovatel'naja proza m. Marii, Nina Kauxchishvili | XLVI-IV (1999) p. 437 | |
| 'Shchepka' Vladimira Zazubrina, Adalgisa Mingati | XLVI-IV (1999) p. 453 | |
| Oeuvre posthume Kuzmina: Zametki k tekstu, Gleb Morev | XLVI-IV (1999) p. 467 | |
| Pjat' razgovorov i odin sluchaj (publikacija G. Moreva), M.A. Kuzmin | XLVI-IV (1999) p. 483 | |
| V poiskax ''vtoroj leniniany'': Zoshchenko, Malevich i Vladimir Il'ich, Gian Piero Piretto | XLVI-IV (1999) p. 495 | |
| Pis'ma o Lermontove Jurija Fel'zena: K vyboru kommunikativnoj strategii, Carla Solivetti | XLVI-IV (1999) p. 509 | |
| A Russian American in Paris (O proze Vladimira Diksona), Olja Tielkes | XLVI-IV (1999) p. 529 | |
| Roman Rasputin Ivana Fedorovicha Nazhivina, Willem G. Weststeijn | XLVI-IV (1999) p. 555 | |
| Smert' kak semantika stilja (russkaja metaproza 1920-x-1930-x godov), M.N. Lipoveckij | XLVIII-II (2000) p. 155 | |
| Russian Proverbs | ||
|---|---|---|
| Ob odnoj poslovice i trex funkcijax plana vyrazhenija poslovic, Vadim Ljapunov, Savelij Senderovich | XIX-IV (1986) p. 393 | |
| Russian Realism | ||
|---|---|---|
| Realizm: diaxronicheskij podxod, J.R. Döring, I.P. Smirnov | VIII-I (1980) p. 1 | |
| Russian Romanticism | ||
|---|---|---|
| Notes on Sentimental and Romantic Prose (and Literary Evolution), Lewis Bagby | XIV-II (1983) p. 103 | |
| Gilded Guilt: Confession in Russian Romantic Prose, Helena Goscilo | XIV-II (1983) p. 149 | |
| Romanticism, Marxism-Leninism, Literary Movement, Lauren G. Leighton | XIV-II (1983) p. 183 | |
| Some Observations on Pushkin's Image in Russian Literature, Victor Terras | XIV-IV (1983) p. 299 | |
| Funkcii reminiscencij iz Dante v poèzii Pushkina (Stat'ja pervaja), Boris Gasparov | XIV-IV (1983) p. 317 | |
| Pushkin and Marlinskij: Decembrist Allusions, Lauren G. Leighton | XIV-IV (1983) p. 351 | |
| The Obsessions and Madness of Germann in Pikovaja dama, Gareth Williams | XIV-IV (1983) p. 383 | |
| A Lesson for Novelists; or: The Dramatic Structure of Eugene Onegin, Roberta Clipper-Sethi | XIV-IV (1983) p. 397 | |
| The Exotic Prisoner in Russian Romanticism, Paul M. Austin | XVI-III (1984) p. 217 | |
| Lermontov's The Demon and Maturin's Melmoth the Wanderer, Mark S. Simpson | XVI-III (1984) p. 275 | |
| The Emblem in Russian Literature, Anthony R. Hippisley | XVI-III (1984) p. 289 | |
| Zhukovskij's World of Fleeting Visions, Savelij Senderovich | XVII-III (1985) p. 203 | |
| V.F. Odoevskij's 'Knjazhna Zizi', Lewis Bagby | XVII-III (1985) p. 221 | |
| Gattungssynthese und literarische Entwicklung (Odoevskij und Brjusov), Walter Koschmal | XVII-III (1985) p. 243 | |
| The Process of Dehumanization in Gogol's Literary Portraits, Edmund Heier | XVII-III (1985) p. 263 | |
| The True Origins of the Superfluous Man, Judith M. Armstrong | XVII-III (1985) p. 279 | |
| Transcending ''Urban'' Romanticism: Dostoevskij's Netochka Nezvanova, Thomas Gaiton Marullo | XVII-III (1985) p. 297 | |
| Bestuzhev-Marlinskij: Personality – Persona, Lewis Bagby | XXII-III (1987) p. 247 | |
| Bestuzhev-Marlinskij's 'Morexod Nikitin': Polemics in Ambiguity, Lewis Bagby | XXII-III (1987) p. 311 | |
| Aleksandr Bestuzhev-Marlinskij and the Gothic Novel in Russia, Mark S. Simpson | XXII-III (1987) p. 343 | |
| The Zaporozhian Cossacks of Nikolaj Gogol': An Approach to God and Man, Judith Deutsch | XXII-III (1987) p. 359 | |
| Münchhausen and Copernicus: Some Observations on Russian Classicistic and Romantic Poetry, Paul M. Waszink | XXXIV-III (1993) p. 373 | |
| Baratynskij's Tales in Verse: The Social Implications of Poetic Genre, Luc Jean Beaudoin | XXXVIII-II (1995) p. 113 | |
| Obraz severnogo rybaka v russkoj literature romantizma (Na primere idillii 'Rybaki' N.I. Gnedicha), Otto Boele | XXXVIII-II (1995) p. 129 | |
| Romantizm i simvolizm, Erik Egeberg | XXXVIII-II (1995) p. 149 | |
| Mif o Lermontove na rubezhe XIX-XX vekov, V.M. Markovich | XXXVIII-II (1995) p. 157 | |
| Lirika Lermontova: tekst i intertekst, S.F. Vasil'ev | XXXVIII-II (1995) p. 189 | |
| Iz istorii ''goticheskogo romana'' v Rossii (A.A. Bestuzhev-Marlinskij), V.È. Vacuro | XXXVIII-II (1995) p. 207 | |
| Prav- i Slav-: Opyt semanticheskogo analiza Borisa Godunova A.S. Pushkina, J. Douglas Clayton | XXXVIII-III (1995) p. 227 | |
| Romantizm i bidermajer, F.P. Fedorov | XXXVIII-III (1995) p. 241 | |
| ''Ne ver' sebe'' – A komu zhe verit'? (Oratorskaja lirika Lermontova), Matthias Freise | XXXVIII-III (1995) p. 259 | |
| Ja i drugoj. Kritika romanticheskogo soznanija u Baxtina i K'erkegora, Aleksej Frishman | XXXVIII-III (1995) p. 273 | |
| 'Ivan Fedorovich Shpon'ka i ego tetushka' v kontekste romanticheskogo cikla Vechera na xutore bliz Dikan'ki, Sergej Goncharov | XXXVIII-III (1995) p. 295 | |
| Èsteticheskoe i èticheskoe v Geroe nashego vremeni M.Ju. Lermontova, Kristian Jorgensen | XXXVIII-III (1995) p. 313 | |
| Franc Kafka i Gogol' (O sud'be odnoj postromanticheskoj tradicii), Ju. Mann | XXXVIII-III (1995) p. 349 | |
| ''Shumom bala utomlennyj'': The Physiological Aspect of the Society Ball and the Subversion of Romantic Rhetoric, Valeria Sobol | XLIX-III (2001) p. 293 | |
| Russian Semiotics | ||
|---|---|---|
| Zwei Konzepte der Textbedeutung bei Jurij Lotman, Renate Lachmann | V-1 (1977) p. 1 | |
| ''If I Were You'' (A Few Remarks About Culture and Understanding), Alexander Piatigorsky | V-1 (1977) p. 37 | |
| Jurij Lotman and the Semiotics of Culture, Ann Shukman | V-1 (1977) p. 41 | |
| A Reply to Ju. Lotman, Jan M. Meijer | V-1 (1977) p. 55 | |
| Die Semantisierung der Form (Zum Inhaltskonzept Jurij Lotmans), Wolf Schmid | V-1 (1977) p. 61 | |
| Lotman as a Historian of Literature, Maria R. Mayenowa | V-1 (1977) p. 81 | |
| On the Specificness of the Literary Work, Mojmír Grygar | V-1 (1977) p. 91 | |
| The Poetic Text: A Complicated and Accessible Structure, Jan van der Eng | V-1 (1977) p. 103 | |
| L'Art Nouveau du point de vue de la sémiotique comparée des arts, Mojmír Grygar | VIII-III (1980) p. 199 | |
| Ob universal'nyx pravilax porozhdenija komicheskogo diskursa, I.P. Smirnov | XX-II (1986) p. 159 | |
| Literature and History: Riddles in Space and Time, D.M. Segal | XXXII-IV (1992) p. 417 | |
| Russian Structuralism | ||
|---|---|---|
| Vvedenie – Poètika vyrazitel'nosti (= ''porozhdajushchaja poètika'' = model' ''Tema PV Tekst''): k istorii termina i koncepcii, A.K. Zholkovskij | XI-I (1982) p. 1 | |
| Poèticheskij mir kak sistema invariantov i zadachi sopostavitel'noj poètiki, A.K. Zholkovskij | XI-I (1982) p. 91 | |
| Deshifrovka, Jerzy Faryno | XXVI-I (1989) p. 1 | |
| Russian Symbolism | ||
|---|---|---|
| Simvol u A. Bloka, Z.G. Minc | VII-III (1979) p. 193 | |
| Dve glavy iz istorii poèzii nachala veka: I. V.A. Komarovskij – II. V.K. Shilejko (k sootnosheniju poètiki simvolizma i akmeizma), V.N. Toporov | VII-III (1979) p. 249 | |
| A.A. Potebnja and Russian Symbolism, Willem G. Weststeijn | VII-V (1979) p. 443 | |
| The Visible and the Invisible Petersburg, Lubomír Dolezel | VII-V (1979) p. 465 | |
| Iconological Transformation in Blok's 'Blagoveshchenie', Gerald Pirog | VII-V (1979) p. 491 | |
| The Early Mandel'shtam and Symbolism, Jan M. Meijer | VII-V (1979) p. 521 | |
| L'Art Nouveau du point de vue de la sémiotique comparée des arts, Mojmír Grygar | VIII-III (1980) p. 199 | |
| Bal'mont and Xlebnikov (A Study of Euphonic Devices), Willem G. Weststeijn | VIII-III (1980) p. 255 | |
| Blok's 'Ravenna': The City as Sign, Gerald Pirog | VIII-III (1980) p. 297 | |
| K opredeleniju stilja modern v russkoj i cheshskoj poèzii, Mojmír Grygar | VIII-IV (1980) p. 315 | |
| Zelenye zvezdy i pojushchie vody v lirike Bloka, Kirill F. Taranovskij | VIII-IV (1980) p. 363 | |
| Aspects of Poetic Communication (Time and Space in Four Poems by A. Blok), Jan van der Eng | VIII-IV (1980) p. 377 | |
| Poèzija Mixaila Lozinskogo: Simvolizm i Akmeizm, D.M. Segal | XIII-IV (1983) p. 333 | |
| Avangard i simvolizm (Èlementy postsimvolizma v simvolizme), I.P. Smirnov | XXIII-II (1988) p. 147 | |
| Symbolism and Philosophical Discourse, Avril Pyman | XXXVI-IV (1994) p. 371 | |
| Simvolizm, ili isterija, I.P. Smirnov | XXXVI-IV (1994) p. 403 | |
| Innokentij Annenskijs 'Iz Bal'monta': Anmerkungen zu einem parodistischen Text des russischen Symbolismus, Witold Kosny | XXXVII-IV (1995) p. 505 | |
| Romantizm i simvolizm, Erik Egeberg | XXXVIII-II (1995) p. 149 | |
| Dionisijstvo simvolizma i strukturalisticheskaja teorija mifa (Vjacheslav Ivanov i Jurij Lotman/Zara Minc), Jurij Murashov | XLIV-IV (1998) p. 443 | |
| The Making of a Symbolist Metaphor: Valerij Brjusov's Poem 'V Damask', The Holy Bible and The Book of the Thousand Nights and a Night, Leonid Livak | XLV-II (1999) p. 149 | |
| A | B | C | D | E | F | G | H | I | J | K | L | M |
| N | O | P | Q | R | S | T | U | V | W | X | Y | Z |
| Sade, D.A. de | ||
|---|---|---|
| Dostoevskij and the Marquis de Sade, Robert Louis Jackson | IV-1 (1976) p. 27 | |
| Sadur, N. | ||
|---|---|---|
| The Death of Language and the Language of Death in Nina Sadur's 'Echaj', Serafima Roll | XXXIV-II (1993) p. 187 | |
| Salda, F.X. | ||
|---|---|---|
| The Beginnings of Czech Symbolist Aesthetics and Poetics (F.X. Salda and European Fin de Siècle), Oleg Sus | VII-IV (1979) p. 349 | |
| Saltykov-Shchedrin, M.E. | ||
|---|---|---|
| The Reading of the Heart: Anti-Aesopian Language in the Work of M.E. Saltykov-Shchedrin, Henriëtte Alida Menting | XLVIII-IV (2000) p. 389 | |
| Sand, G. | ||
|---|---|---|
| Dostoevskij and George Sand, Sigurd Fasting | IV-3 (1976) p. 309 | |
| Sarbiewski, M.K. | ||
|---|---|---|
| ''Problematic Similarity'': Sarbiewski's Treatise De acuto et arguto in the Context of Concettistic Theories of the 17th Century, Renate Lachmann | XXVII-II (1990) p. 239 | |
| Quelques remarques sur l'Appel à la pénitence de P. Skarga et Le bâton de maréchal de M.K. Sarbiewski, Jadwiga Kuczynska | XXVII-II (1990) p. 253 | |
| Schulz, B. | ||
|---|---|---|
| Bruno Schulz – The Myth of Origins, Russell E. Brown | XXII-II (1987) p. 195 | |
| Semenko, I.M. | ||
|---|---|---|
| Pamjati Iriny Mixajlovny Semenko, L. Ginzburg, A. Grigor'ev | XXII-IV (1987) p. 491 | |
| Semiotics | ||
|---|---|---|
| Semioticheskie aspekty poèzii o zhivopisi, Jerzy Faryno | VII-I (1979) p. 65 | |
| Zamjatin's Cave – On Troglodyte Versus Urban Culture, Myth, and the Semiotics of Literary Space, J.J. van Baak | X-IV (1981) p. 381 | |
| Cultural Semiotics – The Uses of a Theory, Artur Blaim | XXXVI-III (1994) p. 243 | |
| Remarks on the Foreign (Strange) as a Figure of Cultural Ambivalence, Renate Lachmann | XXXVI-III (1994) p. 335 | |
| Semiotika perevoda, perevod semiotiki, Peeter Torop | XXXVI-IV (1994) p. 427 | |
| Senkovskij, O.I. | ||
|---|---|---|
| Erasing the Boundaries of Criticism: Senkovskij, Readers and Writers, Melissa Frazier | XLVII-I (2000) p. 15 | |
| Serapion Brothers | ||
|---|---|---|
| Serapionovy brat'ja, Bogdan Kosanovic | XVIII-II (1985) p. 113 | |
| Severjanin, I. | ||
|---|---|---|
| Majakovskij i Igor' Severjanin, N.I. Xardzhiev | VI-4 (1978) p. 307 | |
| Dve zametki ob Igore Severjanine, Rein Kruus | XIX-IV (1986) p. 341 | |
| Shalamov, V. | ||
|---|---|---|
| Varlam Shalamov: V prisutstvii d'javola. Problema konteksta, Elena Mikhailik | XLVII-II (2000) p. 199 | |
| Shilejko, V.K. | ||
|---|---|---|
| Dve glavy iz istorii poèzii nachala veka: I. V.A. Komarovskij – II. V.K. Shilejko (k sootnosheniju poètiki simvolizma i akmeizma), V.N. Toporov | VII-III (1979) p. 249 | |
| Shillinger, I. | ||
|---|---|---|
| Iosif Shillinger – kompozitor i utopist, Detlef Gojowy | XXIX-I (1991) p. 57 | |
| Shklovskij, V. | ||
|---|---|---|
| Potebnja, Shklovskij, and the Familiarity/Strangeness Paradox, Daniel Laferrière | IV-2 (1976) p. 175 | |
| Ostranenie – ''snjatie pokrovov'' i obnazhenie priema, Hans Günther | XXXVI-I (1994) p. 13 | |
| Shukshin, V. | ||
|---|---|---|
| Èpistemologija zastoja. O postmodernistskoj proze V. Shukshina, Raul' Èshel'man | XXXV-I (1994) p. 67 | |
| Silver Age | ||
|---|---|---|
| Proza poètov o ''proze poèta'', T.V. Civ'jan | XLI-IV (1997) p. 423 | |
| O metafizicheskoj topografii Ierusalima: trinadcat' primechanij k 'Nebesnoj kolonii' A. Petrovoj (Melanxolicheskij doklad dlja ser'eznoj konferencii), I.G. Vishneveckij | XLI-IV (1997) p. 437 | |
| Boris Pasternak i poèma v proze Andreja Belogo Glossolalija (Razmyshlenija nad stixotvoreniem 'Step''), Stefano Garzonio | XLI-IV (1997) p. 451 | |
| Neskol'ko iudejskix kommentariev k stat'e S. Gardzonio 'Boris Pasternak i poèma v proze Andreja Belogo Glossolalija (Razmyshlenija nad stixotvoreniem ''Step''')', Leonid Kacis | XLI-IV (1997) p. 461 | |
| Majakovsko-Pasternakovskie èpizody v Puteshestvii v Armeniju i Razgovore o Dante Osipa Mandel'shtama (K probleme ''vtoraja proza'' ''pervyx poètov''), Leonid Kacis | XLI-IV (1997) p. 465 | |
| Stilistika prozy Konstantina Bol'shakova ('Devjatnadcat' – vchera', Sgonoch'), Tat'jana Nikol'skaja | XLI-IV (1997) p. 483 | |
| Rannee tvorchestvo Nikolaja Gumileva v svete poètiki akmeizma: zametki k teme, Ol'ga Ja. Obuxova | XLI-IV (1997) p. 495 | |
| Doktor Zhivago kak ''proza poèta'', Ju.B. Orlickij | XLI-IV (1997) p. 505 | |
| Brodskij ''protiv'' Venecii, Gian Piero Piretto | XLI-IV (1997) p. 519 | |
| Roman Mixaila Zenkevicha Muzhickij sfinks v kontekste avtobiograficheskoj i memuarnoj prozy russkix modernistov, Konstantin Polivanov | XLI-IV (1997) p. 533 | |
| Ob odnom primere ''prozy poèta'': Domoj s nebes Borisa Poplavskogo, Daniela Rizzi | XLI-IV (1997) p. 543 | |
| O proze poèta: Anatolij Mariengof i poètika Zanozy, J.J. van Baak | XLII-III/IV (1997) p. 261 | |
| Proza poèta: po povodu èsse Brodskogo 'Poèt i proza', Sander Brouwer | XLII-III/IV (1997) p. 271 | |
| Ob odnom sluchae vlijanija ''prozy poèta'' na poèziju, T.M. Dvinjatina, F.N. Dvinjatin | XLII-III/IV (1997) p. 283 | |
| Poèzija v proze Mixaila Kuzmina: stixotvornye vstavki, Eric de Haard | XLII-III/IV (1997) p. 287 | |
| Proza poèta: Adelaida Gercyk. ''Podval'nye'' stixotvorenija – ''Podval'nye ocherki'': Dve ipostasi odnogo zhiznennogo opyta, Ol'ga Ja. Obuxova | XLII-III/IV (1997) p. 315 | |
| O nekotoryx semanticheskix kompressirovannyx modeljax v xudozhestvennom mire Mandel'shtama, S.G. Shindin | XLII-III/IV (1997) p. 325 | |
| Obraz slova v kontekste xudozhestvennogo mira Vaginova, Ol'ga V. Shindina | XLII-III/IV (1997) p. 349 | |
| Istoki ''sverxprozy'' Xlebnikova 'Uchitel' i uchenik': zatekstovye i polizhanrovye ''ploskosti'', Carla Solivetti, Emilia Ryzhik-Nabokina | XLII-III/IV (1997) p. 379 | |
| Stixotvornaja i prozaicheskaja rech' v liricheskix dramax Al. Bloka, Jenny Stelleman | XLII-III/IV (1997) p. 413 | |
| Obraz materii mira v zhivopisnoj i slovesnoj tkani Pavla Filonova (opyt sravnenija), Ol'ga Tarasenko | XLII-III/IV (1997) p. 443 | |
| Poèzija prozy Chetvertoj simfonii A. Belogo, Olja Tielkes | XLII-III/IV (1997) p. 459 | |
| Doktor Zhivago – poèticheskij tekst, Willem G. Weststeijn | XLII-III/IV (1997) p. 477 | |
| Detskaja ritorika v Shume vremeni Mandel'shtama, Ben Wiegers | XLII-III/IV (1997) p. 491 | |
| The Poetics of Return in Osip Mandel'shtam's 'Solominka', Stuart Goldberg | XLV-II (1999) p. 131 | |
| The Making of a Symbolist Metaphor: Valerij Brjusov's Poem 'V Damask', The Holy Bible and The Book of the Thousand Nights and a Night, Leonid Livak | XLV-II (1999) p. 149 | |
| Ob odnom jumoristicheskom stixotvorenii Xlebnikova, Igor' Loshchilov | XLV-II (1999) p. 167 | |
| V.Ja. Brjusov i G.I. Chulkov, M.V. Mixajlova | XLV-II (1999) p. 181 | |
| 'Detstvo Ljuvers': povest' o vzroslenii, Il'ja Pomerancev | XLV-II (1999) p. 197 | |
| Surpassing Acmeism? – The Lost Key to Cvetaeva's 'Poem of the Air', Alexandra Smith | XLV-II (1999) p. 209 | |
| Extra-Stanzaic Elements in the Lyric Poetry of Marina Cvetaeva, R.D.B. Thomson | XLV-II (1999) p. 223 | |
| Dialog muzhskoj i zhenskoj kul'tur v russkoj literature serebrjanogo veka: ''Cogito ergo sum'' – ''Amo ergo sum'', M.V. Mixajlova | XLVIII-I (2000) p. 47 | |
| Simeon Polockij | ||
|---|---|---|
| Cryptography in Simeon Polockij's Poetry, Anthony R. Hippisley | V-4 (1977) p. 389 | |
| From 'A Forest of Things' to A Garden of Many Flowers: Simeon Polockij's Polish Affiliations, Tadeusz Witkowski | XXVIII-I (1990) p. 145 | |
| Sinjavskij, A. | ||
|---|---|---|
| Literature in the Dock: The Trial against Andrej Sinjavskij, Martine Artz | XXXVII-IV (1995) p. 441 | |
| Skarga, K. | ||
|---|---|---|
| Quelques remarques sur l'Appel à la pénitence de P. Skarga et Le bâton de maréchal de M.K. Sarbiewski, Jadwiga Kuczynska | XXVII-II (1990) p. 253 | |
| Skobcova, E.Ju. | ||
|---|---|---|
| Povestvovatel'naja proza m. Marii, Nina Kauxchishvili | XLVI-IV (1999) p. 437 | |
| Skrjabin, A.N. | ||
|---|---|---|
| The Birth of Poetry from the Spirit of Criticism: Ivanov on Skrjabin, Marina Kostalevsky | XLIV-III (1998) p. 317 | |
| Slezkin, Ju. | ||
|---|---|---|
| 'Otrechenie' Jurija Slezkina i russkaja intelligencija na perelome, T.M. Nikolaeva | XLV-IV (1999) p. 427 | |
| Slovenian Avant-Garde | ||
|---|---|---|
| Slovenskij avangardizm i russkij avangardizm, Vida Golubovic | XXIX-I (1991) p. 67 | |
| Slovo o polku Igoreve | ||
|---|---|---|
| 'Slovo o polku Igoreve' i 'Maxabxarata', Vl. Shelest | XVII-II (1985) p. 143 | |
| The Slovo o polku Igoreve: A Poetic Dream, Tatiana Fefer | XLII-I (1997) p. 17 | |
| Did the ''Heretic'' Feofan Prokopovich Write the Slovo o polku Igoreve?, Tatiana Fefer | XLIV-I (1998) p. 41 | |
| Sobol', A. | ||
|---|---|---|
| Poètika otchajanija, S. Shersher | XLV-IV (1999) p. 483 | |
| Socialist Realism | ||
|---|---|---|
| Has Socialist Realism Been Identical with Itself?, John Fizer | XXVIII-I (1990) p. 11 | |
| Modernist in Form, Socialist in Content: The History of the Construction of the Stalin White Sea-Baltic Canal, Cynthia A. Ruder | XLIV-IV (1998) p. 469 | |
| Södergran, E. | ||
|---|---|---|
| Elena Guro, Edith Södergran, and the Karelian Isthmus, Henrik Birnbaum | XL-III (1996) p. 267 | |
| Sokolov, S. | ||
|---|---|---|
| Flowers of Evil: The Poetics of Monstrosity in Contemporary Russian Literature (Erofeev, Mamleev, Sokolov, Sorokin), Ulrich Schmid | XLVIII-II (2000) p. 205 | |
| Sologub, F. | ||
|---|---|---|
| The Medium and the Message: Oral Utterances in Melkij Bes, Julian W. Connolly | IX-IV (1981) p. 357 | |
| The Structure of Space in F. Sologub's 'V tolpe', Katharina Hansen Löve | XXX-II (1991) p. 109 | |
| The Dichotomy of Lilith and Eve in Fedor Sologub's Mythopoetics, Stephanie Peters Carlson | XLVIII-I (2000) p. 1 | |
| Biblical Imagery in Sologub's Short Stories: 'Baranchik', 'Zhalo smerti', and 'Pretvorivshaja vodu v vino', Linda Ivanits | L-II (2001) p. 125 | |
| Solzhenicyn, A.I. | ||
|---|---|---|
| Brodsky and Solzhenicyn, Willem G. Weststeijn | XLVII-III/IV (2000) p. 389 | |
| Somov, K. | ||
|---|---|---|
| Maska v literature i zhivopisi nachala XX veka (A. Axmatova, K. Somov), V. Silant'eva, O. Konopel'ko | XLV-I (1999) p. 107 | |
| Sorokin, V. | ||
|---|---|---|
| Stripping Socialist Realism of its Seamless Dress: Vladimir Sorokin's Deconstruction of Soviet Utopia and the Art of Representation, Serafima Roll | XXXIX-I (1996) p. 65 | |
| Flowers of Evil: The Poetics of Monstrosity in Contemporary Russian Literature (Erofeev, Mamleev, Sokolov, Sorokin), Ulrich Schmid | XLVIII-II (2000) p. 205 | |
| Sound and Music in Russian Literature and Culture | ||
|---|---|---|
| Slovesnoe izobrazhenie ''zvukovogo pejzazha'', T.V. Civ'jan | XLVI-I (1999) p. 1 | |
| Ozvuchenie teksta v proze L. Dobychina, A.F. Belousov | XLVI-I (1999) p. 19 | |
| U istokov russkix predstavlenij o muzykal'nosti ital'janskoj poèzii ('Son, najdennyj v staryx bumagax moego dedushki'), Stefano Garzonio | XLVI-I (1999) p. 23 | |
| Zaum' v slavjanskoj narodnoj kul'ture: golos iz potustoronnego mira, E.E. Levkievskaja | XLVI-I (1999) p. 31 | |
| Intonacionnaja teorija stixa, E.V. Nevzgljadova | XLVI-I (1999) p. 45 | |
| Zvuki mira i neslyshnaja miru muzyka v poèzii V. Xodasevicha, Ol'ga Ja. Obuxova | XLVI-I (1999) p. 65 | |
| O ''misticheskoj'' prirode sovetskix massovyx pesen, Elena Petrushanskaja | XLVI-I (1999) p. 87 | |
| 'Uslyshu i otzovus'': O ''muzykal'nyx citatax'' u Brodskogo, Elena Petrushanskaja | XLVI-I (1999) p. 103 | |
| Zhukovskij: slovo i zvuk, F.P. Fedorov | XLVI-I (1999) p. 121 | |
| Soviet Literature | ||
|---|---|---|
| Ot massovogo zrelishcha do demonstracii (glazami inostrannyx pisatelej), Aleksandar Flaker | XL-III (1996) p. 309 | |
| Soviet Semiotics | ||
|---|---|---|
| Review: Poètika v rabotax tartuskogo universiteta, Maria R. Mayenowa | 2 (1972) p. 152 | |
| Review: B.A. Uspenskij, Poètika kompozicii, Frans de Valk | 2 (1972) p. 165 | |
| Neskol'ko zamechanij po povodu stat'i prof. Marii R. Majenovoj, ''Poètika v rabotax tartuskogo universiteta'', Ju.M. Lotman | 6 (1974) p. 83 | |
| Neskol'ko slov po povodu recenzii Ja.M. Mejera 'Literatura kak informacija', Ju.M. Lotman | 9 (1975) p. 111 | |
| Baxtin and Soviet Semiotics (A Case Study: Boris Uspenskij's Poètika kompozicii), I.R. Titunik | X-I (1981) p. 1 | |
| The Concept of ''Model'' in Soviet Semiotics, Peter Grzybek | XXXVI-III (1994) p. 285 | |
| Spengler, O. | ||
|---|---|---|
| Pasternak, Spengler, and Quantum Mechanics: Constants, Variables, and Chains of Equations, Darlene Reddaway | XXXI-I (1992) p. 37 | |
| Filosofskij kontekst romana A. Platonova Schastlivaja Moskva (Platon, Aristotel', O. Shpengler), M. Dmitrovskaja | XLVI-II (1999) p. 139 | |
| Stachura, E. | ||
|---|---|---|
| Der Modellcharakter der Raumzeit in der Lyrik (E. Stachura, R. Wojaczek), Michael Fleischer | XVI-II (1984) p. 161 | |
| Strand, M. | ||
|---|---|---|
| The Anxiety of a Dedication: Joseph Brodsky's 'Kvintet/Sextet' and Mark Strand, John Givens | XXXVII-II/III (1995) p. 203 | |
| Strindberg, A. | ||
|---|---|---|
| The Reception of Strindberg in Russia: The Introductory Years, Nils Ake Nilsson | XL-III (1996) p. 231 | |
| Strixa, È. | ||
|---|---|---|
| Avtoèkzekucija È. Strixi i èkzekucija K. Burevija kak konec ukrainskogo ludizma, Stefan Simonek | XLIII-II (1998) p. 271 | |
| Structuralism | ||
|---|---|---|
| Dionisijstvo simvolizma i strukturalisticheskaja teorija mifa (Vjacheslav Ivanov i Jurij Lotman/Zara Minc), Jurij Murashov | XLIV-IV (1998) p. 443 | |
| Sverxchelovek i podchelovek, Dubravka Oraic Tolic | XLV-I (1999) p. 87 | |
| Sumarokov, A.P. | ||
|---|---|---|
| K xarakteristike russkogo chetyrexstopnogo jamba XVIII veka: Lomonosov, Trediakovskij, Sumarokov, A.V. Proxorov, Kirill F. Taranovskij | XII-II (1982) p. 145 | |
| Literaturnaja vojna Trediakovskogo i Sumarokova v 1740-x-nachale 1750-x godov, M.S. Grinberg, B.A. Uspenskij | XXXI-II (1992) p. 133 | |
| Symbolism in Slavic Literatures | ||
|---|---|---|
| Symbolism or Modernism in Slavic Literatures?, Aleksandar Flaker | VII-IV (1979) p. 329 | |
| The Beginnings of Czech Symbolist Aesthetics and Poetics (F.X. Salda and European Fin de Siècle), Oleg Sus | VII-IV (1979) p. 349 | |
| La théorie du langage poétique chez Boleslaw Lesmian, Michal Glowinski | VII-IV (1979) p. 391 | |
| Sound Texture in the Theory and Poetry of Polish Symbolism, Lucylla Pszczolowska | VII-IV (1979) p. 411 | |
| L'enjambement dans la poésie d'Antun Gustav Matos, Branko Vuletic | VII-IV (1979) p. 425 | |
| A | B | C | D | E | F | G | H | I | J | K | L | M |
| N | O | P | Q | R | S | T | U | V | W | X | Y | Z |
| Taranovskij, K.F. | ||
|---|---|---|
| Kniga K.F. Taranovskogo o poèzii O.È. Mandel'shtama, G.A. Levinton, R.D. Timenchik | VI-2 (1978) p. 197 | |
| Tarkovskij, A. | ||
|---|---|---|
| Anna Axmatova i Arsenij Tarkovskij (K istorii vzaimootnoshenij dvux poètov), E.M. Ol'shanskaja | XXX-III (1991) p. 373 | |
| Terc, A. | ||
|---|---|---|
| The Fantastic Form of Terc's Early Fiction, Erika Haber | XLVII-II (2000) p. 135 | |
| Terent'ev, N. | ||
|---|---|---|
| N. Terent'ev, Tat'jana Nikol'skaja | XXII-I (1987) p. 75 | |
| Theory of Literature | ||
|---|---|---|
| In Search of a Method of Scientific Literary Research, Józef Bujnowski | XXXIII-II/III (1993) p. 177 | |
| ''Many Remarkable Images that Look at Themselves Who Look at You Who Look at Them'': On the Making of the Epistolary Self-Portrait, Elena Siemens | XXXV-I (1994) p. 117 | |
| O nekotoryx izomorfnyx konstrukcijax v poèticheskix tekstax, Ju.L. Frejdin | XXXVII-IV (1995) p. 461 | |
| Theory of Poetry | ||
|---|---|---|
| Über die Kategorie des lyrischen Subjekts, Janusz Slawinski | XVIII-IV (1985) p. 311 | |
| Towards a Model of Lyric Communication. Some Historical and Theoretical Remarks, Menno Kraan | XXX-II (1991) p. 199 | |
| Poetics and Phonology: Points of Disharmony, Miroslav Cervenka | XXXIII-II/III (1993) p. 239 | |
| Tjutchev, F.I. | ||
|---|---|---|
| Three Poems About Two Meetings, Irene Masing-Delic | 9 (1975) p. 37 | |
| Tjutchev's Role as Mediator Between the Government and M.N. Katkov (1863-1866), R. Lane | XVII-II (1985) p. 111 | |
| Tjutchev's Mission to Greece (1833) According to Diplomatic Documents, R. Lane | XXIII-III (1988) p. 265 | |
| Tolstoj, A.N. | ||
|---|---|---|
| E.Ju. Kuz'mina-Karavaeva (mat' Marija) i A.N. Tolstoj: kontakty, A.N. Shustov | XLVIII-IV (2000) p. 425 | |
| Tolstoj, L.N. | ||
|---|---|---|
| Tolstoj and the Evangelical Revival Among the Russian Aristocracy, Edmund Heier | 1 (1971) p. 28 | |
| Lev Tolstoj, Rimvydas Shilbajoris | 1 (1971) p. 58 | |
| Tolstoj's Use of Proverbs in The Power of Darkness, Andrew Donskov | 9 (1975) p. 67 | |
| On Narration in Vojna i mir, Eric de Haard | VII-II (1979) p. 95 | |
| The Eclipsing Construction and Its Place in the Invariant Structure of Lev Tolstoj's Children's Stories, Ju.K. Shcheglov, A.K. Zholkovskij | VII-II (1979) p. 121 | |
| 'The Death of Ivan Il'ich'. The Construction of the Theme; Some Aspects of Language and Time, Jan van der Eng | VII-II (1979) p. 159 | |
| Verfremdung bei Lev Tolstoj, Klaus Dieter Seemann | X-I (1981) p. 49 | |
| Ex ungue leonem: Invarianty Tolstogo i struktura ego detskix rasskazov, Ju.K. Shcheglov, A.K. Zholkovskij | XI-I (1982) p. 19 | |
| The Archetypal Journey. Aesthetic and Ethical Imperatives in the Art of Tolstoj – The Cossacks, Robert Louis Jackson | XI-IV (1982) p. 389 | |
| Contrastive Parallelism in War and Peace: Sonja versus Natasha, Harold K. Schefski | XXIII-III (1988) p. 281 | |
| Narrative Voice and the Inner Form of Tolstoj's War and Peace, Alexander Woronzoff | XXV-II (1989) p. 297 | |
| The Cossacks – Stylistic Means in Relation to Some Fundamental Beliefs of Tolstoj, Irina Agushi | XXVI-III (1989) p. 327 | |
| On the Stylistic Nature of L.N. Tolstoj's The Wisdom of Children, Andrew Donskov | XXVI-III (1989) p. 355 | |
| Nature and the Narrator in Xadzhi-Murat, Donna T. Orwin | XXVIII-I (1990) p. 125 | |
| Jazyk i stil' v opisanii obraza Napoleona v romanax Tolstogo Vojna i mir i Dostoevskogo Prestuplenie i nakazanie, Margarita Ruttner | XXX-II (1991) p. 253 | |
| Tolstoj Speaks for Baxtin, Jill F. Durey | XXXII-IV (1992) p. 357 | |
| The Truth of the Inner Being: 'The Kreutzer Sonata' as a Tragedy of Forgiveness, Robert Bird | XL-IV (1996) p. 405 | |
| The Ballroom Scene in Anna Karenina: Shifting Hierarchies in High Society, Christine Boyland | XL-IV (1996) p. 411 | |
| Music and Literature as Related Infections: Beethoven's Kreutzer Sonata Op. 47 and Tolstoj's Novella 'The Kreutzer Sonata', Mahoko Eguchi | XL-IV (1996) p. 419 | |
| What is Art? and the Anxiety of Music, Caryl Emerson | XL-IV (1996) p. 433 | |
| Narrating the Murder: The Rhetoric of Evasion in 'The Kreutzer Sonata', Vladimir Golstein | XL-IV (1996) p. 451 | |
| Father Sergius and the Paradox of the Fortunate Fall, Robert Louis Jackson | XL-IV (1996) p. 463 | |
| What is Agriculture?, Gary Saul Morson | XL-IV (1996) p. 481 | |
| Presto and Manifesto: The Kreutzer Sonatas of Tolstoj and Beethoven, Elizabeth A. Papazian | XL-IV (1996) p. 491 | |
| The Swishing of the Scythes: The Mowing Scene in Anna Karenina, Anna Primrose Bendiksen | XL-IV (1996) p. 517 | |
| The Grammar of Child-Rearing in Anna Karenina, Gregory J. Rayner | XL-IV (1996) p. 525 | |
| Under the Sign of Leo: Janácek's Kreutzer Quartet, P. Rachael Wilson | XL-IV (1996) p. 535 | |
| Tolstoj, Tolstoyans and the Doukhobors. From Imperial Russian Archival Files, Andrew Donskov | XLIII-IV (1998) p. 431 | |
| De-familiarizing the Tolstoj of Formalism, Melissa Frazier | XLIV-II (1998) p. 143 | |
| Tolstoj's Wards: An Index of His Progression Towards Feminism and Polyphony?, Svetlana Grenier | XLVII-I (2000) p. 33 | |
| Odin aspekt parodii na L'va Tolstogo v 'Zapiskax junogo vracha' M. Bulgakova, Jasmina Vojvodic | XLIX-II (2001) p. 223 | |
| Tomashevskij, B. | ||
|---|---|---|
| Boris Tomashevskij's Theory of Literature, Klaus Dieter Seemann | XX-II (1986) p. 143 | |
| Trediakovskij, V.K. | ||
|---|---|---|
| K xarakteristike russkogo chetyrexstopnogo jamba XVIII veka: Lomonosov, Trediakovskij, Sumarokov, A.V. Proxorov, Kirill F. Taranovskij | XII-II (1982) p. 145 | |
| Literaturnaja vojna Trediakovskogo i Sumarokova v 1740-x-nachale 1750-x godov, M.S. Grinberg, B.A. Uspenskij | XXXI-II (1992) p. 133 | |
| Trifonov, Ju.V. | ||
|---|---|---|
| Historisches Ereignis und ästhetisches Zeichen. Zu Jurij V. Trifonovs Roman Neterpenie, Dagmar Burkhart | VI-2 (1978) p. 155 | |
| The Temporal and Narrative Structure of Jurij Trifonov's Novel Starik, Nina Kolesnikoff | XXVIII-I (1990) p. 23 | |
| Impatience: Jurij Trifonov and the Roots of Revolution, David Gillespie | XXXVI-IV (1994) p. 435 | |
| Smert' i bessmertie v ''Moskovskix povestjax'' Jurija Trifonova, Tatiana R. Spektor | XLIV-IV (1998) p. 485 | |
| Trubeckoj, N.S. | ||
|---|---|---|
| Iz marginalij k poètike prazhskoj shkoly – Opredelenie metra u N.S. Trubeckogo, G.A. Levinton | X-I (1981) p. 67 | |
| Trubeckoj i Xlebnikov, Willem G. Weststeijn | L-III (2001) p. 363 | |
| Turgenev, I.S. | ||
|---|---|---|
| Naissance d'un texte: Ivan Turgenev, Monsieur François, Claude Carey | 5 (1973) p. 102 | |
| The Structure of the Plot in Otcy i deti, Virginia M. Burns | 6 (1974) p. 33 | |
| Turgenev and Maupassant as Fantasts, Robert Dessaix | V-4 (1977) p. 325 | |
| Turgenev and the -Isms, Peter Brang | XVI-IV (1984) p. 305 | |
| ''Artistizm Turgeneva'' as a Structural Principle: Rudin and Cultural Grouping, William Mills Todd III | XVI-IV (1984) p. 323 | |
| Turgenev's Narrative Voices, Elizabeth Cheresh Allen | XVI-IV (1984) p. 333 | |
| The Origin and End of Turgenev's Sportsman's Notebook: The Poetics and Politics of a Precarious Balance, Dale E. Peterson | XVI-IV (1984) p. 347 | |
| Bazarov and Sechenov: The Role of Scientific Metaphor in Fathers and Sons, Michael Holquist | XVI-IV (1984) p. 359 | |
| The Death of Rhetoric in Rudin, Jane Costlow | XVI-IV (1984) p. 375 | |
| Turgenev's A Month in the Country and Balzac's La Maratre. The Originality of Turgenev's Play, Carmen Culianu-Georgescu | XVI-IV (1984) p. 385 | |
| Turgenev's 'The Inn': A Philosophical Novella, Robert Louis Jackson | XVI-IV (1984) p. 411 | |
| Humour in Turgenev's Operetta Le dernier sorcier, Nicholas G. Zhekulin | XVI-IV (1984) p. 421 | |
| The Triumph of Nature: A Re-Examination of Turgenev's Nakanune, James B. Woodward | XXV-II (1989) p. 259 | |
| Chexov's 'The House with an Attic': Echoes of Turgenev, Joseph L. Conrad | XXVI-III (1989) p. 373 | |
| Dido, Turgenev and the Journey Toward Bedlam, Jane Costlow | XXIX-IV (1991) p. 395 | |
| The Wimp, the Maiden and the Mensch: Turgenev's Bermuda Triangle, Richard Gregg | XXXVIII-I (1995) p. 51 | |
| The Enigmatic Hunter of Turgenev's Zapiski oxotnika, Thomas H. Hoisington | XLII-I (1997) p. 47 | |
| Turgenev, N.I. | ||
|---|---|---|
| Two Unpublished Letters of N.I. Turgenev (1859-1861), Glynn R. Barratt | 5 (1973) p. 122 | |
| Tynjanov, Ju.N. | ||
|---|---|---|
| Tynjanov – Parodist, N.I. Xardzhiev | 6 (1974) p. 59 | |
| Jurij Tynjanov's Film-Work. Two Filmscripts: 'Lieutenant Kizhe' (1927, 1933-1934) and 'The Monkey and the Bell' (1932), Jerry Heil | XXI-IV (1987) p. 347 | |
| Fact and Fiction in Tynjanov's Smert' Vazir-Muxtara: Paradoxes of a ''Scientific Novel'', Angela Brintlinger | XXXIX-III (1996) p. 273 | |
| A | B | C | D | E | F | G | H | I | J | K | L | M |
| N | O | P | Q | R | S | T | U | V | W | X | Y | Z |
| Ujevic, T. | ||
|---|---|---|
| Modern Trends in Serbian and Croatian Poetry: Stanislav Vinaver and Tin Ujevic, Tom Eekman | XL-III (1996) p. 293 | |
| Ukrainian Literature | ||
|---|---|---|
| Avtoèkzekucija È. Strixi i èkzekucija K. Burevija kak konec ukrainskogo ludizma, Stefan Simonek | XLIII-II (1998) p. 271 | |
| Uspenskij, B.A. | ||
|---|---|---|
| Review: Poètika v rabotax tartuskogo universiteta, Maria R. Mayenowa | 2 (1972) p. 152 | |
| Review: B.A. Uspenskij, Poètika kompozicii, Frans de Valk | 2 (1972) p. 165 | |
| Baxtin and Soviet Semiotics (A Case Study: Boris Uspenskij's Poètika kompozicii), I.R. Titunik | X-I (1981) p. 1 | |
| B.A. Uspenskij's Poètika kompozicii, Eric de Haard | X-I (1981) p. 79 | |
| A | B | C | D | E | F | G | H | I | J | K | L | M |
| N | O | P | Q | R | S | T | U | V | W | X | Y | Z |
| Vaginov, K. | ||
|---|---|---|
| Avangard i sovremennost' (Vaginov i Kabakov: tipologicheskaja parallel'), Dubravka Ugresic | XXVII-I (1990) p. 83 | |
| K interpretacii romana Vaginova Kozlinaja pesn', Ol'ga V. Shindina | XXXIV-II (1993) p. 219 | |
| Obraz slova v kontekste xudozhestvennogo mira Vaginova, Ol'ga V. Shindina | XLII-III/IV (1997) p. 349 | |
| Verheul, K. | ||
|---|---|---|
| Review: Kees Verheul, The Theme of Time in the Poetry of Anna Axmatova. Mouton, The Hague-Paris, 1971, M.B. Mejlax | 7/8 (1974) p. 203 | |
| Verlaine, P. | ||
|---|---|---|
| Stixotvorenie Verlena 'Le bruit des cabarets...' kak arxetip poèzii 1920-x godov, V.E. Bagno | XXXVII-I (1995) p. 1 | |
| Vertov, D. | ||
|---|---|---|
| Mudryj otec Stalin i ego sem'ja (na materiale kartin D. Vertova i M. Chiaureli), Hans Günther | XLIII-II (1998) p. 205 | |
| Vinaver, S. | ||
|---|---|---|
| Modern Trends in Serbian and Croatian Poetry: Stanislav Vinaver and Tin Ujevic, Tom Eekman | XL-III (1996) p. 293 | |
| Vinokur, G.O. | ||
|---|---|---|
| M.M. Baxtin i G.O. Vinokur: dva podxoda k nauchnoj poètike, Mark Sokoljanskij | XLIV-II (1998) p. 227 | |
| Vojnovich, V. | ||
|---|---|---|
| Vojnovich's Moskva 2042 as Literary Parody, Karen Ryan-Hayes | XXXVI-IV (1994) p. 453 | |
| Voloshin, M. | ||
|---|---|---|
| ''Trixiny'': Dostoevskij and Voloshin, Ann Marie Basom | XLI-I (1997) p. 1 | |
| Voznesenskij, A. | ||
|---|---|---|
| On the Art of Linguistic Opportunism, Denis Mickiewicz | VIII-VI (1980) p. 553 | |
| Vvedenskij, A.I. | ||
|---|---|---|
| Kachestvennaja i funkcional'naja xarakteristika vremeni v poèzii A.I. Vvedenskogo, O.G. Revzina | VI-4 (1978) p. 397 | |
| Situacija zagadki u A. Vvedenskogo (osobennost' otnoshenija avtor-tekst-chitatel'), Julija Valieva | XLIV-II (1998) p. 261 | |
| Vysockij, V.S. | ||
|---|---|---|
| Sudebno-kul'tovye anagrammy v poèzii V.S. Vysockogo, O.B. Zaslavskij | L-II (2001) p. 197 | |
| A | B | C | D | E | F | G | H | I | J | K | L | M |
| N | O | P | Q | R | S | T | U | V | W | X | Y | Z |
| Walcott, D. | ||
|---|---|---|
| Brodsky as Critic of Derek Walcott: Vision and the Sea, Robin Hanford | XLVII-III/IV (2000) p. 345 | |
| Weil, J. | ||
|---|---|---|
| Zur Rezeption des Romans Das Leben mit dem Stern von Jiri Weil. Sinn und Unsinn, Kees Mercks | XXXVII-IV (1995) p. 561 | |
| Witkacy |
|---|
| Witkiewicz, S.I. | ||
|---|---|---|
| Witkiewicz et la révolution, Jan Blonski | XXII-II (1987) p. 97 | |
| Richard III et Prométhée – Sur 'Nowe Wyzwolenie' (La Nouvelle Délivrance) de S.I. Witkiewicz, Michal Glowinski | XXII-II (1987) p. 115 | |
| Les liens entre l'art et la philosophie de l'histoire chez Witkiewicz, Alain van Crugten | XXII-II (1987) p. 129 | |
| Witkacy's Theory of Theatre, Janusz Degler | XXII-II (1987) p. 139 | |
| Stanislaw Ignacy Witkiewicz: zum Wechselverhältnis von Theorie und dramatischer Praxis, Rolf Fieguth | XXII-II (1987) p. 157 | |
| La monstrueuse nostalgie de l'infini ou la conscience du langage vue par S.I. Witkiewicz, Magdalena Nowotny | XXII-II (1987) p. 173 | |
| Bemerkungen zur Idee der Farbe, Pawel Taranczewski | XXII-II (1987) p. 185 | |
| Wojaczek, R. | ||
|---|---|---|
| Der Modellcharakter der Raumzeit in der Lyrik (E. Stachura, R. Wojaczek), Michael Fleischer | XVI-II (1984) p. 161 | |
| Wolker, J. | ||
|---|---|---|
| Innovationsformen der Ballade: Boleslaw Lesmian und Jiri Wolker, Herta Schmid | XXXIII-II/III (1993) p. 327 | |
| Wundt, W. | ||
|---|---|---|
| Drama V. Xlebnikova 'Gospozha Lenin' v svete èksperimental'noj psixologii V. Vundta (K postanovke problemy ''Xlebnikov i pozitivizm''), S. Starkina | XXXVIII-IV (1995) p. 461 | |
| A | B | C | D | E | F | G | H | I | J | K | L | M |
| N | O | P | Q | R | S | T | U | V | W | X | Y | Z |
| Xardzhiev, N.I. | ||
|---|---|---|
| Pis'ma A.A. Axmatovoj k N.I. Xardzhievu, Henryk Baran | 7/8 (1974) p. 5 | |
| Xarms, D. | ||
|---|---|---|
| An Analysis of Elizaveta Bam, Jenny Stelleman | XVII-IV (1985) p. 319 | |
| Daniil Xarms' 'Old Woman' Climbs her Family Tree: 'Staruxa' and the Russian Literary Past, Ellen B. Chances | XVII-IV (1985) p. 353 | |
| Daniil Xarms: teatr absurda – real'nyj teatr (Prochtenie p'esy Elizaveta Bam), Jean-Philippe Jaccard | XXVII-I (1990) p. 21 | |
| The Child and the Child-Like in Daniil Xarms, Larissa Tumanov, Vladimir Tumanov | XXXIV-II (1993) p. 241 | |
| Xlebnikov, V.V. | ||
|---|---|---|
| Xlebnikov's Poem 'Bex', Henryk Baran | 6 (1974) p. 5 | |
| Novoe o Velimire Xlebnikove, N.I. Xardzhiev | 9 (1975) p. 5 | |
| On the Poetics of Xlebnikov: Problems of Composition, B.A. Uspenskij | 9 (1975) p. 81 | |
| Bal'mont and Xlebnikov (A Study of Euphonic Devices), Willem G. Weststeijn | VIII-III (1980) p. 255 | |
| Kruchenyx and Xlebnikov Co-Authoring a Manifesto, Gerald Janecek | VIII-V (1980) p. 483 | |
| Xlebnikov's ''Vesennego Korana'': An Analysis, Henryk Baran | IX-I (1981) p. 1 | |
| Die Sphäre der Metaphern in Velimir Xlebnikovs Gedicht 'Derevo', Johannes Holthusen | IX-I (1981) p. 23 | |
| Xlebnikov's ''Imaginist'' Poem, Barbara Lönnqvist | IX-I (1981) p. 47 | |
| O Xlebnikove (publ. Bengt Jangfeldt), O.M. Brik | IX-I (1981) p. 59 | |
| Simile in Xlebnikov's 'Zhuravl'', Willem G. Weststeijn | IX-I (1981) p. 65 | |
| The Problem of Composition in Velimir Xlebnikov's Texts, Henryk Baran | IX-I (1981) p. 87 | |
| Velimir Xlebnikov's 'Xadzhi-Tarxan' and the Lomonosovian Tradition, Ronald Vroon | IX-I (1981) p. 107 | |
| Zvezdnyj jazyk, Dubravka Oraic Tolic | XVII-I (1985) p. 45 | |
| Sverxpovest', Dubravka Oraic Tolic | XIX-I (1986) p. 43 | |
| 'Azbuka uma' Velimira Xlebnikova, Carla Solivetti | XXIII-II (1988) p. 169 | |
| Realizovannoe sravnenie v poètike avangarda (Na materiale poèmy V. Xlebnikova 'Zhuravl''), Anna Han | XXVI-I (1989) p. 69 | |
| Towards the Meaning of a Zaum' Word in Xlebnikov, Paul Schmidt | XXVI-III (1989) p. 397 | |
| Xlebnikov i tipologija avangarda XX veka, Vjacheslav Vs. Ivanov | XXVII-I (1990) p. 11 | |
| Tainstvo dal'nix – ''dionisicheskaja'' p'esa Velimira Xlebnikova, Svetlana Ja. Kazakova | XXVII-IV (1990) p. 437 | |
| Tainstvo dal'nix, V.V. Xlebnikov | XXVII-IV (1990) p. 453 | |
| Two Images of Africa in Russian Literature of the Beginning of the Twentieth Century: Ka by Xlebnikov and Gumilev's African Poems, Vjacheslav Vs. Ivanov | XXIX-IV (1991) p. 409 | |
| Metamorfoza v ritmicheskom voploshchenii V. Xlebnikova, A.S. Birjukova | XXXVIII-IV (1995) p. 361 | |
| The River of Time as Thematic Archetype in Xlebnikov's 'Sajan', Paul A. Klanderud | XXXVIII-IV (1995) p. 369 | |
| Poèticheskaja preljudija k 'Doskam sud'by', Marina Konstantinova | XXXVIII-IV (1995) p. 385 | |
| Morfologija i istoricheskie korni xlebnikovskoj metamorfozy ('Zmej poezda'), Svetlana Lancova | XXXVIII-IV (1995) p. 409 | |
| K interpretacii stixotvorenija Velimira Xlebnikova 'Iz meshka', Igor' Loshchilov, Igor' Bogdanec | XXXVIII-IV (1995) p. 435 | |
| Pis'ma Very Xlebnikovoj, A. Mamaev | XXXVIII-IV (1995) p. 447 | |
| Drama V. Xlebnikova 'Gospozha Lenin' v svete èksperimental'noj psixologii V. Vundta (K postanovke problemy ''Xlebnikov i pozitivizm''), S. Starkina | XXXVIII-IV (1995) p. 461 | |
| ''Novoe zrenie v literature'' (K voprosu o tvorcheskix vzaimosvjazjax V. Xlebnikova i Vs. Ivanova), Marija Chernjak | XXXVIII-IV (1995) p. 473 | |
| Velimir Xlebnikov i chetvertoe izmerenie, Willem G. Weststeijn | XXXVIII-IV (1995) p. 483 | |
| Istoki ''sverxprozy'' Xlebnikova 'Uchitel' i uchenik': zatekstovye i polizhanrovye ''ploskosti'', Carla Solivetti, Emilia Ryzhik-Nabokina | XLII-III/IV (1997) p. 379 | |
| Ob odnom jumoristicheskom stixotvorenii Xlebnikova, Igor' Loshchilov | XLV-II (1999) p. 167 | |
| O tekstax i istochnikax Xlebnikova: novye zametki, Henryk Baran | L-III (2001) p. 235 | |
| ''Prosto muzyka'' i ''muzyka sfer'' v poème Xlebnikova ''I vot zelenoe ushchelie Zorgama...'', L.L. Gerver | L-III (2001) p. 255 | |
| Tri oppozicii v ideostile V. Xlebnikova: slav'/nem', Vostok/Zapad, ''zangezijstvo''/?, V.P. Grigor'ev | L-III (2001) p. 269 | |
| ''Prijatno videt'...'' Velimira Xlebnikova (1922): ritmicheskaja organizacija i fonika, Igor' Loshchilov | L-III (2001) p. 279 | |
| Avangard kak utopicheskaja kul'tura: Velimir Xlebnikov, Dubravka Oraic Tolic | L-III (2001) p. 287 | |
| O scenicheskom variante 'Detej Vydry' Xlebnikova, N.N. Percova | L-III (2001) p. 307 | |
| Istochnik inspiracii v russkom literaturnom avangarde (1910-e-1920-e gg.), Elena Tyryshkina | L-III (2001) p. 319 | |
| Qurrat al-'Ayn and the Image of Asia in Velimir Xlebnikov's Post-Revolutionary Oeuvre, Ronald Vroon | L-III (2001) p. 335 | |
| Trubeckoj i Xlebnikov, Willem G. Weststeijn | L-III (2001) p. 363 | |
| Xodasevich, V.F. | ||
|---|---|---|
| V.F. Xodasevich i sovremennaja evrejskaja poèzija, L. Bernhardt | 6 (1974) p. 21 | |
| Zvuki mira i neslyshnaja miru muzyka v poèzii V. Xodasevicha, Ol'ga Ja. Obuxova | XLVI-I (1999) p. 65 | |
| Xovin, V.R. | ||
|---|---|---|
| O Viktore Xovine i ego zhurnalax, Gleb Struve | IV-2 (1976) p. 109 | |
| A | B | C | D | E | F | G | H | I | J | K | L | M |
| N | O | P | Q | R | S | T | U | V | W | X | Y | Z |
| Yugoslav Literature | ||
|---|---|---|
| L'esthétique d'Ivo Andric, Midhat Begic | XXX-I (1991) p. 1 | |
| Der erasmische Konflikt. Miroslav Krleza und Erasmus von Rotterdam, Aleksandar Flaker | XXX-I (1991) p. 21 | |
| Andric's Berlin Writings: 'Between the Two Sirens', Zelimir Juricic | XXX-I (1991) p. 29 | |
| Salko Corkan the One-Eyed and Andric's Views on Love, Zelimir Juricic | XXX-I (1991) p. 45 | |
| Analyse thématique de Vrazji otok, Stanko Lasic | XXX-I (1991) p. 55 | |
| Sound and Meaning in Romantic Poetry: Preseren's Poezije, Rudolf Neuhäuser | XXX-I (1991) p. 85 | |
| A | B | C | D | E | F | G | H | I | J | K | L | M |
| N | O | P | Q | R | S | T | U | V | W | X | Y | Z |
| Zabolockij, N. | ||
|---|---|---|
| Zabolockij and Ciolkovskij, Darra Goldstein | XIII-I (1983) p. 65 | |
| Zajcev, B. | ||
|---|---|---|
| Rezhimnaja ulica svjatogo Nikolaja (Arbat u B. Zajceva i B. Jampol'skogo), T.V. Civ'jan | XLV-IV (1999) p. 373 | |
| Zamjatin, E. | ||
|---|---|---|
| Zamjatin's Cave – On Troglodyte Versus Urban Culture, Myth, and the Semiotics of Literary Space, J.J. van Baak | X-IV (1981) p. 381 | |
| The Manuscript in Zamjatin's We, Leighton Brett Cooke | XVII-IV (1985) p. 367 | |
| 'Rus'' Evgenija Zamjatina, Alina Izrailevich | XXI-III (1987) p. 233 | |
| 'Peshchera' E. Zamjatina i 'Konec melkogo cheloveka' L. Leonova (parodija kak politicheskaja polemika), Anatolij Vishevskij | XXXVII-I (1995) p. 127 | |
| Polemika o polemike: 'Peshchera' E.I. Zamjatina, Elena A. Maksimova | XLIV-II (1998) p. 185 | |
| Text and Culture: Continuous Discontinuity in Lotman and Zamjatin, Edna Andrews | XLIX-IV (2001) p. 347 | |
| Zazubrin, V. | ||
|---|---|---|
| 'Shchepka' Vladimira Zazubrina, Adalgisa Mingati | XLVI-IV (1999) p. 453 | |
| Zenkevich, M. | ||
|---|---|---|
| Roman Mixaila Zenkevicha Muzhickij sfinks v kontekste avtobiograficheskoj i memuarnoj prozy russkix modernistov, Konstantin Polivanov | XLI-IV (1997) p. 533 | |
| Zhukovskij, V.A. | ||
|---|---|---|
| K recepcii poèzii Zhukovskogo v nachale XX veka. Blok-Zhukovskij: problema reminiscencij, V.N. Toporov | V-4 (1977) p. 339 | |
| 'Sel'skoe kladbishche' Zhukovskogo: K istokam russkoj poèzii, V.N. Toporov | X-III (1981) p. 207 | |
| Teksty 'Sel'skogo kladbishcha', V.A. Zhukovskij | X-III (1981) p. 287 | |
| Zhukovskij's World of Fleeting Visions, Savelij Senderovich | XVII-III (1985) p. 203 | |
| Zhukovskij: slovo i zvuk, F.P. Fedorov | XLVI-I (1999) p. 121 | |
| Zoshchenko, M. | ||
|---|---|---|
| Biology, Reason and Literature in Zoshchenko's Pered vosxodom solnca, Irene Masing-Delic | VIII-I (1980) p. 77 | |
| Food, Fear, Feigning, and Flight in Zoshchenko's 'Foreigners', A.K. Zholkovskij | XL-III (1996) p. 385 | |
| V poiskax ''vtoroj leniniany'': Zoshchenko, Malevich i Vladimir Il'ich, Gian Piero Piretto | XLVI-IV (1999) p. 495 | |